Foreign (and also Domestic) Urushi

There are some people, mostly outside Japan, for whom anything related to urushi acquires a semi-mythical value. In Japan, some companies do cash on this perception through high prices and long, very long waiting times to deliver the order.

Expensive and slow.

But the landscape has changed dramatically in recent years. An increasing number of craftsmen both in Japan and overseas have started their business decorating pens, and other goods, with urushi-related techniques. Their names are becoming well-known—Bokumondoh in Japan, Tamenuri Studio in Poland, Manu Propria in Switzerland, Vivek Kulkarni in India, Mr. Cypress in Taiwan, … Needless to say, their quality and styles are different, but they do offer an alternative to those companies with high prices and long waiting times.

Urushi-e made in Japan. Bokumondoh in action.

All these operations make me think that the excuses some use are just means to control the demand instead of real arguments. The fact right now is that most of those artisans are producing more and cheaper, and with high standards of quality regardless of the local climate—if someone can polymerize urushi in the very dry Spanish plateau you can do it almost anywhere!

Urushi-nuri made in the dry plains of Spain. Nuart Cygnus (base pen by Antigua's).

But the consequences of this popularization of urushi, and the proliferation of craftsmen all over the World, is the cheapening of urushi and the decoration associated to it. Now, urushi is no longer something rare and difficult. Now, urushi decoration can come from Japan or from the US; from Korea or from Poland. The offer is deep and wide and the market will apply its rules.

The label “made in Japan” will still hold some value, but that label is no longer the exclusive property of a couple of makers. And in the meantime, third-party craftsmen, in Japan and abroad, compete with the same tools.

Pilot Vpen, M nib – Pilot Iroshizuku Ku-jaku


Bruno Taut
December 18th, 2021
etiquetas: Japón, urushi, mercado

Le charme discret

What's the difference between the following pens?

A Platinum Izumo (top) and a President.

In essence, they are the same pen—a Platinum President with the very characteristic 18 K gold nib. The difference, beyond the factor 3 in price, is the outer layer, the decoration—plastic versus ebonite and urushi.

It is the same case of these other pens—a Platinum 3776 and a Nakaya.

A Nakaya Portable (top) and a Platinum (pre-Century) 3776.

Again, these pens share the essential parts of a pen—nib, feed, filling system. Their prices, however, are a factor 5 apart due solely to the decoration. And to marketing, of course.

Is urushi and its labor that expensive? In any event, we live in a free market and the price is marked by the seller and decided by the buyer. At least on commodities like pens.

Still life with natsume (棗).

And urushi has a subtle but undeniable charm. Paraphrasing maestro Buñuel, le charme discret de l'urushi.

Parker 61 Flighter – Unknown blue-black.

Bruno Taut
Nakano, October 28th, 2020
etiquetas: Platinum, mercado

Pilot in 1993

The following two pens were available in the market in the year 1993, the year of the 75th anniversary of the company.

Pilot Custom 748 on top; Pilot 75th Anniversary pen. Both from 1993.

For the occasion, Pilot created a flat top pen with a size 15 nib made of 18 K gold. It was a limited edition of 7500 units and cost JPY 50,000. This pen, as is also the case of its natural successor the Custom 845, has most of the cap and most of the body coated with urushi.

These are the nibs of the previous pens. Both are made of 18 K gold. The anniversary pen, a limited edition, has a special engraving for the occasion.

On that same year, Pilot had marketed the more luxurious versions of its workhorse fountain pen—the Pilot Custom 745 (FKK-5000G and FKK-5000MS) and 748 (FKK-8000G and FKK-8000MS), based on the Custom 742 and 743. These luxury pens had their bodies in vermeil (G models) or Sterling silver (MS models), and each of them had two possible decorative pattern: barleycorn and pinstripe. The 745s implemented size 10 nibs and cost JPY 50,000; and the 748s, size 15 nibs for JPY 80,000; on both cases with a gold purity of 18 K.

The insides of the Pilot Custom 748, implementing a black-coated CON-70 converter.

And this is the paradox—a limited edition with urushi cost less, a lot less, that the regular edition made of Sterling silver. All the rest is the same—nib, feed, filling system... JPY 50,000 vs. JPY 80,000.

It seems that in 1993, silver was a lot more valued than urushi. That does not seem to be the case nowadays on the Pilot catalog. Although there are some difference on the nibs, the Silvern series and the Custom 845 cost the same, JPY 50,000. And the second hand market also reflects this trend—limited editions preserve their value better than regular models.

