Eboya tan-pen

Very often, speaking about Eboya implies some element of frustration—that of Eboya pens being exclusively cartridge-converters. And when not —the nominally eyedropper model Yuzen—, they still are cartridge-converters.

So, the Eboya market policy seems limited to release new models and new ebonite colors as long as the filling system did not change. And such is the case of the newer model, the tan-pen (in lower case).

The Eboya tan-pen. Only 97 mm long.

Its originality comes from its size: very small, very short; just 97 mm in length closed. And the well-known Eboya construction quality does the rest: the cap posts very securely onto the barrel. The result is a regular sized pen, even if on the shorter side. The price to pay is that it can only be inked with short cartridges (or as eyedropper).

Very secure posting. 133 mm long.

A size 5 nib by Bock. Note the new logo of the brand on the cap.

The tan-pen is certainly attractive and original, and represents a new approach to pens in the Eboya catalog. My only complain is that the company does not make it in black—you can choose almost any color but black. A black tan-pen, though, is available at sale events as a demonstration pen for potential customers, but is not for sale.

Any color but black.

These are the dimensions of the tan-pen:

Length closed: 97 mm
Length open: 91 mm
Length posted: 133 mm
Diameter: 12.2 mm
Weight: 11.7 g (dry)
Ink deposit: 0.8 ml (short standard cartridge)

The price, JPY 31200, plus taxes.

Lamy Accent – Franklin Christoph Urushi Red.


Bruno Taut
October 31st, 2022
etiquetas: Eboya, mercado

Ohashido (IV)

Different craftsman, different quality. That is what we saw on the previous Chronicle Ôhashidô (III). But was it just that?

A tray of Ôhashidô pens by Yûichi Uehara (Maruzen Nihonbashi, Tokyo, 2019).

The current production of Ôhashidô pens, made by Yûichi Uehara, is anything but structured. What you see on his table at sale events is what you get. There are no model names, no documents attached, no warranty card... At most we have some features that show up on a number of his pens, but not always. Current Ôhashidô pens can be very simple or very “giboshi”; in plain ebonite or with some form of urushi coating; black or colorful;… And in the end, each of them is unique.

The Eiichi Uehara's Ôhashidô pen.

On the contrary, Eiichi Uehara attached a lot more information on his pens. One of the documents, in fact, describes the three models of Ôhashidô pens available at the time:

Pro I (プロI): The luxury pen, recommended for long writing sessions. It implements two movable rings, one of them made of 18 K gold, to adjust the balance of the pen.

Pro II (プロII): For regular use. Three rings, two close to the nib and one on the cap.

Pro III (プロIII): The entry level pen. Two rings.

The revealing text. The diagram corresponds to a Pro I pen.

So there was a structure in the production of pens under the direction of Eiichi Uehara! And chances are that his son Yuichi chose a different route for Ôhashidô; the current route of unique pens.


My thanks to Poplicola-san.

Lamy Accent – Franklin Christoph Urushi Red.

Bruno Taut
October 21st, 2022
etiquetas: Ôhashidô

Ohashido (III)

Some more on Ôhashidô (::1::, ::2::), the small one-man operation from Sendai.

We saw on past texts that Ôhashidô traces its history back to 1912, but the production of pens only started in the late 1950s by the hand of Eiichi Uehara, who founded Ôhashidô Ltd. in 1965. He was in charge of the company until 2010, when he passed it onto his son Yûichi, the current craftsman behind the operation.

Therefore, there are Ôhashidô pens by the hand of Eiichi as there are by his son Yûichi. How do they compare?

The pen on this first picture was manufactured by Eiichi Uehara.

An Ôhashidô pen by Eiichi Uehara.

The most clear difference is the better polishing on the older pen by Eiichi. Then, the whole construction and fitting seems more refined as well.

Father's (bottom), and son's (top).

It is labeled –twice-- on the rings: “J. S. U. ÔHASIDÔ SINCE 1912”. The nib, a 14 K unit by Sailor, carries the usual engraving we can still see nowadays. The Sailor logo is also included but hidden under the section. This particular unit is not dated.

The Sailor nib with the "Ôhasidô" engraving.

These are the dimensions of this older pen:
Length closed: 138 mm
Length open: 125 mm
Length posted: 154 mm
Diameter: 13.3 mm
Weight: 22 g
Ink deposit: 0.7 ml (converter) – 1.2 ml (cartridge)

This older pen is also more generous in all that is not the pen. The “kiribako” --the paulownia wooden box-- is basically the same in both old and new pens, but the old unit came with a pen case and three documents: an instruction sheet, a booklet explaining the history of the brand, and a third sheet describing the pen itself.

The pen and the box. Note the signed pen case.

And what we see on those documents is as interesting as the pen itself, but that will be the topic of the next Chronicle.

Ohashido Pro III – Lamy Dark Lilac

Bruno Taut
October 5th 2022
etiquetas: Ohashido