Haikara Ink

Yet a new ink in the market...

The company Teranishi Chemical Industry has released a line of four inks under the name ハイカラ, Haikara in Romaji, which could in turn be either “high color” or “high collar”, a term with some history in Japan.

The advertisement brochure. Four inks: Gentle Green, Melancholic Blue, Modern Red, and Salon de Violet. Note also the ideograms 大正浪漫, Taishô Roman, on top of the katakana ハイカラ.

ハイカラ / Haikara, as derived from “high collar”, is a word coined in Japan in the Meiji era (1868-1912) to describe with scorn the mostly male fashion of dressing with Western clothes. The term, however, became more neutral once Western clothes became less of a novelty, and is used even nowadays to describe something nostalgically trendy. In the packaging of these inks we can also see the inscription 大正浪漫, Taishô Roman (Taishô Romance): a term use nowadays for a romantisized view of the Taishô period (1912-1926).

Anyway, these inks come in 40 ml inkwells at a price of JPY 1500, plus taxes. This means JPY 37.5 / ml, which is more expensive than Pilot's Iroshizuku inks (JPY 30 / ml for the 50 ml inkwells) but a lot less than Sailor's Ink Studio (JPY 60 / ml) and Shikiori (JPY 50 / ml) inks.

Two of the inks: Modern Red and Melancholic Blue.

So, is this just another company trying to cash in on the ink bubble with some more attractive prices?

The low tech and the low cost involved in making inks is indeed an incentive to enter this activity as we have seen in recent years. And the company Teranishi Chemical Industry comes with good credentials.

Teranishi Chemical Industry was founded in 1919 in Osaka. In 1931 it started making fountain pen ink that eventually carried the brand name “Guitar” or “Guitar Mark”. However, the main product of the company is the oil-based marker “Magic Ink”, very popular in Japan, and the fountain pen ink disappeared from the Teranishi catalog at some point after the War.

The Magic Ink marker.

Then, in 2021 Teranishi Chemical Industry has made this new ink named generically ハイカラ or Haikara, which could be “High Color” or “High Collar”, while mentioning the old in-house brand “Guitar” and speaking of "Taishô Roman"...

Can this ink be a success with so many names?

Anonymous 6-bu jumbo pen – Kobe Ginza Gold Sepia

Bruno Taut
September-October 2021
labels: tinta, Japón, mercado, Haikara

Newton, Socrates, et al.

Years ago, when I started my learning on fountain pens, I ran across some Pilot pocket pens particularly attractive:

Two Pocket Elite by Pilot.

Searching for information not much could I find. After all, not that many Japanese pens had a clear model name, and the actual description was the catalog reference. Consequently, those pens where Elite models with inset nibs. However, I also found the names Socrates and Newton (::1::, ::2::) associated to them.

Where did these names come from?

It might all come down to this Pilot advertisement from 1978:

"Chosen by character." (https://pilot.co.jp/)

We should note that the Socrates pen on the ad corresponds to the black Elite pocket pen with triangular nib instead of that with the inset nib.

Which one is the Socrates? According to the 1978's ad, that on the front.

Then, based on that ad, we have three more names for pens: Cleopatra, Beethoven, and Nightingale.

The Beethoven is, obviously, the well-known Murex (ミュ-レクス).

The Cleopatra and the Nightingale belonged to the “Lady” series. But the Cleopatra had an additional name—Lady Pearl. (The reddish pocket pen I am showing here is NOT the Nightingale on the ad. My pen is a Elite model with many commonalities with Nightingale).

Pilot Lady Pearl, or the Pilot Cleopatra would have chosen...

A Pilot Elite very similar to the Nightingale Lady model shown on the ad. The only difference is in cap--different decoration, and the different name.

And in view of all this, should we call the Murex as the Pilot Beethoven?

The Pilot Beethoven?

Anonymous 6-bu jumbo pen – Kobe Ginza Sepia Gold

Bruno Taut
September 2nd, 2021
etiquetas: Pilot, mercado

Platinum Pocket Nibs

After Sailor had released the first Japanese pocket pen in 1963 –the Sailor Mini— Platinum soon followed suit with its own line of compact pen.

Pocket pens were very successful and became a workhorse in the lineup of the companies. Platinum, on its side, showed this by implementing a wide variety of nib points in them.

Eight different nibs for a single model. And there might have been some more nib points. Clockwise from top, music, soft fine, fine, sign, manifold, script, medium, and extra fine.