Custom 745 and 748 were discontinued in Spring of 2007.

Iwase Seisakusho prototype with Henckel nib – Takeda Jimiku Hisoku

Bruno Taut
Chuo, February 12th 2019
Etiquetas: Pilot, mercado, urushi

A Correction

Yes, a correction to a previous mistake.

On a recent Chronicle I mentioned that a pen decorated by Mr. Iwase had its body made by lathe master Yasuaki Momose. Well that is not correct.

As I have mentioned previously, Mr. Iwase perform his trade on two types of pens. On one hand he uses Western pens, mostly Pelikan and Montblanc, as canvases for his decorative overlays.

A Montblanc 149 and a Pelikan M1000 decorated by Mr. Iwase.

The other activity is more complex: Mr. Iwase gets old –and unfinished— pen bodies, finds the right nib and feed for them, and decorates it with raden (shells) and urushi. And most of those old pens had been made by Mr. Momose, the old master now retired.

The body of this pen is the work of Mr. Yasuaki Momose.

But not all of them. The case of the pen described on May 22nd 2018, the pen body belonged to an old batch of unfinished Yotsubishi pens, made by the company Ishi Shoten.

A Kubo-Yotsubishi-Iwase pen.

Let the mistake be corrected.

Kubo-Yotsubishi-Iwase – Platinum Black

Bruno Taut
Nakano, July 22nd 2018
etiquetas: Iwase, Yotsubishi, metabitácora, Momose Yasuaki, urushi, raden

Kubo, Yotsubishi and Iwase

NOTE added on July 23rd, 2018. The body of this pen is not a creation of Mr. Momose, but an old and unused stock of pen bodies of Ishi Shoten's Yotsubishi.


The works of Mr. Iwase as a raden artist have already appeared on these Chronicles, and today I wanted to describe more in detail one of his creations.

Two are the basic types of canvases Mr. Iwase uses for his works—Pelikan and Montblanc pens on one side, and pens manufactured by old lathe masters and companies long gone lathe master Momose Yasuaki. Today’s pen belongs to the later type.

Three elements characterize this pen: the pen body, the nib, and the decoration. Each of them was created by a different craftsman.

"18 K pen raden / Kubo Kohei fountain pen".

On this case, the basic pen was made by the company Ishi Shoten for its brand Yotsubishi. Its material is ebonite, although the barrel and cap finials are made of wood. The pen was originally intended as a Japanese eyedropper –the tail can be unscrewed and detached from the barrel--, but the final result is a cartridge-converter pen (Sheaffer type). The cap lip is protected with a silver ring.

A raden pen...

... or a cartridge/converter pen.

The nib and the feed were provided by nibmeister Kubo. The nib is made of 18 carat gold and is associated to an ebonite feed. The size of the nib would be comparable to a Bock's #5, or to a Pilot’s 10 (::1::, ::2::) or a Sailor’s “big” size, although the feed's diameter is bigger: 6.5 mm.

The Kubo Kohei's nib: "ELEGANT / KB / 18K 750 / MADE IN / JAPAN".
The feed has three ink channels that provide a rich ink flow.

Writing sample with the Kubo-Yotsubishi-Iwase pen.

Nothing special on the tip. Just well cut.

Finally, the decoration is a rich example of the raden technique: carefully cut sea shells glued to the pen body; then, urushi is used to fill up the spaces between the shell stripes and smooth the whole pen. Ad additional later of transparent resin protects the decoration. The gripping section is decorated with red urushi.

There is a simple inscription the cap ring: "silver 925 / 11/20".

All in all, the pen is an original and attractive work; the final result of two Japanese craftsmen working on old forgotten batches. And in this regard, this is not a unique example, albeit other models are mostly one of a kind.

This pen is one of the 20 units Mr Iwase marketed in 2015 and 2016, some of which were sold through the Wagner group. And as it is often the case on artisanal products in Japan, there is no clear sign of the authorship, with the sole exception of the engraving on the nib. However, not many stylophiles (much less occasional buyers) would identify the letters KB as a signature of Mr. Kubo.

These are the dimensions of this pen:

Length closed: 142 mm
Length open: 126 mm
Length posted: 165 mm
Diameter: 15 mm
Weight (dry) 21.9 g
Ink deposit: 1.1 ml (Sheaffer converter)

Minka Saturn – Diamine China Blue

Bruno Taut
Nakano, May 21th, 2018
labels: Nibmesiter Kubo, Momose, Iwase, raden, urushi, Yotsubishi

La Visconti Giapponese

Sometimes reading the pen is truly helpful. Well, mostly always.

