On Route

Come Fall and my time for pen shows starts. Paris, Tokyo, and finally Madrid.

From Friday 15th to Sunday 17th, the Madrid Pen Show will take place at Centro de Negocios MEEU (Calle Agustín de Foxá 40, 28036 Madrid; in the Chamartín Station Complex). In there, around 70 dealers and an enthusiastic pen community will gather around pens and inks.

And I am just starting my journey to attend the event. Say hello if you happened to be there.

Lotus Maharaja with Custom Nib Studio nib – Private Reserve Dakota Red

Bruno Taut
November 10th, 2024
etiquetas: evento, Madrid

Mr. Niikura

Today I woke up to very sad news: Mr. Niikura has passed away. He was 84 years old.

Mr. Niikura teaching at a Wagner meeting in 2010.

Yes, Mr. Pilot is no longer with us, and his generosity providing information on Pilot and on Japanese pens in general is forever gone.

I had the immense luck of sharing many pen meetings with him, and I owe him a great deal of all I know about pens. That, I think, could be said by many of whose attending those reunions, where Mr. Niikura shared his knowledge and expertise after a life working for Pilot.

You will be missed, Mr. Niikura.

Sit tibi terra levis.

Pilot Grandee Urushi – Pilot Blue

Bruno Taut
November 2nd, 2024
label: Pilot, evento

Quattro Box

Pen boxes―love them, ignore them, hate them. Boxes―thrown away or kept?

A lot can be said about them, but today I am not speaking about them in general but just about one in particular: that of the Pilot Quattro 89.

This pen, recently reviewed, implements a small size 3 nib in an unusual body, squarish in profile. This pen was certainly not an entry level model, but neither was a top luxurious unit. The price, JPY 30000, was on pair with that of the Custom 823 with a size 15 nib. So, I guess, this Quattro was for those who favored style and originality over function.

Same price--Custom 823 and Quattro 89.

And the Quattro box does reflect that. The package includes a folder with an instruction sheet specifically printed for the model, a translucent sheet with some “Engrish” ideas (“sincerity, considerate, stately, originality”), and three sheets of high quality paper together with three envelopes made of the same paper. And all of them discretely show the squarish logo of the pen model.

Note the logo on all the elements on the pic--letter paper, envelope and pen cap.

The bilingual sheet of instructions. More Engrish...

The package is certainly original and elegant without being overwhelming. However, what do those sheets of paper and envelopes add to the pen?

And, finally, how many Quattros were sold thanks to the paper and the packaging?

Lamy LX – Private Reserve Dakota Red

Bruno Taut
October 20th, 2024
etiquetas: Pilot

Edible Ink

This is the last ink I have bought:

Squid ink.

At least, it is not just edible but delicious.

Arròs negre.

However, beyond the obvious joke, the underlying question is how much ink do we need, and how much ink do we accumulate. And what we do with it!

My latest inventory showed about 5 liters of ink, and that without collecting them. Possibly, dare I say, this accumulation is the result of many years of pen collecting and of writing about pens; plus some donations from friends and readers of these pages.

A small sample of my inks.

But what can we do with so much ink? That is why I'd rather buy edible ink.

Parker 75 – Diamine Bilberry

Bruno Taut
October 17th, 2024
etiquetas: tinta

Paris 2024

But not the Olympic Games--the Paris Pen Show.

Last weekend (October 5th and 6th), the first Paris Pen Show was celebrated at the Hôtel de l'industrie. It was a two-day event, organized by Stylographie, a magazine on the matter.

The Pen Show attracted over 30 dealers and about 800 visitors, although this official figure is questioned by a number of dealers and visitors. The total available space was 270 square meters divided in two lounges.

This decision, two different spaces, caused some problems. A number of aficionados, and even some organizers, were not aware of the smaller exhibition area with just half a dozen dealers. But at the same time, the bigger lounge lacked light and became crowded hampered by the narrow circulation areas in between dealers.

Then, how was this event? One more pen show is always good news, but good wishes are not enough for it to succeed.

Paris, always attractive, is also unbelievably expensive, this creates a number of obstacles  for all the parties involved—expensive hotels, expensive meals, expensive transportation...

Attracting visitors is never easy—you must organize the event, advertise it, and then... cross your fingers. Making it a paying event –EUR 10 per day, EUR 20 for early admission on Saturday-- filters some uninterested public, but also reduces the capability to reach newer and younger aficionados, and the current demographic of the European stylophile is far from being young.

800 visitors, then, is not a bad figure, but as mentioned before, some dealers were skeptical about it. And on top of that, the volume of business was not what some expected. Not enough visitors? Expensive pens? Mismatched supply and demand? Who knows...

