Ôsôji

Japanese people end the year with a traditional clean up of the house--and of the office at times. This is called ôsôji: big clean up. On the way, many forgotten or out of use goods end up in the garbage. But your junk might be someone else’s treasure.

The Wagner “end-of-the-year” bazaar is a mixture of an end of the year party and a small market where to sell all those pens –and accessories you might no longer want. Or at least that was at some time. Nowadays, it has become a small pen show for local traders perfectly comparable in size with the “Pen Trading” (such is the name) event celebrated in Tokyo in Spring, usually by the end of April or beginning of May (::1::, ::2::).

So, this past December 30th, pen aficionados in Tokyo gathered at the end-of-the-year bazaar organized by the Wagner group. Between 150 and 200 visitors, and about 15 traders conformed this event where the commercial activity dominated over any other aspect. Fair enough… save for the exhaustion of the formula: too few traders with small variety and selection of pens for a very active pen community. The paradox is that other events in Tokyo organized by Maruzen (World of Fountain Pens) and by Mitsukoshi (Fountain Pens of the World Festival; ::1::, ::2::, ::3::), both focused on new pens—attract a lot more people and generate a higher economic activity.

Japan seems faithful to its tradition of isolation. The Galápagos syndrome is alive and well in a number of areas in this island nation. It is not easy to pinpoint a single reason to explain such attitude, but Economics might provide some arguments—are there real incentives to open the market to Barbaric influences?

Now, how long can this isolation last?

Romillo Nervión – Sailor Blue Iron

Bruno Taut
Nakano, January 8th 2018
labels: evento, Tokyo, mercado, Japón

Kobe in USA

The Kobe-based stationery shop Nagasawa started selling its rage of inks—the Kobe inks—in Tokyo last February. The Tokyo partner for this operation is Itoya, and its headquarters in Ginza are the only place where these inks are sold in the big city.

Nagasawa in Kobe.

This marketing decision seems successful, and the pile of Kobe inks at Itoya does shrink down. The arrangement is stable, though, and the stock of inks should be replenished regularly.

Kobe inks at Itoya. They seem to go fast, but not being a limited offer, the shelves should be replenished regularly.

But the more interesting news are that Nagasawa intends to sell these Kobe inks in the US market in a near future. Not much more information is available now. In particular, not about what retail channel the Kobe shop will use for this move. However, it is only reasonable to think Itoya America could be in charge of the distributing these Kobe inks made, after all, by Sailor.

Pilot Prera – Gary's Red-Black (Wagner ink 2012)

Bruno Taut
Shinjuku, March 29th 2017
etiquetas: tinta, Nagasawa, Tokyo, Estados Unidos, Sailor, mercado

Gary's Classic Inks

By now the news are well-known—-Platinum has released a new family of inks by the name of “Classic Inks”. In Japanese, “classic ink” means iron-gall (IG) ink, and this is what these new inks are—iron-gall inks.

The initial announcement was made through the website of the stationery shop Nagasawa, in the city of Kobe. This shop had the privilege of an early release of these inks on January 27th. The general release will be on February 10th (2017).

Picture taken on February 10th 2017 at a well-known stationery shop in Tokyo. These is the new series of inks by Platinum. Six inks with iron-gall formulation. But, are they really new?

But are these inks really new? They are, in fact, new to the general market, but these inks are not new to the pen community in Japan. The mastermind behind them is a fellow stylophile by the name, in fora and blogs, of PGary (Gary).

It all started some years ago, around 2010, when Gary decided to create his own IG inks frustrated as he was with the limited selection of colors available in the market for IGs. At that time, the only non-blue-black IG ink was Rohrer & Klingner’s Scabiosa.

Gary never made a secret out of his developments. He published his recipes on YouTube and on his blog and even on the Japanese pen magazine Shumi-no Bungubaku (16, p. 66; 23, p. 106). The Wagner group of pen aficionados took good note of those inks and asked him to make some inks for the annual pen fair celebrated in Spring in Tokyo. That was in 2012, when the chosen colors were red-black and blue-black.

Some inks made by Gary.

Since then, Gary has received the same request on following years, and Wagner group members have stocked –and enjoyed—a number of his IG inks.

And now it was Platinum contacting him for the creation of this new “Classic Inks” composed by six new colors: Cassis black, Forest-black, Citrus-black, Khaki-black, Sepia-black and Lavender-black. Note the absence of a blue-black ink—Platinum already had an IG ink of this classical color.

Writing samples of the previous inks. The ink flow determines how dark the ink looks after the oxidation took place. All the writing on this test, save that of the 2012 Red-black ink, were made with a glass pen.

This Yellow-black ink shows a brighter hue when laid with a fountain pen with a more controlled flow. This ink was one of the 2013 Wagner inks.

