Ultra (IV)

Kabutogi Ginjirô (兜木銀次郎) is no alien to these Chronicles. His presence in the pen industry in Japan seemed to be more of a reliable supporting actor than playing a leading role. His nibs were either inconspicuous, almost anonymous, or passed as copies of some other designs.

The following inlaid nib belongs to the second category:

The pen carries no name other that a very generic “Super De Luxe” imprinted on the cap lip. But it certainly follows the style of the Pilot Super Ultra 500 of Shigeki Chiba, and does it beautifully. This time, contrary to most non-Pilot Ultra models, the nib is truly inlaid and extends itself along the section and fully around it.

The imprint on the nib read "Steady / K14 / JIS logo / 4622". 4622 is the JIS registry number of Kabutogi's pen operation Seilon.

It is engraved with one of the pen brands associated to Kabutogi –Steady— together with the JIS registry number 4622. This belonged, as well, to Kabutogi Ginjirô, but in connection to another pen brand: Seilon.

The pen uses Platinum-proprietary cartridges which were a de-facto standard in Japan by the late 1950s and 1960s (see the Chronicle on Mitaka). Platinum, may we remember, had been the first Japanese company to produce ink cartridges.

Some units of this pen were manufactured for the department store Daimaru.

These are the dimensions of this pen:
Length capped: 145 mm
Length open: 131 mm
Length posted: 164 mm
Diameter: 11 mm
Weight (dry): 13.7 g

My thanks to Mr. Furuya.

Platinum 3776 (1978 model) – Platinum Blue-black

Bruno Taut
Machida, May 17th, 2013
etiquetas: Steady, Seilon, nibmeister Kabutogi Ginjirô, Platinum, Pilot, marca desconocida, plumín

Duets

Ban-ei (挽栄) pens have shown up on these chronicles several times and their double history –as mostly anonymous and as limited edition pens commissioned by the American company Danitrio—is well known. But how do those pens from different times and different initiatives compare?

The differences are indeed minor, as we can check on the following pictures. The first example is a pair of pens made of black urushi. There are some small differences on the dimensions but, the main one lies on the nib. The original Ban-ei’s nib is signed by Kabutogi Ginjirô’s (兜木銀次郎) initials (GK). This was, in actual terms, the only reference to the authorship in the whole pen.

On top on both pictures, the Danitrio-commissioned pen. On bottom, the previous, unsigned (save for the nib) unit. The most obvious difference is the engraving on the cap band of the later model.

The second pair is decorated with a subtle urushi-e pattern. In this case, there is a very obvious difference—the cap ring present on the Danitrio-commissioned unit where the brand Ban-ei and the serial number were engraved. And as was the case with the black urushi pens, only the old Ban-ei nib is engraved with the initials of the nibmeister.

The pre-Danitrio pen does not have any band on the cap, and its nib has a heart-shaped breathing hole. This nib is also engraved with the initials GK of Kabutogi Ginjirô just below the JIS mark.

As it is known, Danitrio-era Ban-ei pens were limited editions of less than 500 units. However, the old pens, made in the seventies and eighties, are in my experience harder to find in the market. These older pens are also known as Tsuchida pens, after Tsuchida Shuichi (土田修一), who was in charge of the final assembly of the pen.

My thanks to Mr. Shimizu.

Platinum sterling silver pen, 14 K nib – Platinum Brown

Bruno Taut
Madrid, December 25th, 2012
etiquetas: Ban-ei, Danitrio, nibmeister Kabotogi Ginjirô, urushi, urushi-e

Reissue

I have already spoken about Ban-ei pens and the team of four experienced craftsmen –Sakai Eisuke (酒井栄助), Kabutogi Ginjirô (兜木銀次郎), Takahashi Kichitaro (高橋吉太郎), and Tsuchida Shuichi (土田修一)—who silently manufactured them in the 1970s and 1980s. Silently, I said, because they did not sign their pens. The story continued in the mid 1990s when Danitrio commissioned these old artisans and their successors to recreate their old works. This time, though, under less anonymous conditions.

