More by Mr. Iwase

Mr. Iwase is this raden master who customized his pens in unique ways. I already reported on his workd over relatively rare pens crafted by Mr. Momose and by nibmeister Kubo Kohei. But Mr. Iwase also decorates more common pens—Pelikan M1000 and M800, and Montblanc 149.

A collection of Pelikan M1000.

Pelikan M800 and M1000, and Montblanc 149. The reddish pen is just coated with urushi.

As before, Iwase uses sea shells, usually abalone, and tries to preserve on the pen the colorful patterns of the uncut shells.

The collection of these pens is simply spectacular, but they are for the personal use and enjoyment of the author. Mr. Iwase does not sell them.

(Click on the pictures to enlarge them.)

Once again, these are unique pens even if, in essence, they are well known products.

My thanks to Mr. and Mrs. Iwase.

Sailor ProGear Senior – Nagasawa Bokkô

Bruno Taut
Over Siberia, November 9th, 2015
etiquetas: Iwase, Pelikan, Montblanc, raden, urushi

Hiroshi's Pilot

At some point in these texts I expressed my views on maki-e pens. There are some models that are well known because they are part of large editions that can be seen on catalogs; but at the same time it is possible to find one-of-a-kind type of maki-e pens.

The later are, more often than not, regular and well known pens covered with an additional later of decoration commissioned to some maki-e artisan. In this regard, as I also pointed out on some other text, there is no such thing as a fake maki-e pen provided the maki-e decoration was actually there.

The following pens are, in essence, two Pilot Custom 67. It was a very interesting model: simple decoration, derived from the anniversary model Custom 65, and a nice selection of nib points, including a music nib. And it also provided a nice canvas for additional decorations.

On this case, the decoration is simply urushi lacquer in black –ro-iro— and in pale red –shu. Both pens carry the artisan’s handle name, Hiroshi (洋), followed by a “kaô” (花押), a stylized signature. The person behind them is Mr. Asakura (朝倉).

The name and the kaô. They provide an additional decorative feature.

The feeds are also coated with urushi lacquer.

How many of these pens were made? I do not know. Did they become part of the Pilot catalog? I do not think so. Are they falsifications? Of course not.

Nothing these pens offer to the history of writing tools in Japan, but the collector values their rarity. Some even love their simple beauty.

Sailor ProGear Senior – Nagasawa Bokkô

Bruno Taut
Over Siberia, November 9th, 2015
etiquetas: Pilot, maki-e, urushi-e, urushi

Post sriptum; June 15th, 2016. These pens were never part of the Pilot catalog. These are customizations made by Mr. Asakura after he retired from Pilot's "kokkôkai". More information on the text "Hiroshi (II)".

The New Itoya

Over two years ago, Itoya closed the flagship builing in Ginza for renovation. The main operation was transferred to a nearby building in the meantime. Things were back to normal this past Summer –the renewed headquarters on Chuo Dori, the main street in Ginza, open with the corresponding fanfare.

The new façade of the Itoya flagship store in Ginza.

Back to normal, I said. Really?

Maybe Itoya is back to normal, but not to the way Itoya operated before the renovation. At that time, this shop was a reference in Tokyo for all things stationery. Its stock, and the number of displayed items were impressive. Itoya was the place to go in search for very specific stationery.

Some inexpensive fountain pens are also displayed in the main building. Lamy, Kaweco, the Itoya's series Color Chart... are some of them.

But that does not seem to be the case now.

Now, Itoya is something else. Now, in Itoya you can find many things unrelated to stationery. Now you can find coffee machines, for instance. Now, Itoya is more of a “lifestyle” shop where to look for fashionable and trendy goods. In fact, Itoya now resembles to a Japanese chain of “lifestyle” shops: Loft.

One section Itoya has apparently invested on is the area of customized products –personalized notebooks and printed matters. A lot more space is dedicated to them after the renovation at the expense of many other goods previously present—from notebooks to pens to any accessory--, whose space has been drastically reduced.

Samples of papers for custom prints. At least, beautiful.

Paper samples for custom notebooks.

The fountain pen section, itself a reference in Tokyo and in Japan, has been preserved in the K.Itoya building in the back alley from the headquarters. Stylophiles still have this particular mecca in Tokyo where to go to see what is going in the fountain pen market nowadays.

The café on the top floor. The name says it all. But at least it has some stylographic flavor.