As a matter of fact, Platinum is the only Japanese maker still making IG inks, and there is some kind of logic in this new move to expand its selection of inks.

Platinum now has three different types of inks—dye inks (red, black and the Mix Free line), pigmented inks (Carbon-black, Sepia, Blue, Pink), and iron gall (blue black and the Classic Inks line).

The problem of these new IG inks comes with their price. It is JPY 2000 (plus tax) for 60 ml, which is significantly more expensive than that of the pigmented inks (JPY 1500, plus tax). The old and well known blue black IG ink is a lot cheaper—JPY 1200, plus tax.

Strange pricing policy, I would say. But all in all this is, most of all, another sign of the increasing influence of the stylophile community in the market of fountain pens.

My thanks to Gary. And my congratulations!

Pilot Custom Heritage 92 – Gary’s Red-black (Wagner ink 2012)

Bruno Taut
Nakano, February 8th 2017
etiquetas: tinta, Platinum, Gary, mercado

Matching (XXII). Lily 910

The Pilot Capless is one of the modern icons in the world of fountain pens. We know there is over 50 years of history behind that particular brand, and that there are a number of other pens with a similar structure: Lamy, Stipula, Visconti… Some, of course, are better made than others.

I have already shown a Chinese capless pen of acceptable quality named Dagong 56. It has a number of flaws, but it does its job.

The Lily 910.

The Lily 910 is another such example of Chinese capless. At first sight, this is an attractive pen of very clear lines. The steel body is well polished, the connection between body and gripping section smooth and beautiful, the clip is sturdy and flexible, the release mechanism is smooth and reliable… However, a closer inspection reveals an interesting feature that could compromise the actual functionality of the pen.

The filling system is aerometric.

This capless pen has no shutter whatsoever. There is no internal lid on the nose of the pen. The nib, therefore, is constantly exposed to the external environment; it is never confined inside the pen. Two are the consequences, of this simplification of the design. First, in case of an ink leak on the nib, there is no barrier and the stain on the shirt or on the carrying bag is almost certain.

Steel nib, gold plated.

The second issue is that an uncovered nib will be prone to becoming dry and to having very slow starts after some time unused. But, is this the case?

To my surprise, this nib is very resistant to dryness, and when dry, it does not take much to re-start it. This is in fact a very reliable nib, and a very reliable pen.

These are the dimensions of this pen:

Length closed: 144 mm
Length open: 151 mm
Diameter: 12.0 mm
Weight: 28.5 g
Ink deposit: around 1 ml

The writing quality is more than acceptable. Some might say that the nib is too rough, or that it has a lot of feedback. That is always a personal appreciation, and I find it very usable if not pleasant. That lack of smoothness might be the price to pay for a nib to be very resistant to drying.

Writing sample of the Lily 910. Sailor ink, copy paper.

This Lily 910 is one of the better known Chinese capless pens, but there is very little information about its maker. The absence of documentation about Chinese pens in startling and we are bound to rely on the small bit of anecdotal information that now and then arrived in the Net.

Lily 910 and Pilot Capless C-400SS (1971).

Apparently, this pen was made in the city of Hefei, in the province of Anhui in PR of China. But based on this city there are at least two companies producing stationery products: Heifei Wentai Hexagon Co. Ltd. and Hefei Reiz Stationery Co. Ltd. Nothing have I found, though, on the production period of this pen, although some sources mention year 1992. (My best guess is that it belongs to the 1970s or early 1980s.)

On top, the Pilot Capless from 1971; then, the Lily 910; nib unit of the Pilot; nib unit of the Lily.

The noses of both pens. The Pilot pen implements an internal shutter to keep the nib wet when not in use.

If compared to the gamut of Pilot Capless models. this Lily 910 strongly reminds of the Capless model of 1971 (C-400SS).

The conclusion is that the Lily 910 is an interesting and reliable, despite its obvious flaws. However, it cannot really compete with the current more inexpensive versions of the Pilot Capless. Pilot’s is a lot more refined and their prices are quite similar around JPY 10000. The availability of the Chinese model is, on the other hand, quite erratic.

Lily 910 – Wagner’s 2008 ink (by Sailor)

Bruno Taut
Nakano, January 2017
etiquetas: Lily, capless, Pilot

Changes in Eboya

Noritoshi Kanesaki, the master behind Eboya Pens stopped working for the company (Nikko Ebonite) this past August. The company has hired new personnel to continue with the pen business. However, the production might slow down due to the need of training.

An Eboya Hôga with the box signed by Mr. Kanesaki, the former pen master of Eboya pens.

Mr. Kanesaki, at work in 2011, when Eboya pens were still named Nebotek.

On his side, Mr. Kanesaki is starting his own business of pen repairs, and taking orders for special editions in the city Kawaguchi, very close to Tokyo in the province of Saitama.