Such is the case on display today—eight different nib points in one single model. And there might have been some more.

The Platinum pocket model. Albeit with minor variations, this model was in the Platinum catalog for about 10 years around 1970.

Out of those, four are labeled in English—music, sign, manifold, script. But how do they write? Are they significantly different to those we usually encounter?

All these five nibs were made between 1967 and 1969. Their points are music, sign, medium, manifuld, and script.

The following writing sample might answer those questions. The medium nib (中字) is shown as reference. All of them, might be worth notice, are quite rigid, and there are no major differences among them in this detail.

Sailor Fude pen – Diamine Teal

Bruno Taut
August 19th, 2021
etiquetas: Platinum, plumín, plumín musical

From Platinum to Lanbitou

Some time ago I made some comments about the current policy of Platinum focusing on the lower and middle ranges of the market. The recent models Procyon and Curidas, together with the well-known Preppy, do show that policy.

Platinum Curidas.

The problem is that Chinese pen companies are fighting hard for that market, and they do that with much better prices and the occasional shameless copy.

Lanbitou 3088.

The Lanbitou 3088 shows that last case very clearly. It is a blatant copy of the Platinum Curidas for a fraction of its price: about EUR 70 for the Platinum, and about EUR 5 for the Lanbitou. This, on top of the teething problems of the Curidas, are not good news for the Japanese brand.

Signed.

The weak slab in the PR China's production is the distribution of its products. This is based on online channels, but some brand are slowly opening other mechanisms. But in any event, online channels are here to stay, for both Chinese and non-Chinese products, and the business of these channels is only increasing.

Platinum of Lanbitou?

So, what is the future for Platinum and other traditional brands? I have predicted that low and middle priced pens –say up to about EUR 100-- will soon become Chinese. And should Western and Japanese brands survive, they are bound to offer products with a higher added value –exotic materials, lavish decoration, innovative nibs, ...--, and an impeccable quality control.

And all that is not what Platinum is doing now.


My thanks to my friend Antolín, whose pictures are greatly appreciated.

Parker Junior – Diamond Teal

Bruno Taut
July 29th, 2021
etiquetas: Platinum, Lanbitou, mercado, capless

Madrid vs. Tokyo (2021)

On the weekend of June 26-27, two different pen events took place in two very different cities: Madrid and Tokyo. This alone are very good news in times of pandemic, but a lot more can be said.

Let's start with the contexts. Madrid is a city of about 3.5 million people with a metropolitan area of 6.7 million. Tokyo, on it side, is home to 14 million with a metropolitan area of 37 million.

Regarding the infection conditions, Spain is currently doing a lot better than Japan in terms of immunization. At the time of the event, over 30% of the Spanish population had been vaccinated. And Japan, at the time, was struggling to get 3% of the population in the same conditions, and that despite the incoming  Olympic Games...

Then, 10 traders gathered in Madrid on Saturday morning (June 26th), and attracted about 100 potential buyers.

Madrid, June 26th.

In Tokyo, the yearly Pen Trade event was composed by 10 traders and 100 visitors over two days –Saturday and Sunday.

Tokyo, June 26th.

The plain figures are not very different, and any variation could be associated to the different levels in the immunization rates in these two countries... Maybe. However, the differences run much deeper.

The most obvious contrast, and not limited to these events of this month of June, is the mere number of pen for sale on the tables. On just one table in Madrid there were as many pens –or even more-- that in the whole Pen Trade event in Tokyo. We have seen this effect in other, bigger, events celebrated in these two cities—namely, the Madrid Pen Show, and the Tokyo International Pen Show.

Tokyo, June 26th.

Madrid, June 26th.

The real paradox is that a population shy of 7 million –Madrid-- concentrates more pens and more traders than Greater Tokyo with a population five times bigger. That or the organizers of pen events in Tokyo fail to attract those traders. Something is done very well in Madrid, and not so well in Tokyo.

And that, among other things, is why I say that the Tokyo International Pen Show is not a pen show. But there is always something interesting to take home with you.

The spoils fo the Pen Trade 2021. Not too bad...

My thanks to Inktraveler, whose pictures are greatly appreciated.

Montblanc 146 celluloid – Diamine Teal

Bruno Taut
July 7th, 2021
etiquetas: evento, Madrid, Tokyo

On Ban-ei Nibs (III). Family Portrait

If only for the sake of documenting Ban-ei (挽栄) pens at large, it might be worth to publish a family picture of nibs used on them.