This Pen Show was good news, but more work needs to be done.

Jinhao Dadao 9019 – Montblanc Irish Green

Bruno Taut
October 10th, 2024
labels: evento, París

Quattro, Second Edition

In the year 89 of the Pilot era, that is, 2007, Pilot released the Pilot Quattro 89, this time with two t.

The Quatro (1984) and the Quattro (2007).

Nominally, this pen would be an evolution of the Quatro from 1984, but this new pen is a lot more standard within the Pilot structure of fountain pens.

On this newer model, the external shape is still squarish on profile, but the section is basically cylindrical, thus easing the grip. This mismatch results on a sharp step between section and barrel that might be uncomfortable for some users.

The nib on the Quattro is a size 3 in the Custom family of Pilot pens. This size might very well be the lest known in the lineup, but it has been implemented on half a dozen models including the Custom 98 and the Stella 90. This nib size comes in five points (EF, F, FM, M, B), albeit only F and M were available on the Quattro 89.

As for the rest, the barrel is made of wood, synthetic wood according to some, in several colors. It is long and wide enough to fit the converter CON-70.

The barrel end, engraved with the model name, is threaded for a secure posting without affecting the body. It is interesting to note how the threads, on both ends and on the cap, are measured to reach a perfect alignment of the facets on cap and barrel when closed or posted.

The dimensions of the Quattro 89 are as follows:

Length closed: 134 mm.
Length open: 116 mm.
Length posted: 173 mm.
Width: 13.5-14.0 mm.
Weight: 35.6 g (dry with converter).

This pen model was short lived―by 2011 it no longer appeared on the catalog of Pilot.

Jinhao Dadao 9019 – Sailor Ink Studio 252

Bruno Taut
October 4th, 2024
etiquetas: Pilot

Oshare Quatro

Or, in English, fashionable, stylish.

That is what the ad claims about the Pilot Quatro in 1985, a year after the release of the model.

The ad only mentions fountain pens (her) and ball pens (him). However, the whole line up including roller and mechanical pencil appears at the end.

Well, maybe the cat ate those two...

Opus 88 Koloro orange – Caran d'Ache Electric Orange

Bruno Taut
October 2nd, 2024
etiquetas: Pilot

Quatro

Now and then, pen companies try to reinvent the wheel and in their strive for originality depart from the traditional well proven cylindrical shape, and by cylindrical I mean cylindrical symmetry. Some of those unusual designs did become popular and even iconic, but non-cylindrical pens are rare.

In 1984, Pilot marketed one such unusual—a pen with a squarish profile, a square prism in essence.

Pilot's Catalog from 1984. The Quatro trio—fountain pen, ball pen and mechanical pencil. All for JPY 11000. In this case, the nib was made of steel.

Pilot's 1989 Catalog. Quatro quartets —fountain pen, ball pen, mechanical pencil, roller pen— for JPY 27000. On this case, the fountain pen sports the gold nib (individual price, JPY 10000). On the right page, a view of the possible colors and finishes of the Quatro model. There were some aditional variations.

That was the Quatro (with just a single T), and it was available as fountain pen, roller, ball pen and mechanical pencil. They came in a number of colors and finishes –up to 16 according to some sources—, but some of them were only available as fountain pen. And to add confusion to the mix, there were some minor variations along the whole lineup—the brand name, Pilot, could be engraved on the front of the cap or on the cap; the model name was printed on the clip either on cursive script or on capital letters, or being completely absent.

A small collection of Quatro pens.

The gold nib. In F, of course.

The matte black Quatro.

Two nib materials were available: steel, for JPY 5000, and 14 K gold, JPY 10000. There was only one nib point—F. And the filling system was, needless to say, through proprietary cartridges and converters.

I do not have information on when this model was discontinued. My best guess, purely speculative, is in the early 1990s. However, the name Quatro was revived in 2007 through the model Quattro 89. But that will be the topic of another Chronicle.

My thanks to Mr. Furuya and Mr. Niikura.

WiPens Toledo – Private Reserve Dakota Red

Bruno Taut
September 30th, 2024
etiquetas: Pilot

Pilot Short

With this short Chronicle I just wanted to direct your attention to a recent text published by Jim Momoulides on PenHero.com on the Pilot Short: https://www.penhero.com/PenGallery/Pilot/PilotShort1966.htm.

A beautiful collection of Pilot Short pens.

The information available on this family of pens is indeed limited, and this report compiles basically all of it. However, it is inevitably incomplete, and calls for contributions from all of us.

So, if you wanted to know more about that charming little pen, PenHero is the place to go.

