On #3776 Nibs

This is a Chronicle with a lot of pics…

The Platinum #3776 series of fountain pens is an old one. Its first model was launched by 1978. It was a very characteristic ribbed design made by Haruo Umeda. The last models are called #3776 Century, and have little resemblance to those initial models, although Platinum keeps a ribbed design in its catalog.

Along this thirty-something years of history, the basic components of the pen –nib and feed—have seen some changes in their design.

The early models, (between 1978 and some time in the early 1980s) had very cylindrical nibs and ebonite feeds. The first year model had a feed with no fins at all. There were also music nibs associated to these pens, but they are not covered on this text.

Nib and feed of a Platinum #3776 from 1978. Note the ebonite feed.

The feeds of these early models changed quickly. By the second year, they had implemented some fins.

Later on, the nib became flatter on the top area, but there were few, if any, changes on the ebonite feed. This detail changed at some point (when?) and from then on all Platinum feeds have been made of plastic.

Nib and feed from 1984. The nib is obviously flatter on top while the feed is still made of ebonite.

Nib and feed from 2002. The nib is apparently identical to the previous one (1984), but the feed is now made of plastic.

Nib and feed from a #3776 Century. Labeled as manufactured on November of 2011. Note the shorter nib and the very specific feed. Needless to say, it is made of plastic.

The latest version of the #3776 is named Century and was launched in 2011. On this newer edition, two-tine nibs (i. e., non music nibs) changed with respect to previous models. Now they are shorter than before, and the feed had been modified to anchor the nib on the right position.

On the left, a music nib of a #3776 Century, dated on 2012. On the right, a music nib of a #3776 of 2009. The feeds are identical. The nibs, almost identical...

Music nib and feed of the Wagner 2015 pen. Note the absence of holes in the tail of the nib.

These changes, as I said, did not affect the three-tine music nibs. In some occasions, some gold was removed from the tail of the nib –that area hidden under the section--, but is also seems not to be always the case. The feeds of these music nibs are more cylindrical in shape and have no fixed position for the nib.

Two and three tine nibs dated in 2009 and 2010. They were interchangeable in their sections. I am well aware that the two tine nib is a Nakaya, but Nakaya implements #3776 nibs.

A side effect of these differences between the feeds is their incompatibility—now, the sections of music nibs are specific for them and cannot implement regular two tined nibs. And conversely—a regular nib section cannot be equipped with a music nib (and feed). This exchange was possible in pre-Century #3776 Platinum pens.

Now the reader can extract his own conclusions about Nakaya nibs.

Ban-ei, black urushi – Pilot Blue

Bruno Taut
Nakano, September 16th, 2016
labels: plumín, plumín musical, Platinum

Wagner 2015

The Platinum 3776 Century is the current best selling fountain pen in Japan. It is, by now, a well known product even outside of Japan—a balance model made of plastic, cartridge-converter filling system, 14 K gold nib. All these characteristics are common among the direct competitors: Pilot Custom 74 and Sailor Profit (1911) Junior.

Platinum 3776 Century.

Pilot Custom 74.

Sailor Profit (1911 in some markets) in size Junior. The nib on display is not the original.

This success, though, might have come with a curse. Platinum has hardly introduced any new model recently, and its marketing strategy seems limited to making small variations of the success model. And there is more…

Platinum 3776 Century of the Fuji lakes series. In particular, this is the model dedicated to lake Shoji.

Platinum, as many other brands, is open to taking orders for personalized products. The Wagner Pen Club, in Japan, contacted Platinum in 2015 for the creation of the pen to commemorate its 10th anniversary.

The commemorative pen of the 10 years of the Wagner Pen Club.

The result was a 3776 Century in transparent green plastic. However, there is nothing on the pen revealing this otherwise obvious origin. All the inscriptions on it have changed. On the cap-ring it just says “WAGNER 10th”. On the nib, “2015 / WAGNER / 10th / Anniversary”.

The inscription on the cap-ring reads "WAGNER 10th".

The nib also carries its specific decoration. The inscription says “2015 / WAGNER / 10th / Anniversary”.

There were two possibilities for the nib: a music nib –115 units— and a soft fine –130 units. They were numbered separately.

These pens are numbered. There are 115 with music nibs, and 130 with soft fine nibs.

So, all in all these pens are somewhat different from any of the variations of the 3776 Century… but it is still a 3776 Century.

Two 3776 Century, after all.

My thanks to Mr. Shimizu.

