Signs of Change

Along these past months there have been a number of events that might show something is changing in the stylographic scene. Isolated, these might be regarded as anecdotes, even if unpleasant at times. However, coincidence in time can be a sign of something more relevant.


These are the facts:

1. The Montblanc-Fountain Pen Network (FPN) controversy (::1::, ::2::). Back in January, some FPN members published pictures of the not yet released Montblanc William Shakespeare model. Apparently, those pictures had been leaked by some Montblanc shops. Anyway, Montblanc complained before the administrators of FPN, who decided to remove the related threads.

Some controversy (see ::1:: and ::2::, especially the comment sections), mostly outside the FPN, followed, but that is not the issue here. What matters now is that Montblanc felt the need to react instead of ignoring the whole issue or resolving it internally by disciplining those who leaked the information.


2. Brown and the trolls. Well-known blogger and pen connoisseur SBRE Brown complained on his blog about the personal attacks he had been receiving recently through the comment section of his videos in YouTube. Brown expressed his surprise for what he considered a change in the community that he had thought as exemplary.

Again, Brown’s and other’s (Armstrong of The Pen Habit, Deans of Fountain Pen Economics, thread on Reddit, thread on Fountain Pen Geeks forum, etc.) comments are secondary to this argument. The relevant detail is that now we see people who take time and effort to express their dislike about something pen related.

I understand this phenomenon as an indication of an increased popularity of those videos. More viewers mean more exposure also on those lists of suggested videos on YouTube. And more viewers imply more probabilities of undesired personalities, of trolls with nothing of interest to say. In any case, the bottom line is a larger number of people exposed to pens.


3. Delta and Marte Modena (The best summary I have found is this link by Pedro Haddock: http://elpajareteorquidiado.blogspot.jp/2016/04/el-asunto-delta.html). Italian brand Delta has decided to market some of its products exclusively through an online retailer—Marte Modena. This decision has alienated the traditional retailers as Delta is focusing on online customers, usually more acquainted with their products than the occasional customer of a brick and mortar shop.


4. Two more details, even if minor to the whole picture. Ian Hedley, of Pen! Paper! Pencils!, took the effort of writing a letter to Pilot UK to ask about Pilot’s import and pricing policies, and Pilot responded with detailed information (or detailed excuses). And in an operation of public relations, Pilot USA invited the Goulets for a visit to their facilities in Florida in November of 2015.

Both cases illustrate the importance given by Pilot to the online scene. And this is a new development.



So, what do all those facts mean?

All in all, they could be interpreted along the line of the pen community becoming larger and stronger. I have always argued that we, stylophiles, were a small group, economically weak, almost irrelevant in the economic balance of pen makers when compared to the group of occasional pen buyers. In other words, no matter how many pens we stylophiles could buy, we were no match to the volume of new fountain pens acquired by those occasional consumers.

But that imbalance might be changing. We might have become more attractive to brands like Montblanc, Delta and Pilot in the examples here described.

If my interpretation was true, the consequences would be very interesting. The business model of pen makers would evolve to cater some of our obsessions and cravings. Our opinions on fountain pens would, in fact, matter. Maybe then, the general frustration about the limited availability of nib points of most brands could be solved, for instance.

But, of course, this could just be wishful thinking.

Daiso Chinese pen with Mochizuki cross nib – unknown blue ink

Bruno Taut
Nakano, April 15th 2016
etiquetas: Montblanc, Delta, Pilot, mercado, fora, metabitácora

Twist

I have already said that in the area of fountain pens, we can see Japan as a huge laboratory of experiments with filling systems. Sure enough, several systems developed in America and Europe have been implemented by Japanese companies –pistons, lever fillers, plungers --, but there are many others –A-shiki, easy-drinking system, Nakahara-shiki, among others—that have never been attempted beyond these islands.

To the best of my knowledge, the following pen is an example of the latter.

Figure 1. Two of these pens. Brand unknown, but they implement an interesting filling system. The clips carry two different engravings: "NEW FOUNTAIN PEN" on the red unit; "NEW STEAL" (sic) on the greenish grey.

The pen has no clear indication of the manufacturer, but its construction is remarkable in many ways. But first and foremost because of its filling system.

Figure 2. One of the pens almost completely disassembled: the barrel can be detached from the section. But there is a key part not visible on the picture: inside the bulky brass piece, second from the right, there is another smaller piece that moves along this one.

It is a sac-based system, but with a very original way of pressing (without twisting) the sac. The pen tail can rotate a small angle –about 30°-- with respect to the barrel. Then, a number of small pieces transform that into a movement along the pen axis. The final element is a pressing bar pushed in that longitudinal movement.

