03 August 2025

TIPS et al.

To anyone who has read my texts on the Tokyo International Pen Show (TIPS) over the years, it will come as no surprise that I am not particularly fond of the format. My main complaint —allow me to reiterate— is that, despite its name, TIPS is not truly a pen show, but rather a stationery salon where companies —makers, retailers, artisans— gather to showcase their products. Occasionally, you may come across some used pens, but they are far from being the main attraction of the event.

However, the show works—and it works very well—with thousands of visitors attending each edition. So, all is well, and the concept, for the most part, is unlikely to change. The problem, though, is that its formula is simple—and easy to replicate. And that is exactly what’s happening.

TIPS 2024.

TIPS is built on the idea of attracting all kinds of businesses related to stationery. You then gather them in one room and hope people will come. And they do!

In a country like Japan, with its rich stationery culture, this model is easy to reproduce. Bungu Market, Shumi-no Bungu Matsuri, and Bungu Joshi are just some of the stationery events held in Tokyo throughout the year—sometimes even multiple times a year!

Bungu Market in Ota ward in Tokyo. January 2025. This event is celebrated 4 times per year, and there are other Bungu Market events in other locations—Osaka, Fukuoka, Kyoto... .
Bungu Joshi in June 2025 (https://youtu.be/pApUJqImr1c?si=-HXWmzS4Ed22tp_z). Twice a year event.
Shumi-no Bungu Matsuri. Organized by the magazine Shumi-no Bungubako. July 2025. Photo courtesy of Inktraveler.

TIPS may have been the early bird that caught the worm, but it is no longer unique. Both visitors and locals now have the option to choose which event to attend, and they are no longer bound to being in Tokyo in November to see the latest in stationery. Time will tell whether the market is large enough to sustain so many shows.


Jinhao 82 ― Private Reserve Dakota Red

Bruno Taut
July 25th, 2025
etiquetas: Tokyo, evento, mercado

4 comments:

Anonymous said...

Interesting comments on TIPS. I've never been to one, but am a bit less excited since it seems more about new pens and goods rather than vintage pens and nibmeisters. I haven't been to pen shows in the US, but for many it also is a major social event with people enjoying socializing at the side and before/ after the show. I wonder if that part of the pen show culture would work well in Japan. I think many people are a bit more private, although it seems as if the TIPS volunteers and exhibitors enjoy one dinner together during the show.

Thanks as always for the informative blog. I come to the Chronicas often as a reference.

Aloha, Andrew, Honolulu

Bruno Taut said...

Thanks, Andrew, for your comment.

Needless to say, I agree with your comment. TIPS is no longer a priority in my agenda, especially when it is far from being unique in the Tokyo scene.

Cheers,

BT

Waterman's 13 said...

Patidifuso me he quedado con esa imagen del Bungu Joshi. Me imagino que en Japón debe haber una arraigada tradición de coleccionismo de artículos de papelería. Mi duda surge cuando me planteo si ese posible coleccionismo sólo se centra en novedades, compulsiones de moda. Lo que me gustaría saber es si en Japón hay además interés por la historia de los instrumentos de escritura, "lapiceras" en español castizo. Quiero decir, ¿se dan en Japón las condiciones para que una feria de estilográficas, tal como se conocen en Europa y Estados Unidos, pueda prosperar? ¿Conoces algún intento que se haya producido en el pasado?

Muchas gracias por tus crónicas, Bruno Taut.
Siempre un placer leerte.

Bruno Taut said...

Waterman 13,

Gracias por tu comentario. Muchos temas introduces en él. Voy a ver si los puedo desgranar poco a poco.

¿Coleccionismo o acumulación? La pulsión por la novedad es grande en Japón y la papelería tiene la ventaja de generar productos cuyo valor monetario no es muy grande y eso los hace accesibles (aunque no sean baratos). Y creo que esta es la clave del éxito de este mercado. Creo también que la papelería es popular en muchos otros sitios y ferias similares podrían tener éxito en muchos otros países. De hecho, la feria de San Francisco se está convirtiendo en una feria de papelería.

En el pasado hubo algunos intentos de ferias de estilográficas al estilo occidental. Creo que se dan las condiciones en Japón por la cantidad de aficionados y por su capacidad económica. El problema está en los intereses económicos locales: hay varios tratantes que viven de importar plumas occidentales y venderlas localmente. Reducir esa oferta de Montblanc y Pelikan mantiene los precios altos. Eso puede cambiar, pero hay que superar muchas barreras.

Saludos,

BT

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