At the past Madrid Pen Show I saw the pen on the photograph.

A Visconti. A Visconti?

On it, the signs on the box and on the clip did not really match with the pen itself. The logo of Visconti and the plain inscription on the clip contrasted with the basic structure of the pen—a Japanese eyedropper coated with red urushi. The nib, or rather its engraving, provided the final clue—it was signed by GK, Kabutogi Ginjiro, and the pen is, most likely, a Ban-ei made by Sakai Eisuke (lathe work), Kabutogi Ginjiro (nib), Tsuchida Shuichi (assembly), and Takahashi Kichitaro (urushi coating).

A Ban-ei pen with "nashiji" decoration. Nib signed by Kabutogi Ginjiro.

The additional literature included in the box describes, in Italian, the virtues of the “lacca giapponese” (urushi, of course) and speaks of its long history. It also includes instructions on how to fill and use the pen. Finally, it declares that the pen was part of a limited edition of 100 pens per year, but it does not disclose for how long. This particular unit was made in 1990 as it is numbered as 007/90... out of 100 pens made. (NOTE added on Sept. 2020: Some reports --see comments-- speak of serial numbers over 100 despite what the pen docs claim. So we should add some pinches of salt to those words despite coming from Visconti).

So, what was Visconti doing at that time? How come this very Japanese pen showed up under an Italian brand?

Visconti started its operation in 1988 and immediately contacted the Japanese lathe master Kato Kiyoshi, with whom Visconti would later collaborate in the fabrication of some models, including some versions of the Ragtime. And it is also at this time that Visconti contacted Sakai Eisuke and his team.

Apparently, there was at least two series of pens made by the Ban-ei group for the Italian brand. The first one, to which the pen shown today belongs, had a golden ring on the cap. As was mentioned before, Visconti released 100 units per year and there are records of at least two batches: 1990 and 1991. About the colors, some sources say that there were pens in ro-iro (black) urushi, but I am only aware of pens made in shu-urushi (red) as the one here shown. The clip inscriptions are either "VISCONTI" or "URUSHI".

The GK-signed nib of the Visconti Ban-ei. Note also the inscription on the clip: "VISCONTI".

A second series of Ban-ei pens were produced at a later date—1993 or 1995. On this occasion, the pens carried no rings and came in three colors: black (100 units), red (100 units), and green (50 units). The units I have seen have their clips engraved with the word "URUSHI", but there might be other other texts on them.

Some people speak of a third batch of pens previous to the first series here described. They could have been prototypes and test products later marketed by Visconti.

These are the dimensions of the pen I found at the Madrid Pen Show (2017) that belongs to the first series, and was made in 1990:

Length closed: 145 mm
Length open: 126.5 mm
Length posted: 176 mm
Diameter: 16.5 mm
Weight (dry): 25.3 g
Ink deposit: 3.3 ml

The cap ring carries the unit number of the series over the production year. This particular unit is the 007.90: number 7 (out of 100) made in 1990.

It is interesting to note that these Japanese Viscontis seem to predate those Danitrio-commissioned (::1::, ::2::) that are much better known. However, these Visconti pens remained essentially anonymous, as was customary on Ban-ei pens, and the Italian brand did not even declare where they had been made.

A Danitrio-commissioned Ban-ei.

Of course!—we all know by now that GK was a magnificent Italian nibmeister… But reading the pen helps to know what you had on your hands beyond what labels and inscriptions might say.

Platinum 70th anniversary, green celluloid – Sailor Yama-dori

Bruno Taut
Nakano, January 17th 2018
labels: Ban-ei, Visconti, Danitrio, Italia, Japón, nibmeister Kabutogi Ginjiro, urushi

Red

It is already here—the announced Pilot Custom Urushi in vermillion is already in the shops.

The new, although not so much of a novelty, Custom Urushi in vermillion.

Now it becomes crystal clear which parts of this pen are made of ebonite, and coated with urushi, and which parts are made of plastic. As we already knew, the Custom Urushi follows the patterns of the Pilot Custom 845, whose red urushi model –sold only at the stationary shop Asahiya Kami Bungu—is shown on the picture.

The well-known Pilot Custom 854 in red urushi sold at Asahiya Kami Bungu, in Tokyo.