Figure 3. These pieces transform the rotation of the back knob (the red celluloid piece on the right) into a movement along the axis of the pen. Inside the central piece there is another smaller one whose notch can be seen through the slit. This internal piece is coupled to the external celluloid knob (see Fig. 4). The central piece is screwed to the barrel.

Figure 4. This is the piece from which the whole filling mechanism is operated. It rotates with respect to the barrel while driving the small piece described on the Figure 3.

Figure 5. On this figure, the whole filling mechanism is assembled outside the barrel. Note how the pressing bard if attached to the set of pieces attached to the actual knob.

As is the case with any sac-based system, twisting the rear knob several times is needed to ensure a good filling of the pen. However, the absence of an internal breathing tube, as is the case in many other systems, hinders the full filling of the sac regardless of the number of twisting moves.

The basic benefit of this system is how secure the filling mechanism is inside the pen. Operating it is, thus, easier than a lever filler, for instance. The negative side is the number of parts required to transfer the rotation into a push onto the sac, plus the need of a good coupling among them.

The construction quality of this filling system is very good—all the pieces, save the external layer of the pan tail and the push bar, are made of brass, and the coupling among them, excellent. The drawback is a tail heavy pen, albeit the total weight of the pen is far from exaggerated at about 20 g.

Figure 6. Steel nib, ebonite feed. The inscription on the nib: "SMOOTH / POSTING / 4 / HARDEST / IRIDIUM / PEN.140".

The pen itself is made of celluloid, and several colors were available. The clip carried different inscriptions –NEW FOUNTAIN PEN and NEW STEAL (sic)--, and can hardly be considered as brand names. Nibs are made of steel, gold plated.

These are their dimensions:
Length closed: 121 mm
Length open: 110 mm
Length posted: 143 mm
Diameter: 11.5 mm
Weight: 20.5 g (dry, no sac)

These are, most likely, postwar pens, but the filling system can be found in some Platon (Nakayama Taiyôdô) pens in the 1930s.

My thanks to Mr. Mochizuki.

Pelikan M800 – Tomiya Tomikei Blue (by Sailor)

Bruno Taut
Nakano, April 13th, 2016
etiquetas: Platon, soluciones técnicas, marca desconocida

Ebony Phoenix

Usually, fountain pens with urushi and maki-e and chinkin decoration are made of vulcanized hard rubber (ebonite). However, in the Japanese tradition of these decorative techniques, the typical substrate is wood. So, there should be some examples of wooden fountain pens with these forms of decoration. And indeed there are, albeit they are rare. More often than not, the decoration is limited to a coating of transparent lacquer that left the wooden textured exposed.

Around 1970, Sailor made some wooden pens in small and limited editions. The first of them was an ebony pen made in 1968 to commemorate the 100th anniversary of the beginning of the Meiji period. Then, some other models followed in ebony and ironwood, and some of them were decorated with maki-e designs. Acording to Masa Sunami (A LAMBROU & M SUNAMI. Fountain Pens of Japan. 2012), over 30 different patterns were produced in several of the traditional techniques of maki-e in Japan: Wajima-nuri, Tsugaru-nuri, and Kimma-nuri.

A Sailor with maki-e decoration.

Such is the case of the pen on display today—a Sailor made of ebony wood with a maki-e motif in the Wajima-nuri style. Wajima is a city in Noto Peninsula (Ishikawa Prefecture) with a long tradition in urushi-related techniques. This dates back to, at least, the 15th century, and nowadays Wajima is the origin of the largest production of urushiware in Japan. In fact, Wajima-nuri says more about the origin of the piece than about the actual technique employed on it.

Wajima hosts the only museum on maki-e works in Japan--the Wajima Museum of Urushi Art.

The pen shows a theme of hôô (鳳凰, phoenix) in taka-maki-e technique (raised, with some relief over the surface). The ebony grain is visible under the transparent urushi. The pen is not signed.

The decoration is simple, but well executed. The pen is not signed.

Pen-wise, this is a cartridge-converter unit with a 23 K gold nib, dated November of 1972. That was at the peak of the gold fever among pen makers in Japan.

The nib is made of 23 K gold. Its nib point is M, or 4 in the Sailor system of nib points of the time. Note the three ink channels of the feed.

These are the dimensions of the pen:
Length closed: 140 mm
Length open: 121 mm
Length posted: 160 mm
Diameter: 13.8 mm
Weight: 30.2 g (dry)
Ink deposit: 1.2 ml (cartridge) / 0.7 ml (converter)

Platinum Platinum pocket pen – Aurora Black

Bruno Taut
Nakano, April 6th, 2016
etiquetas: Sailor, maki-e