Good for the pen community in Tokyo? These are my reflections:
First, it is surprising how quickly –in Japanese standards-- this event is being organized. In a country where improvisation is almost a taboo, announcing this even with less that six months is surprising. But so be it!
Second is the inability of Tokyo actors in the pen scene to create a single important and relevant pen event with an international significance. Instead, all we get is a multiplicity of small events scattered along the calendar.
Let us remember here that the TIPS events (::1::, ::2::) fall short of real pen shows, as the organizers implicitly acknowledge when they declare that “the (Japanese Premium Pen) show will focus on high-end fountain pen brands from around the world for the discerning collector.”
This event, however, could change the parochial scene in Tokyo should it become a resounding success in attracting foreign traders. But that doesn't seem to be the case so far: it is being quickly organized, and Japan is not particularly close to where most traders live and circulate in the world tour of pen shows.
The pricing policy for traders doesn't seem very adequate for that purpose. The cost per table is in the order of USD 700 (in fact, JPY 70000 if booking before Jan 31st; JPY 90000, booking after that date). In comparison, the well-established Madrid Pen Show (16 years of history, a three-day event) charges about USD 300. And the newly created Dutch Pen Show in Utrecht, just USD 80.
But we will see how it works in about four months. I will be there.
Yamada raden – Pelikan 4001 Brilliant Brown
Bruno Taut
Nakano, January 30th 2020
etiquetas: Japón, Tokyo, evento, mercado
Bruno Taut
Nakano, January 30th 2020
etiquetas: Japón, Tokyo, evento, mercado
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