Recently published book. The title, Ginza Itoya. Stationery. And then, "better life". Clear enough?

I wonder what the rationale lies behind this change in the orientation of Itoya, and I cannot see whether this makes economic sense. I do know, however, that right now there are better shops in Tokyo where to find very specific products, no matter Itoya –and many others, for that matter—could take your order.

Itoya’s headquarters now might be a lot more beautiful, but that is about it. Itoya has lost a lot of the previous appeal as stationery shop.

Pilot Penmanship – Montblanc White Forest

Bruno Taut
Shinjuku, October 29th, 2015
etiquetas: mercado, Tokyo, papelería, Itoya

70th Anniversary

The strategy of Pilot in the last 30-something years is consistent: a commemorative pen is launched as a limited edition, and then that model, albeit with minor variations, might become a regular model. That was the case of the Custom 845 (based on the 75th anniversary model), and of the Custom 67 and 74 (65th anniversary pen).

And in between, the 70th anniversary model. This one was marketed in 1998 1988 as a limited edition of 7000 units at a price of JPY 38000. It is a flat top, also called “vest” style in the Pilot jargon, and followed the design of some old Pilot models from the 1920s and 1930s. And, in fact, the subtle barleycorn engraving on the plastic body follows the pattern of many a vintage Pilot. However, the filling system relies in clean and reliable cartridges and converters.

A "vest type fountain pen", according to the text. The 70th Anniversary Pilot in its wooden box.

The insides of the pen do not match the classic look. The filling system is by cartridges and converter (CON-70). The cartridge is protected by the black sheath visible in the picture.

The nib is, for once, quite interesting. The very simple engraving says it is a size 10 in a FM point, and this was the only option. But this nib is not any regular size 10-nib—the tip clearly bends downwards, but unlike the Pilot posting nib, available as well in size 10, this FM point is fairly flexible.

The FM nib in size 10. The nib points down, but it is not rigid.

A regular posting nib in size 10. A posting nib always points down, is very rigid, and draws a very fine line.

These are the dimensions of this pen:

Length closed: 139 mm
Length open: 128 mm
Length posted: 165 mm
Diameter: 14 mm
Weight: 19.0 g (dry, with empty cartridge)

On top, the 70th Anniversary Pilot. On bottom, the Custom 72. Note the wider cap ring of the later. Both pens carry a similar decoration on their bodies. This time, the regular model. the Custom 72, was not a simplified version of the limited edition.

Then, two years later, Pilot launched the model named Custom 72: a flat top in black plastic. This time, however, the regular non-limited model was not a simplified version of the 70th anniversary pen.

Twsbi Diamond 530 with Kubo Kohei music nib – Nagasawa Bokkô

Bruno Taut
Nakano, October 2015
etiquetas: Pilot, plumín

Early Pilot Nibs. VI. Size 4

As the nib size increases, the pens become more rare and more expensive. For size 4 nibs I have found two examples: two post-war 53RT units. However, their nibs are significantly different:

Manufacturing date	.Non dated.	.Sep 1954.
Length (mm)	26.7	25.9
Width (mm)	5.3	5.5
Feed diameter (mm)	5.3	5.5
Weight (g)	0.3	0.5
Material	Steel	14 K Au

Basic data of two Pilot nibs of size 4.

Steel nib. Undated. The engraving reads "BESTQUALITY / PILOT / -(4)- / MADE IN / JAPAN".

Size 4 gold nib dated on September of 1954. However, it is not marked with the JIS stamp. The engraving: "MANIFOLD / WARRANTED / "PILOT" / 14 K / -<4>- / MADE IN / JAPAN".

Manifold vs. unlabeled point; gold vs. steel; dated vs. undated… Even their sizes are different despite they were probably not that apart in their manufacturing date.

The undated Pilot 53RT with steel nib.

The 53RT with the manifold nib made of 14 K gold.

Platinum pocket pen, steel striated body – Platinum Black

Bruno Taut
Nakano, September 18th, 2015
etiquetas: Pilot, plumín

Early Pilot Nibs. V. Size 3

Size 3 units, as seen on size 2 nibs, have different dimensions depending on whether they were made before or after the Second World War. But there might be some other reasons as well.

First, two steel nibs about 10 years apart:

Non dated steel (shiro) nib. Probably from the very late 1930s or early 1940s. The engraving reads "BEST / INTHEWORLD / PILOT / -(3)-".