Ban-ei implemented nibs primarily made by nibmeister Kabutogi Ginjiro (兜木銀次郎), but there were some other units of different origin on them. The following picture shows eight examples, but there might me more.

Starting at 1 and clockwise, there are the nibs:

Eight nibs present on Ban-ei pens.

At 1. Sailor nib. On this case, it is associated to a torpedo pen with maki-e decoration.

At 2. Parley nib, JIS no. 3231 registered by Ishikawa Kinpen Seisakusho. The pen is a torpedo with black urushi.

At 4. Steady nib, JIS no. 3233. This is one of the brands registered by Kabutogi. Its pen, an Onoto-type already reviewed, might not be a Ban-es strictly speaking—only Sakai and Kabutogi participated in the production.

At 5. Nib engraved with a Japanese text (復刻手造万年筆, fukkoku tezukuri mannenhitsu, reissue hand-made fountain pen). This text appears on nibs implemented on some Danitrio-commissioned pens, and in some other numbered editions. This nib is likely to be equivalent to those singed as GK (see nib at 7).

At 7. GK-signed nib. Present in a variety of pens, included the Visconti Urushi series.

At 8. Kabutogi's nib labeled as 50. This particular unit is engraved with JIS no. 4622, registered to Kabutogi's brand Seilon.

JIS 4622.

At 10. Kabutogi's nib labeled as 60. This unit is also engraved with JIN no. 4622.

At 11. Platinum nib. Present in many of the Danitrio-commissioned series, but not only on those.

The eight pens.

References:
Eizo FUJII. “酒井栄助の万年筆” (Sakai Eisuke no mannenhitsu; The fountain pens of Sakai Eisuke). Shumi-no Bungubaku, 34, p. 120-124 (2015).
A. LAMBROU & M. SUNAMI. Fountain Pens of Japan. Andreas Lambrou Publishers Ltd., 2012.

Arenton no. 3 – unknown blue-black

Bruno Taut
July 3rd, 2021
etiquetas: Ban-ei, plumín, Sakai Eisuke, nibmeister Kabutogi Ginjiro, Platinum, Sailor, Ishikawa Kinpen Seisakusho, Steady

On Ban-ei Nibs (II). 50, 60 & GK

Ban-ei (挽栄), as we know by now, was a pen brand created by Sakai Eisuke (酒井栄助) with the collaboration of a number of expert craftsmen--Takahashi, Tsuchida, Kitamura, Nakamura, and, of course, Kabutogi Ginjiro (兜木銀次郎), the nibmeister.

However, Ban-ei pens have implemented nibs of diverse origin—-Sailor, Platinum, Ishikawa Kinpen... Today I will only describe the three most common nibs made by Kabutogi Ginjiro himself—those labeled as 50, 60, and GK. There are some others, but are not so common as these three.

Three Ban-ei pens with three characteristic nibs by nibmeister Kabutogi.

These are the dimensions of these nibs, together with those of a size 15 nib by Pilot (Custom 823, 743, 845) for comparison. For data on more nibs, please check the text "Nib Sizes, Feed Diameters".

	.- GK -.	.- 50 -.	.- 60 -.	.- Pilot 15 -.
.Length (mm).	29	29	30	32
.Shoulder width (mm).	7.8	8.4	9.4	8.8
.Feed diameter (mm).	6.5	6.5	6.5	6.4

From left to right, nibs labeled as 60, 50, and GK. The 60 nib is consistently associated to that flatter-looking feed.

The figures clearly show how all those three nibs are very similar in size. Their feeders are, on the other hand, virtually equivalent with a diameter of 6.5 mm. This means that the nibs are interchangeable in their pens.


References:
Eizo FUJII. “酒井栄助の万年筆” (Sakai Eisuke no mannenhitsu; The fountain pens of Sakai Eisuke). Shumi-no Bungubaku, 34, p. 120-124 (2015).
A. LAMBROU & M. SUNAMI. Fountain Pens of Japan. Andreas Lambrou Publishers Ltd., 2012.

Anonymous 6-bu jumbo pen – unknown blue-black ink

Bruno Taut
Nakano, June 29th, 2021
etiquetas: Ban-ei, plumín, nibmeister Kabutogi Ginjiro