Platinum Wagner 10th Anniversary – unknown ink

Bruno Taut
Nakano, September 11th , 2016
labels: Kanesaki Noritoshi, Eboya

On #3776 Nibs

This is a Chronicle with a lot of pics…

The Platinum #3776 series of fountain pens is an old one. Its first model was launched by 1978. It was a very characteristic ribbed design made by Haruo Umeda. The last models are called #3776 Century, and have little resemblance to those initial models, although Platinum keeps a ribbed design in its catalog.

Along this thirty-something years of history, the basic components of the pen –nib and feed—have seen some changes in their design.

The early models, (between 1978 and some time in the early 1980s) had very cylindrical nibs and ebonite feeds. The first year model had a feed with no fins at all. There were also music nibs associated to these pens, but they are not covered on this text.

Nib and feed of a Platinum #3776 from 1978. Note the ebonite feed.

The feeds of these early models changed quickly. By the second year, they had implemented some fins.

Later on, the nib became flatter on the top area, but there were few, if any, changes on the ebonite feed. This detail changed at some point (when?) and from then on all Platinum feeds have been made of plastic.

Nib and feed from 1984. The nib is obviously flatter on top while the feed is still made of ebonite.

Nib and feed from 2002. The nib is apparently identical to the previous one (1984), but the feed is now made of plastic.

Nib and feed from a #3776 Century. Labeled as manufactured on November of 2011. Note the shorter nib and the very specific feed. Needless to say, it is made of plastic.

The latest version of the #3776 is named Century and was launched in 2011. On this newer edition, two-tine nibs (i. e., non music nibs) changed with respect to previous models. Now they are shorter than before, and the feed had been modified to anchor the nib on the right position.

On the left, a music nib of a #3776 Century, dated on 2012. On the right, a music nib of a #3776 of 2009. The feeds are identical. The nibs, almost identical...

Music nib and feed of the Wagner 2015 pen. Note the absence of holes in the tail of the nib.

These changes, as I said, did not affect the three-tine music nibs. In some occasions, some gold was removed from the tail of the nib –that area hidden under the section--, but is also seems not to be always the case. The feeds of these music nibs are more cylindrical in shape and have no fixed position for the nib.

Two and three tine nibs dated in 2009 and 2010. They were interchangeable in their sections. I am well aware that the two tine nib is a Nakaya, but Nakaya implements #3776 nibs.

A side effect of these differences between the feeds is their incompatibility—now, the sections of music nibs are specific for them and cannot implement regular two tined nibs. And conversely—a regular nib section cannot be equipped with a music nib (and feed). This exchange was possible in pre-Century #3776 Platinum pens.

Now the reader can extract his own conclusions about Nakaya nibs.

Ban-ei, black urushi – Pilot Blue

Bruno Taut
Nakano, September 16th, 2016
labels: plumín, plumín musical, Platinum

Wagner 2015

The Platinum 3776 Century is the current best selling fountain pen in Japan. It is, by now, a well known product even outside of Japan—a balance model made of plastic, cartridge-converter filling system, 14 K gold nib. All these characteristics are common among the direct competitors: Pilot Custom 74 and Sailor Profit (1911) Junior.

Platinum 3776 Century.

Pilot Custom 74.

Sailor Profit (1911 in some markets) in size Junior. The nib on display is not the original.

This success, though, might have come with a curse. Platinum has hardly introduced any new model recently, and its marketing strategy seems limited to making small variations of the success model. And there is more…

Platinum 3776 Century of the Fuji lakes series. In particular, this is the model dedicated to lake Shoji.

Platinum, as many other brands, is open to taking orders for personalized products. The Wagner Pen Club, in Japan, contacted Platinum in 2015 for the creation of the pen to commemorate its 10th anniversary.

The commemorative pen of the 10 years of the Wagner Pen Club.

The result was a 3776 Century in transparent green plastic. However, there is nothing on the pen revealing this otherwise obvious origin. All the inscriptions on it have changed. On the cap-ring it just says “WAGNER 10th”. On the nib, “2015 / WAGNER / 10th / Anniversary”.

The inscription on the cap-ring reads "WAGNER 10th".

The nib also carries its specific decoration. The inscription says “2015 / WAGNER / 10th / Anniversary”.

There were two possibilities for the nib: a music nib –115 units— and a soft fine –130 units. They were numbered separately.

These pens are numbered. There are 115 with music nibs, and 130 with soft fine nibs.

So, all in all these pens are somewhat different from any of the variations of the 3776 Century… but it is still a 3776 Century.

Two 3776 Century, after all.

My thanks to Mr. Shimizu.

Platinum 3776 Century, Wagner 10th anniversary – unknown ink

Bruno Taut
Shinjuku and Nakano, September 2016
etiquetas: mercado, Japón, Platinum, plumín musical

Vintage Inks

Two are the issues associated to the two words in the title: how old can an ink be before using it, and how often do companies change the formulation of the inks?