Steel nib made in 1950. The engraving now includes a reference to the place of production: "STANDARD / PILOT / -(3)- / MADE IN / JAPAN".

Manufacturing date	Undated .(Ca. 1940).	.April 1950.
Length (mm)	28.5	28.0
Width (mm)	6.8	7.3
Feed diameter (mm)	5.5	5.4
Weight (g)	0.4-0.5	0.2-0.3
Material	Steel	Steel

Pilot RT from ca. 1940. The original price was JPY 4.55.

The second nib correspond to this Pilot that implements the A-shiki filling system. This pen also preserves the original price: JPY 150.

The first nib is not dated, but the pen is clearly an R model from the late 1930s. It still carries the sticker—its price, JPY 4.55. The second pen is an R model, with an A-shiki filling system. It still preserves the original price sticker: JPY 150. Ten years, a war in between, and a price difference of a factor of over 300.

The following pen is more clearly a post-war unit. It is a 53R model whose nib was made in January of 1953. The embargo over the use of gold had been levied in 1952.

Post-war (January of 1953) size 3 nib made of 14 K gold. Note the thinner diameter of the feed in the area usually under the section. The engraving, "WARRANTED/ "PILOT" / 14 K / -(3)- / MADE IN / JAPAN".

Manufacturing date	.Jan 1953.
Length (mm)	24.4
Width (mm)	6.0
Feed diameter (mm)	5.3
Weight (g)	0.3
Material	14 K Au

Pilot 53R.

The feed of this pen also shows a thinner diameter in the area attached to the section, as was the case of nibs of sizes 2 and smaller.

The last example of size 3 nib belongs to a pen exhibited at the Pen Station, the pen museum of Pilot in Tokyo. It corresponds to a maki-e pen from 1926. May it serve to illustrate the differences on the engraving. Needless to say, I cannot measure the actual dimensions of this nib.

Pilot nib from a maki-e pen from January of 1926, exhibited at the Pen Station, the Pilot museum in Tokyo. The engraving, much simpler, reads "WARRANTED / 14 K / "PILOT" / 3".

Pilot Justus 1989 – Pilot Blue

Bruno Taut
Nakano, September 18th, 2015
etiquetas: Pilot, plumín

Mr. Iwase's Creations

Mr. Iwase is a pen aficionado who likes to decorate his pens with sea shells; that is, with raden. At the last meeting of the Wagner group in Tokyo he brought a couple of superb examples of his hobby.

The raden decorated pens based upon Momose's creations. The filling system follows the Japanese eyedropper scheme (shut-off valve manned from the tail).

The bases, in this case, are two ebonite pens made by Mr. Momose (lathe work) and Mr. Kubo (nib)—in fact a winning combination desired by many a stylophile in Japan. And then, the decoration. It is particular brilliant—note how the different stripes of raden preserve the colorful pattern of the shell.

The superb work of Mr Iwase is clearly visible on this pic. Note how the decoration preserves the color pattern of the original shell.

The nib by nibmeister Kubo Kohei. The engraving reads "Kubo / MIKADO / K18 750 / MADE IN JAPAN". The section is decorated with urushi resin, therefore the reddish color.

These are the dimensions of the flat end pen:

Length closed: 165 mm
Length open: 150 mm
Diameter: 27 mm
Weight: 67.5 g (dry)

These works by Mr. Iwase are unique pens—one of a kind. They do not appear in any catalog or book. These lines might, in fact, be one of the few records ever made public about them. And their relevance in the history of Japanese pens is merely anecdotal. But those pens are real, and their maki-e, outstanding.

The cap top is decorated with three circles meaning, according to the author, the three persons involved on the pen: Iwase, Kubo and Momose.

It is hard not to compare Mr. Iwase’s pen to that made by Zôhiko also with raden decoration. The later, let us remember, shared a similar base pen, and is valued in JPY 1200000. But this pen lacked a real nibmester’s nib, and some seriously doubt it performed as a pen. Iwase’s creation is more interesting—better decoration, better nib.

My thanks to Mr. and Ms. Iwase.

Pilot Custom 823 – Montblanc White Forest.

Bruno Taut
Nakano, September 11th, 2015
etiquetas: urushi, raden, Zôhiko, Momose Yasuaki, Iwase, nibmeister Kubo Kohei