Thanks, Jim. And thanks too to Mr. Fukuyo.

Taccia Covenant – Private Reserve Dakota Red

Bruno Taut
August 22nd, 2024
labels: Pilot

Inflation

Itoya, the Japanese stationer with headquarters in Ginza, Tokyo, has just released yet another Lamy Safari—the “Lamy Safari x itoya Copper 02 Fountain Pen”. Quite a mouthful to simply describe a limited edition made exclusively for this shop.

This new Safari follows the trend initiated with the previous Itoya-exclusive Safari, the Copper 01 from last year (although announced December 2022). Matte finish, black nib, and a distinctive brass clip. And again with the possibility  of implementing the kanji nib.

So, is this all? Yes, but at a cost. It is hard not to notice the inflation associated to these pens.

As far as I know, Lamy has produced three Safari with metallic clip—the above-mentioned Copper 01 and 02 made for Itoya, and the Green Field model marketed earlier this year. They are shown on the following pics:

From back to front, Copper 01, Green Field, and Copper 02.

All three with kanji nibs.

And then we can compare the prices:

The brass clips. From top to bottom, Copper 01, Green Field, and Copper 02. The prices are inclusive of taxes (10%), and correspond to the versions with kanji (KJ on the reference) nibs. The Copper 02 with regular (EF, F, M) nib costs JPY 6000, plus taxes.

The relative high price is in part associated to the kanji nib those particular pens sport, but what is indeed striking is the constant increase over the three pens in about a year and a half. Each of those pens is JPY 500 more expensive than the previous. And at the final price is 14% higher than the initial.

Is there a reason behind this inflation? Is this caused by the free falling Japanese yen in the financial markets? Is it a deliberate strategy to make the popular and even humble Safari a more upscale pen?

I do not have any answer, but I think an expensive Safari would lose a great deal of the current appeal among users and collectors.

Parker 50 Falcon – Sailor Yama-dori

Bruno Taut
July 14th, 2024
etiquetas: Lamy, mercado

Questions without Answers

Today I wanted to reflect on an old question about which recent developments are making it a bit more relevant.

What do we mean when we say that Montblanc is a German pen? Or, in other words, how do we ascribe a pen brand to a country?

The question might sound either obvious or irrelevant. In actual terms, it is both.

Usually, we aficionados largely follow the tradition and initial birthplace of the brand. Thus, Montblanc is German and Parker, American. But changes in the property and delocalization of the production pose a number of questions to this strategy: Is Parker still American when its production and headquarters are located in France since 2011? Or is it still American because the parent company –Newell Brands-- is American?

American or French?

But if so, is Lamy now a Japanese brand?

And then we see the problem—any criterion we might want to follow will result in some strange or paradoxical conclusion.

Interestingly enough, the big three Japanese companies and their brands are among the easiest to identify as Japanese—Japanese production, Japanese capital, Japanese headquarters...

Japanese Platinum.

And then marketing enters the scene. The prestige of the label “Made in Japan” tempt other makers to claim it for themselves based, more often than not, on very weak arguments. Such was the case, at least for a while, of Danitrio: Taiwanese capital based in California using German nibs and with Japanese decoration. Enough to be Japanese?

And that is the problem after all—capital, components, manufacturing, etc can all have different locations and ascribing one single country to that melange is, at least , inaccurate. And misses completely the economics of pen production.

German or Japanese?

So, in this state of events, it would be much easier to simply ignore the category of country of origin and stick to the brand. After all, we might be ready to identify Lamy as Japanese or Parker as French.

But.. what am I doing writing about Japanese pens?

WiPens Toledo – Pilot (Thai) Black

Bruno Taut
May 2024
etiquetas: mercado, metabitácora

Stories

I have often said that I just write about what I see. And then I publish my texts and wait to see how readers react to them.

Not many comments do I receive on this blog, but the information stays here and anyone can come back to check it. And at some point someone sees it and continues writing the story.

That is what Joshua Danley, author of The Pelikan's Perch, just did. He now tells the story of Kabutogi Ginjiro's Pelikan nibs from a different perspective while adding a lot of information on the original –Pelikan's— counterparts of the moment.

Only one of those nibs was made by Pelikan.

Two suspiciously similar pens, but only one of them is an Ishi Shoten-Yotsubishi. The other, on the back, is anonymous, but its nib was made by Kabutogi Ginjiro.

And that is great as the whole point of these texts is to learn about fountain pens and about their history.

Thanks, Joshua.

Romillo WiPens Toledo – Pilot (Thai) Black

Bruno Taut
April 16th, 2024
etiquetas: Pelikan, nibmeister Kabutogi Ginjiro, metabitácora

Flat

To my friend Michel.