復刻手造万年筆, reissued hand-made fountain pen. A 14 K gold nib by Kabutogi Toshiya.

These new pens –the Danitrio Ban-ei series of pens— had some minor variations with respect to the original models. The most obvious are the signs stating the serial number and the name of the leader. On his side, the new nibmeister –Kabutogi Toshiya (兜木利弥), son of the venerable Kabutogi Ginjirô—made clear that this pen was a reissue of the original. That is, in fact, what can be read on the nib: 復刻手造万年筆 (fukkoku tezuku(ri) mannenhitsu), reissued hand-made fountain pen. Other Danitrio Ban-ei pens do not carry this engraving.

The eyedropper balance pen in red urushi. The brand Ban-ei (挽栄) is engraved on the central ring.

This nib corresponds to a balance pen in red urushi. It is an eyedropper pen with shut-off valve. Danitrio produced 150 units of this pen. These are its dimensions:

Diameter: 16 mm.
Length closed: 145 mm.
Length open: 126 mm.
Dry weight: 21.4 g.
Ink deposit: ~ 2.5 ml.

Pilot Custom Heritage 91, SFM nib – Diamine Teal

Bruno Taut
Madrid, November 24th, 2012
etiquetas: Ban-ei, Danitrio, nibmeister Kabutogi

Shut-off Valve

Eyedropper pens with shut-off valve are a very Japanese idea, we all know by now. This idea is, in essence, a simplification of the plunger filler implemented by Onoto on the fountain pens arriving in Japan around 1900. The plunger filler is no longer there, and the tail knob now operated the axis moving the cone that opens and closes the connection between the ink deposit and the section.

Mostly all Japanese companies used this mechanism at some point. Some examples have been shown on these chronicles: Asahi-Tsubasa, Ban-ei, The Eiko, New Clip, Pilot-Namiki, Platinum, Platon, SSS, (Japanese) Swan,… As of today, Pilot-Namiki, Nebotek and Danitrio still make this type of shut-off valve.

SSS in black ebonite. The sealing cone is visible inside the barrel.

Swan (Japan) number 5. The section is disassembled from the barrel. The sealing cone and its axis are visible.

However, my experience using these pens is very limited. Their weakest point is the seal between the axis and the top end of the ink deposit. This thin rod must slip up and down through this seal to allow the ink to pass through the valve to the section and the feed. Traditionally, this seal was made of cork and lack of use and the passing of time are good arguments for ink leaks. In such case, these pens become very messy—ink would leak through the tail knob when turning it to open the valve.

The tail knob of the Danitrio Ban-ei.

After trying with some vintage pens –a SSS made of ebonite, with stained results—I decided to ink a Danitrio Ban-ei. Being modern, it is in good shape and there are no leaks. Then, how does it perform?

Its nib is a very smooth unit made by Kabutogi Ginjiro. It is nicely wet—as long as the there were ink actually flowing through the feed. So, in principle, this pen performs well—open the valve, uncap the pen, write. However, sealing the ink deposit when not in use has some side effect—the nib quickly becomes dry. My contention is that the lack of connection between nib and deposit deprives the first of a permanent supply of ink. Then, the natural evaporation simply dries the nib up and this space cannot be refilled with more ink from the deposit. If stored with the valve open, the nib does not become dry.

I wonder if that was the case with other eyedropper pens with shut-off valve.

(Danitrio 挽栄, Ban-ei – Sailor Jentle 土用, Doyô)

Bruno Taut

April 17th, 2012

[labels: Danitrio, soluciones técnicas, nibmeister Kabutogi]

Ban-ei, 挽栄

The discussion is out there: does Danitrio make Japanese pens? Regardless of the answer right now, Danitrio did make some Japanese pens some years ago. This is part of the story, following the very limited information available.

Ban-ei (挽栄) was the working name of Sakai Eisuke (酒井栄助) and of the brand of a number of pens manufactured mostly around 1980. Behind this operation there was a team of four people:

Kabutogi Ginjirô (兜木銀次郎), nibmeister.
Sakai Eisuke (酒井栄助), lathe master.
Takahashi Kichitaro (高橋吉太郎), urushi master.
Tsuchida Shuichi (土田修一), in charge of the ebonite feed and the final assembly of the pen.