The price of this red Custom Urushi is the same as of the original black pen—JPY 88000, plus tax.

Clavijo Velasco Ro-iro – Pilot Irsohizuku Yama-budo

Bruno Taut
Nakano, October 24th 2017
labels: Pilot, urushi, mercado

Internal Competition

The big news in the world of fountain pens in 2016 –at least in Japan— was the release of the Pilot Custom Urushi.

The three points of the Custom Urushi (FM, M, B) ready to be tested. And a Custom 845 on the right hand side.

Custom Urushi (top) and Custom 845 (bottom).

The size 30 nib has created a new category in Pilot’s catalog of pens, a category in between sizes 15 and 20, on one side, and size 50 on the other. Sizes 20 and 50 are exclusive to Namiki pens, and are implemented on models Yukari Royale, size 20, and Emperor, size 50, including the Urushi Series in black (ro-iro) and red (shu). Pilot’s size 15 nib is implemented in a number of Custom models: 743, 823, 845, Ichii (一位), Enju (槐). Let us remember, finally, that sizes 15 and 20 are very similar, like KMPN showed on his reference post on the matter.

The insides of the Custom Urushi (top) and of the Custom 845 (bottom). Their ink converters are the same--CON-70.

Nibs 30 (top) and 15 (bottom), side by side.

Externally, the new Pilot Custom Urushi (JPY 88000), as shown on these pages some months ago, is little else than an oversized Custom 845 (JPY 50000). Both pens are coated with urushi, and on both of them the section and the finials on cap and body are made of black plastic. Interestingly enough, both pens use the same ink converter –the CON-70— and, therefore, the bigger size of the Custom Urushi does not enjoy any difference on the filling system.

Cheaper (JPY 30000) Custom models with size 15 nibs –Custom 743 and 823— are all made of plastic and their gold purity is lower: 14 K Au vs the 18 K of the Custom 845, Ichii, Enju, and Custom Urushi. On the higher end, the Yukari Royale-size pens of the Urushi Series (nib size 20) are made of brass and are totally coated with urushi. Their price is JPY 128000.

Model	nib size material	nib points	filling system ink capacity (ml) (1)	price (JPY) (2)
743	15 14K Au	14 -EF-F-SF-FM-SFM-M-SM- -B-BB-PO-FA-WA-SU-C-	C/C CON-70 - 1.0 ml	30.000
823	15 14K Au	3 F-M-B (3)	plunger - 2.2 ml	30.000
845, Ichii (一位) (4), Enju (槐) (5)	15 18K Au	4 F-M-B-BB (3)	C/C CON-70 - 1.0 ml	50.000
Custom Urushi	30 18K Au	3 FM-M-B	C/C CON-70 - 1.0 ml	88.000
Namiki Urushi #20	20 18K Au	3 F-M-B	C/C CON-70 - 1.0 ml	128.000

NOTES: Data according to Pilot's and Namiki's catalogs.
(1) C/C: cartridge and converter. Other converters (CON-20, CON-40, CON-50) can also be used. Their ink capacities are smaller than that of the CON-70.
(2) Catalog prices without taxes (8% in Japan).
(3) At some shops, Custom 823 and Custom 845 can be found with some other nib points.
(4) Custom Ichii pen only has two nib points available: F and M.
(5) Custom Enju comes in three nib points: F, M, and B.
Comparative chart of the Pilot and Namiki models with nibs of sizes 15, 20, and 30.

Three urushi pens.

The obvious question now is whether the Pilot Custom Urushi might be stealing some of the market of the Namiki pens with nib size 20. Those JPY 40000 of difference in their prices, together with the much bigger nib of the cheaper of Custom Urushi might be hard to overlook when comparing both pens: Custom Urushi and Namiki Urushi Series 20.

The Pilot Custom 823.

And looking at the comparative chart, some might go back to considering the well known Custom 823 as an excellent value. And this might be the right time to speak about that pen in depth.

Sheaffer’s TM Admiral – Pilot Iroshizuku Ku-jaku

Bruno Taut
Shinjuku, June 15 2017
etiquetas: Pilot, plumín, mercado, urushi

Shijin

NOTE: On January 13th (2017) I have made some minor additions to this text following the indications of some commentators.