I won't speak about pens today, but about notebooks and paper. Although I use notebooks to write these texts, this one comes as a reaction to some recent news. This is the story:

The so-called Oscars of the stationery world, officially named The Stationery Awards (::1::, ::2::), are announced in February each year. On this occasion, 2024, the Grand Price was for the Pentel Matte Hop ballpen, but what matters more to us is the Functional Award given to the Kokuyo “Flat Kimochii” notebook, on which the company had been working for about three years.

The functional virtue praised by the jury is that these notebooks lie flat on the table when open.

Kokuyo's Campus "Flat Kimochii".

But, is that new?

Mr. Nakamura, of Nakamura Insantsujo, had created a flat notebook around 2015. He did that in collaboration with a book binding business located in the neighborhood of this office in the Kita district in Tokyo.

A potential big order of those newly made notebooks drove Nakamura Insatsujo to produce a large number of them. But the order was canceled and the company was left with a big unsold stock.

Nakamura Insatsujo's "Granddad's Notebook".

Mr. Nakamura, then about to retire, gave some of those notebooks to his granddaughter. She, in turn, on January 1st of 2016 published a Twitter message praising them and complaining about the lack of exposure they had. The Tweet became viral and Nakamura Insatsujo received orders from retailers, making the notebook a best seller while acquiring the nickname of “Granddad's Notebook”.

On its side, Showa Noto, a company well known in Japan for its stationery products for school children, had developed a similar notebook. However, it was quickly discontinued as the binding glue was not durable enough.

Then, in that year of 2016, Showa and Nakamura reached an agreement of collaboration: now both companies produced these flat notebooks. In 2020 the "Granddad's Notebook" received an award of the Ministry of Education, and in 2021 the Stationery Award.

Showa's "Granddad's Notebook".

Kokuyo's development started in 2021 and the "Flat Kimochii" received the Stationery Award for its functionality in 2024.


My thanks to Poplicola-san.


NOTES:
Stationery Awards: https://www.fusosha.co.jp/special/bunbougu/
Stationery Awards 2024: https://bungu.store/collections/stationery-awards-2024
Chronology of the "Granddad's Notebook": https://nakaprin.jp/?page_id=1324
More information on the "Granddad's Notebook": https://dojwy.com/about-resilience/
Showa Noto's press release August 2016: https://prtimes.jp/main/html/rd/p/000000009.000015458.html
Showa Noto's flat notebooks: https://www.showa-note.co.jp/products/search_result?freeword=&category=&series=5015&size=
Kokuyo's Campus "Flat Kimochii": https://www.kokuyo-st.co.jp/en/stationery/campus_flat/

WiPens Toledo – Pilot (Thai) Black

Bruno Taut
March 3rd, 2024
etiquetas: papelería, Kokuyo, Nakamura Insatsujo, Showa Noto

Added Value

Regular commenter Saltire Turquoise posed a very interesting question to my initial description of Sakai Eisuke's prototypes made for Pilot in early 1980s: Why can't Pilot make pens like those?

Although probably intended as rhetorical, it does trigger some reflections on the current situation of the pen market.

The first and easy answer to that question is a series of economic concerns—is there a market for those pens? Would they be economically viable?

It is worth to remember that Pilot does have a pen with similar characteristics to those prototypes: ebonite, urushi, Japanese eyedropper... but just bigger, much bigger—the Namiki Urushi 50. And this pen has a price of JPY 150000 in Japan. Expensive or not is anybody's guess, but it is not a pen you see everyday in the hands of aficionados.

From back to front, Pilot Urushi 50 (prior in time to the current Namiki model), Sakai's #10 and Sakai's #3.

However, I can think of a good argument for the marketing of pens like those Saltire Turquoise craved for–those prototypes and smaller versions of the Namiki Urushi 50.

In recent years we have seen how some Chinese companies have copied some very iconic Japanese (and other) fountain pens—Pilot Capless, Pilot Custom Urushi, Sailor ProGear, Platinum Curidas are some examples of pens with Chinese counterparts at much lower prices.

Jinhao or Sailor?

Lanbitou or Platinum?

In this scenario, little can the Japanese companies do save increase the value of their products. And pens like those Sakai's prototypes or like some older models offer interesting templates of what could offer that added value to their catalogs.

The critical question, however, can only be answered experimentally—is the market ready for those more expensive pens?

Thanks, Saltire Turqouise, for your questions.

Pilot Custom 748 – Pilot (Thai) Black

Bruno Taut
March 26th 2024
Etiquetas: Pilot, Sakai Eisuke, mercado, Japón