Last weekend, at a meeting of the Wagner group in Tokyo, we had the opportunity to check five different varieties of the Pilot Blue-black ink. The older of them was about 60 years old. All of them were in their original packages and were, apparently, in perfect working order.

Vintage Pilot Blue-black inks. The oldest inks were from around 1955.

The four iron-gall inks to be tested. From left to right, from 1955, 1965, 1975 and 1985. The price as well as some details in the inkwells allow for a detailed dating.

Inking the pens, Hero 616, for the writing tests anyone could take.

Pilot Blue-black is, even nowadays, a water resistant ink. Formerly, this property was achieved by the classical trick—iron-gall formulation. But at some point in the early 1990s, it was abandoned in favor of a solution that reacts with the cellulose of the paper. Therefore, all the sampled inks but the most recent were ferrogallic. Some minor differences in color among those iron-gall inks are visible, but it is not possible to say whether those variations were due to any ageing process or to any variation in the formulation. The major differences are, as expected, between those classic inks and the newer formulation.

Writing test of all five inks (left), and water resistance test (right). The sample was one full minute under running water. Some dyes were removed from the iron-gall inks. All of them are remarkably resistant to water--even the modern, non ferrogallic, formulation.

A surprising detail we could see was how usable those vintage inks were despite their age. All of them were in perfect condition without mold or deposits. However, once open, these iron gall inks face an issue—the Iron ions will react with atmospheric Oxygen. Then, what is the open-inkwell lifetime of these inks? The ink should be all right as long as there were no mold or deposits, and some users spoke of some time between one and two years as safe to keep on using them.

My thanks to Mr Niikura, Mr. Nyoi, and Mr Toda.

Pilot Myu 701 – Pilot Black

Bruno Taut
Nakano, May 16th, 2016
etiquetas: Pilot, evento, tinta

Matching (XIX). Dagong 56

There is more to retractable-nib pens that just the Pilot line of Capless pen currently on production. Stipula, Lamy, Visconti, Stypen… even Montblanc has something like a retractable-nib pen… And there are some lesser known companies re-interpreting this style of pen.

One of them is the Chinese company Wuhan Pen Factory, located in Wuhan (Hubei province, PR China). Under its brand name Dagong, it produced the model 56 during the 1980s.

The box of the Dagong 56. Knock-type (push button) fountain pen, by Wuhan Pen Factory.

The Dagong 56 is made of stainless steel and has a gripping section in black knurled plastic. The nib –of gold plated steel— is operated by a push button at the back of the pen. The filling mechanism is an aerometric system integrated in the nib unit.

The empty box and the nib unit. The nib is made of stainless steel, gold plated. The filling system is a built in aerometric.

The pen clearly follows the Capless tradition of Pilot, but it is not easy to pinpoint which particular Pilot model was the source of inspiration. In fact, it looks like if the designers of the Dagong 56 had taken elements from several of the Pilot pens. The result, however, is attractive while keeping it clean and simple.

The Dagong 56, on the front, together with the Pilot Capless from 1971 on. The latest of those shown on the pic, close to the Dagong, started its production in 1998 and, therefore, it could not be a model in any way for the Chinese pen.

The click mechanism looks and sounds sturdy—maybe too much so, as it requires some strength to operate it. Apparently reliable, but less refined than the mechanism of the Pilot pens. Both, Pilot and Dagong, share an important element—a closing lid to prevent the nib going dry. This is not so obvious as there are other Chinese-made capless pens that do not implement such a lid.

The construction quality is decent, but shows some flaws. The steel, particularly on the nose has some obvious imperfections: it has some pores, and its surface is far from uniform. The mouth for the nib is not well finished—the lower edge is not straight and could erode the feed.

This picture shows some of the flaws of the Dagong 56. The steel has some obvious imperfections, and the opening for the nib is not nicely cut. Inside, by the way, there is a white lid to prevent the nib from drying out when the pen is not in use.

The engraving on the nib is very shallow and is barely visible. It includes the logo and the name of the manufacturing company: "WUHAN".

These are the dimensions of the pen:
Length closed: 139 mm
Length open: 144 mm
Diameter: 11 mm
Weight: 16.5 g (dry)
Ink deposit: 0.7 ml

A nice detail: the threads are made of steel on both sides.

Now, is this pen competitive? The Dagong 56 is no longer on production and it is mostly a rarity for collectors. The price at auction sites, erratic as it may be, often reaches EUR 60 to 70. Given the current exchange rates, a stainless steel Pilot Capless seems a much better deal.

Chuanren 3323, Student Pen – Wagner 2008 ink (by Sailor)

Bruno Taut
Shinjuku, Nakano; February 6th, 2016
etiquetas: Wuhan, Capless, Pilot