Pilot has often used the anniversary pens as a mean to test the market and introduce new models and styles into their pen catalog. On these Chronicles we have already seen some examples. The Custom 65 (1983, 65th anniversary of Pilot) started the path for balance Custom such as 67, 74, etc. The flat top model of 1988, 70th anniversary, gave rise to the short lived Custom 72 and to a number of pens made for somehow special occasions. The urushi coated model of the 75th anniversary (1993) was the forerunner of the vest type (in Pilot jargon) Custom 845.

For its 80th anniversary, Pilot launched several pens. On the most luxurious side there was a trio of flat tops lavishly decorated with maki-e. That was the “Miyabi” set, with a price of JPY 800,000 each pen. More affordable –a lot more— was the set of pens of this Chronicle.

The two Shijin pens.

These pens are a balance model of intermediate size between the Custom series (nib sizes 3, 5, 10, 15) and the Emperor size (nib size 50) jumbo pen. This anniversary pen introduced a new nib that was later labeled as 20. It is about the same size as the 15, but with a different geometry. Its filling system is by cartridges and converters.

The nibs are, in actual terms, of size 20 (Pilot/Namiki system), made of 18 K gold. On the top left corner, the decorated cap band of the black pen.

Inside, a converter (on the pic) or a cartridge. On this case, the converter CON-70 is painted in black. Despite the rumor, it is not lacquered. On the pen body, the collective signature of the group of maki-e artisans of Pilot or kokkokai. Right under it, not visible on the pic, the unit number of this pen is engraved. This is, after all, a limited edition.

Externally, these 80th anniversary pens are coated with urushi and a decorative band on the cap made with the technique of “togidashi maki-e“. This band depicts four mythological animals gods (Shijin, 四神) of the Chinese tradition, also common in Japan.

Two colors were available –red (shu urushi, 朱) and black (ro-iro urushi, 呂色). 1918 numbered units of both combined, black pens numbered first. They are signed collectively by the “kokkokai” (國光會), the guild of maki-e craftsmen of Pilot instead of by any of them in particular. 1918, let us remember, is the year when Pilot started its business.

These two anniversary pens were the prototypes of the Yukari Royale series branded as Namiki. The first Yukari Royale would show up in the market in February of 2003, while the urushi lacquered versions were only available in Sept of 2007. The Yukari Royale, with a size 20 nib, is the other quintessential Namiki pen together with the size 50 jumbo. The other nib sizes used by Namiki, 5 and 10, are also implemented on Pilot models.

The basic Yukari Royale pens are decorated in plain black and red urushi, and in fact Pilot/Namiki does not call them “Yukari Royale” but “Urushi Collection No. 20”. The differences between these are the old Pilot Shijin pens are purely cosmetic: the Namiki carry no decorative band on the cap, the nib simply says Namiki, and the clip is gold plated instead of lacquered.

On top, the old Shijin pen from 1998. On bottom, the currently produced Namiki Urushi No. 20. In essence, these two pens are identical--same brass-made pen with urushi decoration.

The nibs of the pens of the previous picture are engraved differently. After all, one is a Pilot; the other, a Namiki. In both cases, the feeds are made of plastic (like in any other Pilot/Namiki pen currently on production).

These are the dimensions of the Shijin pens:
Length closed: 149 mm
Length open: 134 mm
Length posted: 174 mm
Diameter: 17 mm
Weight: 45 g (black unit, dry, with converter)
Ink deposit: 0.9 ml (cartridge), 1.0 ml (CON-70 converter).

The original price of this limited edition was JPY 80,000 (plus tax, 5% at the time). The current price of the “Namiki Urushi Collection No. 20” is JPY 128,000 (plus 8% of taxes).

The red Shijin pen was on display at the Pilot Museum in Tokyo, the defunct and sadly missed Pen Station. The reference of the Shijin pen is the FF-8MR (plus -BM for the black pen, or -RM for the red), and its price was JPY 80,000. The second reference corresponds to the Miyabi pens, whose price was JPY 800,000.

Pilot 80th anniversary in shu urushi – PGary’s Red Black

Bruno Taut
Nakano, January 9th 2017
etiquetas: Pilot, maki-e, urushi

Las Danitrio Japonesas

Some weeks ago, my fellow blogger and friend Pedro Haddock published a very interesting article on a Danitrio pen on his blog “El pajarete orquidiado”. I then thought that I could offer some additional information on the story of the Ban-ei pens commissioned by Danitrio in the mid 1990s. This is the resulting text, this time written in Spanish as the information in this language on Danitrio is scarce.

