14 February 2017

Snakewood Platinum

This story has already been told on these Chronicles, but it might be worth to remember it in view of a slightly different pen variation.

Platinum had discarded the use of self filling mechanisms on its pens by the mid 1950s to the cry “good bye, ink bottle”. Since then, however, Platinum kept manufacturing ink bottles while making only cartridge filling pens. This policy continues to this day –even the sister company Nakaya does not produce any self-filling pen.



The snakewood version of the Platinum 70th Anniversary pen.

There were two exceptions—the Senator Regent branded as Platinum, and the 70th anniversary series of piston fillers released in 1989. These pens came in several colors and materials.


On the nib we can see the following inscription: " 14 K - 585 / PLATINUM / 70 / logo with letters SNT / < B > ".


The ebonite feed.

We have already seen one of those models—that made of jade green celluloid. Today’s pen is a wooden version of the same pen. On this occasion, the pen is made of snakewood, and the result is a bigger and heavier pen.


There is an inscription on the handle of the piston: "W-NO-0158". Is it the unit number? I do not have an answer.


The ball clip is clearly signed as 'PLATINUM". On the cap ring there is another one: "K18-750".

These are its dimensions:

Length closed: 148 mm
Length open: 132 mm
Length posted: 169 mm
Diameter: ca. 16 mm
Weight: 30.6 g (dry)


My thanks to Paco-san.


Paidi Century 5 – Bril Turquoise Blue

Bruno Taut
Nakano, February 13th, 2017
etiquetas: Platinum

09 February 2017

Gary's Classic Inks

By now the news are well-known—-Platinum has released a new family of inks by the name of “Classic Inks”. In Japanese, “classic ink” means iron-gall (IG) ink, and this is what these new inks are—iron-gall inks.

The initial announcement was made through the website of the stationery shop Nagasawa, in the city of Kobe. This shop had the privilege of an early release of these inks on January 27th. The general release will be on February 10th (2017).


Picture taken on February 10th 2017 at a well-known stationery shop in Tokyo. These is the new series of inks by Platinum. Six inks with iron-gall formulation. But, are they really new?

But are these inks really new? They are, in fact, new to the general market, but these inks are not new to the pen community in Japan. The mastermind behind them is a fellow stylophile by the name, in fora and blogs, of PGary (Gary).

It all started some years ago, around 2010, when Gary decided to create his own IG inks frustrated as he was with the limited selection of colors available in the market for IGs. At that time, the only non-blue-black IG ink was Rohrer & Klingner’s Scabiosa.

Gary never made a secret out of his developments. He published his recipes on YouTube and on his blog and even on the Japanese pen magazine Shumi-no Bungubaku (16, p. 66; 23, p. 106). The Wagner group of pen aficionados took good note of those inks and asked him to make some inks for the annual pen fair celebrated in Spring in Tokyo. That was in 2012, when the chosen colors were red-black and blue-black.


Some inks made by Gary.

Since then, Gary has received the same request on following years, and Wagner group members have stocked –and enjoyed—a number of his IG inks.

And now it was Platinum contacting him for the creation of this new “Classic Inks” composed by six new colors: Cassis black, Forest-black, Citrus-black, Khaki-black, Sepia-black and Lavender-black. Note the absence of a blue-black ink—Platinum already had an IG ink of this classical color.


Writing samples of the previous inks. The ink flow determines how dark the ink looks after the oxidation took place. All the writing on this test, save that of the 2012 Red-black ink, were made with a glass pen.


This Yellow-black ink shows a brighter hue when laid with a fountain pen with a more controlled flow. This ink was one of the 2013 Wagner inks.

As a matter of fact, Platinum is the only Japanese maker still making IG inks, and there is some kind of logic in this new move to expand its selection of inks.

Platinum now has three different types of inks—dye inks (red, black and the Mix Free line), pigmented inks (Carbon-black, Sepia, Blue, Pink), and iron gall (blue black and the Classic Inks line).

The problem of these new IG inks comes with their price. It is JPY 2000 (plus tax) for 60 ml, which is significantly more expensive than that of the pigmented inks (JPY 1500, plus tax). The old and well known blue black IG ink is a lot cheaper—JPY 1200, plus tax.

Strange pricing policy, I would say. But all in all this is, most of all, another sign of the increasing influence of the stylophile community in the market of fountain pens.

My thanks to Gary. And my congratulations!


Pilot Custom Heritage 92 – Gary’s Red-black (Wagner ink 2012)

Bruno Taut
Nakano, February 8th 2017
etiquetas: tinta, Platinum, Gary, mercado

06 February 2017

Anonymous

There is no such a thing as a fake maki-e pen, I said in the past, provided the maki-e was actually there. On such pens, what matters most is the decoration, and the pen becomes secondary. Such might be the case of the pen on display today.


An anonymous and interesting pen.

Nothing do I know about the pen itself and I can only describe it. It resembles of a Parker 51 (and to some English Duofolds from the 1950s), with which it shares the clip. The filling system is aerometric. The material of the body is ebonite.


There are three inscriptions on the pen, but none of them says anything about its origin. On the cap lit it just says “R14K”. On the pressing plate inside the barrel, the inscriptions reads “SPECIAL / TUBE CASE”. Finally, on the nib, “14 KT GOLD / “WARRANTED” / 4 / TOKYO”.



There existed several operations in Japan in the 1940s and 1950s with the name Tokyo on it, but this nib inscription might only mean where this pen had been made.


The Parker clip and the "matsuba" decoration.

Overall, this is a well made pen, but this detail might be almost irrelevant when compared to the decoration. It is a very discreet and understated pattern of short red lines over a black background. Its name is "matsuba"--pine tree twigs. This decorative tecnique doe snot have any specific name, but it is included in the group of simple techniques “kawari-nuri”. In actual terms, this seems to be more of a drawing with urushiurushi-e— than a real full fledged sprinkled maki-e. The decoration on this pen is not signed.


The inscription on the nib says "14KT.GOLD / "WARRANTED"/ 4 / TOKYO".

Given the overall style of the pen, it is reasonable to date in the mid 1950s, when copies of the best seller Parker 51 were common in Japan.

These are the dimensions of this anonymous pen:

Length closed: 132 mm
Length open: 118 mm
Length posted: 156 mm
Diameter: 13.6 mm
Weight: 17.3 g (dry)
Ink deposit: 0.8 ml


Oaso “Safari” – Pilot Iroshizuku Yama-budo

Bruno Taut
Nakano, February 2nd 2017
etiquetas: maki-e, urushi-e, Parker