Platinum 3776 Century, Wagner 10th anniversary – unknown ink

Bruno Taut
Shinjuku and Nakano, September 2016
etiquetas: mercado, Japón, Platinum, plumín musical

Madrid News

The life of brick and mortar shops is hazardous these times. In the last months, the Madrid pen scene has seen a couple of significant changes.

The first was the disappearance of a very traditional shop, Jomar, in the Barrio de Salamanca area of town.

On the other hand, Papelería Debod has become very active in the area of fountain pens. Interestingly enough, this shop is selling Twsbi products in Spain. Papelería Debod is located near Plaza de España, in front of the Egyptian temple of Debod:

Papelería Debod
http://www.papeleriadebod.es
Ferraz 24
28008 Madrid
Tel: 915 591 049

These changes remind us some of the big questions in the pen business today: Is the fountain pen market profitable? Are traditional shops a viable business model in the world of Internet and online shopping? I do not have any real answer, but I tend to be pessimistic.

These two changes in the Madrid pen scene will soon be reflected on the page dedicated to this city in this blog.

Pilot desk pen DPN-200 – Private Reserve American Blue

Bruno Taut
Nakano, August 29, 2016
labels: Madrid, mercado

Fetishisms

To speak about fetishism in the world of fountain pens is essentially redundant. Collecting is a form of fetishism—to favor the tool for itself instead of for the work it does or for its actual performance. Now, fetishism can go a lot farther…

As of lately, and these Chronicles might share part of the responsibility for that, some “craftsman” pens, made with old technology and in low production batches have gained some name among stylophiles. Brands like Eboya (formerly Nebotek), Hakase, Ohashido, StyloArt Karuizawa, fit in this category nowadays. But some time ago there was another master who by now holds a quasi-mythical dimension—Sakai Eisuke (酒井栄助) the leading figure behind Ban-ei pens and creator of the prototype of modern Pilot-Namiki with size 50 nibs.

Three pens made by Sakai Eisuke.

Sakai Eisuke was a master of the rokuro, the traditional pedal-operated Japanese lathe, and here I am showing one of the rokuro he used. Now, it belongs to Nikko Ebonite, and is, in actual terms, one of the two traditional lathes in service to make Eboya pens.

Ex-Sakai Eisuke rokuro.

Does this detail add any value to the pens made with it? Most likely not, but that depends on your personal obsessions re fountain pens. I, for one, was very happy to see and even touch a tool used by a great master.

The current location of the old rokuro: the building of Nikko Ebonite.

My thanks to Mr. Noritoshi Kanesaki

Oaso “Safari” – Diamine Graphite

Bruno Taut
Nakano, August 1st, 2016
etiquetas: estilofilia, Eboya, Pilot, Sakai Eisuke

Matching (XXI). Oaso 'Safari'

After having reported on the Lanbitou 757, that obvious copy of the Lamy Safari, it is only natural to speak about the Oaso ‘Safari’, another kid on the block of copies.

The Oaso 'Safari'. The official name might be completely different, though.

Oaso is a small brand and little information about it is available. Some say it is a second brand of the well-known Picasso, from Shanghai. Both brands appear as related on alibaba.com (retrieved July 15, 2016), the website of the Chinese e-commerce company Alibaba Group. Nothing can I say about the official model name, either.

Which one is the Chinese; which one the German? The names are written on the barrels and on the nibs.

This is indeed an obvious copy of the Lamy Safari, but less so than the already reviewed Lanbitou 757. The Oaso shows a very clear difference with respect to the original: the cap jewel. The Lamy cross is now the logo of Oaso, a sort of an ‘O’.

The cap jewels are different.

The material of this matte black copy is a bit darker and more polished than that of the charcoal (or umbra) variation of the Lamy Safari. The Chinese nib is made of steel and is chromium coated instead of the black look of some Lamy nibs. However, as was the case with the Lanbitou 757, Lamy’s and Oaso’s nibs are interchangeable.

The nibs are interchangeable. Their qualities are on par.

Their feeds are almost identical. The Chinese version has a worse finish, but the ink flow is correct.

Writing samples of the Oaso 'Safari' with tow nibs--an Oaso F, and a Lamy F. These two nibs behave in a similar fashion.

So are the converters. The Oaso version seems to be an almost exact clone of the Lamy Z28 unit save for the color of the materials. The Chinese copy even has the notches to hook it to the pen. Both are marked with their brand names.

The converters are also interchangeable. They are almost identical.