I also wanted to recommend a visit to Pedro Haddock’s blog, one of the most interesting pen blogs written in Spanish. Remember that online translators are there to help you.


Danitrio, como ya está bien explicado, es esa empresa californiana fundada por el taiwanés Bernard Lyn que ahora se centra en plumas de lujo con decoración maki-e. El embrujo de esta decoración de Asia Oriental atrapó a su fundador alrededor del año 2000, pero previamente había hecho alguna aproximación muy interesante. Para explicarla hay que retroceder bastantes años.

La figura de Sakai Eisuke tiene algo de mito en Japón. Nació en 1916 y desde su adolescencia estuvo dedicado a aprender los secretos del “rokuro”, el torno tradicional japonés. Alrededor de los años 70 dirigió un pequeño grupo de artesanos –Tsuchida, Ginjiro, Nakamura, Takahashi— en la producción de unas plumas de gran calidad, pero sin nombre. Son las denominadas “Ban-ei” (挽栄), que era el nombre de trabajo de Sakai Eisuke, o “Tsuchida” (Tsuchida Shuichi), que era el encargado del montaje final de las piezas. En muchas de ellas, la única marca que permite su identificación es el grabado de las letras GK en el plumín. GK era Kabutogi Ginjiro, pero no era el único proveedor de plumines para estas plumas, por lo que hay otras plumas con el mismo origen, pero sin grabado identificador alguno.

Varios ejemplos de plumas Ban-ei.

Casi todas estas viejas Ban-ei eran plumas de cuentagotas con válvula de cierre (sistema de cuentagotas japonés), aunque hay ejemplos de llenado por “plunger filler”. Casi todas ellas están decoradas con laca urushi, o con motivos maki-e muy discretos. Pero hay un reducido número de plumas con decoraciones muy lujosas, habitualmente producto de encargos especiales.

Las fechas de esta operación son inciertas y nunca está claro cuáles son los artesanos que intervienen en cada una de esas plumas. Las plumas más recientes de este grupo son de 2004. Y Sakai Eisuke falleció en 2011.

Tres Ban-ei. La primera desde arriba lleva el grabado el nombre Ban-ei en la banda del capuchón. Las otras dos, no.

Dos de los plumines (en el centro y a la derecha) llevan grabadas las iniciales GK, de Kabutogi Ginjiro. El tercero (a la izquierda), perteneciente a la encargada por Danitrio, no. Este plumín fue fabricado por Sailor Platinum.

El anonimato de este grupo se rompió brevemente a mediados de los años 90. Bernard Lyn les propuso hacer una serie de plumas para Danitrio. Llevarían grabado el nombre Ban-ei, en japonés y en caracteres latinos (挽栄 - Ban-ei), y serían unas ediciones limitadas de pocos cientos de unidades. Y Danitrio no las firmaba.

Tres Danitrio japonesas.

En los capuchones, a la izquierda, se pueden ver los grabados "Ban-ei". El más cercano de los plumines fue hecho por Kabuitogi Ginjiro. Los otros dos son Sailor Platinum.

Estas son las Danitrio Ban-ei, las Danitrio japonesas: plumas hechas en Japón, por un grupo de venerables artesanos japoneses para una empresa estadounidense dirigida por un taiwanés. Todas ellas son plumas de cuentagotas japonés y con decoración de laca urushi o maki-e muy discreto. Los plumines son, en su gran mayoría, Sailor Platinum, aunque hay un reducido número de ellos hechos por el mencionado Kabutogi Ginjiro. Estos llevan una inscripción en japonés: 復刻手造万年筆, réplica hecha a mano. ¡Réplica hecha por el propio Kabutogi!

Una Danitrio Ban-ei con decoración "shu-urushi".

Al contrario que las Ban-ei quasi-anónimas, estas Danitrio japonesas se encuentran más fácilmente fuera de Japón. Al fin y al cabo, Danitrio tiene su mercado, sobre todo, en Estados Unidos.


NOTA añadida en junio de 2017: He hecho unas correcciones sobre la procedencia de los plumines de las Danitrio Ban-ei, que son Platinum en lugar de Sailor, como erróneamente decía. Más información, en la crónica On Ban-ei Nibs.

Ban-ei con plumín Henckel – Pilot azul

Bruno Taut
Nakano, octubre de 2016
etiquetas: Ban-ei, Danitrio, Kabutogi Ginjiro, Japón, Estados Unidos, maki-e, urushi, Platinum