On a footnote, Kabutogi Ginjirô has already shown up on these chronicles as the nibmeister who created a fake Pelikan nib certified by the Ministry of Industry of Japan.

Group picture of some Ban-ei pens. Those on the right, in black and in red, would be later replicated on limited releases. Courtesy of Mr. Nikos Syrigonakis.

Interestingly enough, most of these pens were not signed and nowadays are often called Tsuchida pens. Some of the models can be seen on the picture by fellow stylophile Nikos Syrigonakis.

A Danitrio-era Ban-ei pen.

Some time later, in 1997, California-based Danitrio company approached the Ban-ei team and commissioned them the production of some of its models: among them, the torpedo-shaped pens in black and red urushi. But this time the pens were limited releases –200 for the black, and 150 for the red— and would be engraved with the original name of the brand both in Chinese characters (Kanji) and in alphabet (Romaji). And with no sign of the commissioning company Danitrio, although these might be the most Japanese pens this company might have ever produced. That was indeed a very respectful and elegant detail.

The Kanji engraved on the cap ring. It says Ban-ei.

By then, mid 1990s, the team had changed. Kabutogi’s son Toshiya (兜木利弥) had replaced his father as nibmeister, and the urushi master Kitamura Zenichi had substituted Takahashi Kichitaro. None of them was young –Tsuchida, born in 1917, was apparently the youngest of them all, and passed away in 2009—, and those changes were perfectly logical.

(NOTE added on June of 2017: Although this information is suggested by Danitrio founder Bernard Lyn, there are some grounds to doubt about whether Kabutogi Toshiya was really in charge of the nibs of the Danitrio-commissioned Ban-ei series of pens. More information on the following text: On Ban-ei Nibs.)

The nib on this Danitrio-era Ban-ei. The looks are exactly the same as those on pens from the 1980s by the Ban-ei team.

One of this limited-released pens I recently found at the Madrid Pen Show. It is the number 33 out of the 200 units made in black urushi. It is an eyedropper with shut-off valve and implements a rigid F point made of 14 k gold. These are its dimensions:

Diameter: 16 mm.
Length closed: 145 mm.
Length open: 130 mm.
Dry weight: 25.9 g.
Ink deposit: 3 ml.

The beautiful hard rubber feed.

Its construction quality is very good. The seam between barrel and culotte is almost unnoticeable. The ebonite feed is nicely finished and elaborated.

Finally, the overall condition of the pen is very good despite having been used.

My deep appreciation and thanks to Mr. Nikos Syrigonakis and to モンゴルさん.

(Pilot Prera Demonstrator, eyedropper – Senator Regent Royal Blue)

Bruno Taut
November 18th, 2011
[labels: Ban-ei, Danitrio, nibmeister Kabutogi]

Certified Fake

Wagner meetings always have interesting pens to admire. Nibmeister Yamada, on top of his wonderful abilities to create innovative nibs, is very knowledgeable about pens. His collections seems to be very interesting and large.

Two apparently common Pelikan.

This time, he brought, among other things, these two Pelikan pens. Apparently, they are two regular 140s, the student model in the 1950s and early 1960s.

On top, the stenographic nib. On bottom... the other.

One of them has the stenographic (ST) nib—a flexible one desired by many. The other pen apparently displays a more normal point. It is engraved with the company name and the purity of the gold. However, Mr. Yamada tells us, despite all these indications, this nib was made in Japan—it is a copy. A copy made in Japan and certified by the Ministry of Industry—this nib was the JIS product number 4622, and was made by Kabutogi Ginjirô, probably as a replacement.

The imprint reads "Pelikan / 585 / 14 KARAT / PEN / PURPLE".

Therefore, here we have a true Pelikan with a Japan-certified fake nib.

My thanks to Mr. Yamada.

(Anonymous black hard rubber eyedropper – Sailor Tokiwa-matsu)
Bruno Taut
October 1st, 2011
[labels: evento, Pelikan, Japón, nibmesiter Kabutogi]