All in all, the Oaso ‘Safari’ is a knockoff of decent quality. And the question is why all these companies bothered copying inexpensive models. The reason seems to lay on the Chinese domestic market, where the Lamy Safari holds relatively high prices. And it seems that these Chinese companies –Lanbitou, Hero, Picasso, Oaso…– have had an effect: Lamy has lowered the prices of the Lamy Safari in the Chinese market to remain competitive.

My thanks to Mr. Mizukushi.

Bank-ei in black urushi – Pilot Blue

Bruno Taut
Nakano, July 15th, 2016
etiquetas: China, mercado, Lanbitou, Oaso, Lamy

East Pen Made in Tokyo

The experimentation with fountain pen nibs is alive and well in Japan. The Nagahara family, or some advanced aficionados like Mr. Yamada and Mr. Mochizuki, an army of pen tuners who periodically meet in Tokyo and other cities in Japan… they all show that there is more to nibs than what most aficionados think. And this is not new in Japan. An obvious case in point is the Sailor development in the 1980s of an omnidirectional nib called Trident—the idea was a nib that could write smoothly in any position.

Well, that idea has an obvious precedent in Tokyo in the 1930s.

A smallish pen: 120 mm long. On the barrel: "EAST / FOUNTAIN PEN / MADE IN TOKYO".

Externally, the pen is a boring-looking copy of the Parker Duofold. The filling system is a Japanese eyedropper, like most pens of the time (around 1930) in Japan. The ebonite barrel is engraved with the brand name, “EAST”, and the text “FOUNTAIN PEN / MADE IN TOKYO”. On the clip we find a logo where we can read “Special”.

The clip displays an additional logo where we read "Special".

Then, everything changes when we open the pen.

The secret, disclosed.

This unique nib is formed by three different gold plates at 120° of each other. These plates are somehow connected at the central axes of the pen, and their ends are iridium-tipped and polished. The space outside these plates is used for the feeds.

Engraved on the nib, we can see the purity of the gold --14 K-- and something like "NOxxx". Those x are not readable. But this nib is make of 14 K gold.

The result is a very rigid nib able to write in all positions.

These are the dimensions of the pen:

Length closed: 120 mm
Length open: 108 mm
Length posted: 151 mm
Diameter: 11 mm
Weight: 13.4 g (dry)

Quite an experiment, but the manufacturing process of this nib sure was not cheap. This pen, finally, is extremely rare, and very little seems to be known about it.

Eboya Hôga – Diamine Graphite

Bruno Taut
Nakano, July 3rd, 2016
etiquetas: East, plumín, soluciones técnicas

Urushi Fermo

Nagasawa is, in a sense, THE stationery shop in the city of Kobe in Japan. Sure enough there are some other stationers in the area, but this centenary old store, founded in 1882, does attract most of the attention in the area. The reasons for this success deserve a detailed analysis, but that is not today’s topic.

Today I wanted to present a quite unique pen made for Nagasawa by Pilot. The excuse seems a bit lame –134th anniversary of the company--, but probably any excuse is valid to make some noise. The name of this pen is the non-descriptive “Urushi Japan”.

The pen in question is rather unusual—it is a limited edition fountain pen based on the well-known Pilot Fermo. The variations over the regular model are small but relevant:

-- The metal parts are now golden in color as opposed to the silver trim of the usual Fermo.

-- The nib unit, made of 18 K gold, is also golden in color and is not rhodiated. This is the only Fermo model to use such nibs instead of the rhodiated units. The nib is engraved with the logo of Nagasawa--a key.

-- The knurled knob that operated the nib is now smooth and of the same color as the rest of the pen.

-- Finally, and most important, the pen is decorated, or colored, with urushi lacquer.

Nagasawa ordered a total of 150 numbered units in two different colors—60 units in jet black (shikkoku, 漆黒) and 90 in red (shu, 朱). The price is the same for both colors: JPY 60000, plus tax.

Both "Urushi Japan" pens as displayed on the magazine Shumi-no Bungubako (issue 38) together with the real thing in red.

Size-wise, this urushi Fermo is less than one gram heavier than the regular model. The rest of the dimensions are nominally identical:

Length closed: 141 mm
Length open: 148 mm
Diameter: 12.3 mm
Weight: 34.4 g

On top, the red "Urushi Japan" of Nagasawa; on bottom, a regular Fermo in black.

Eboya Hôga – Diamine Graphite

Bruno Taut
Nakano, July 1st, 2016
etiquetas: Pilot, Capless, Kobe, mercado, urushi, Nagasawa