Madrid Pen Show 2016

The XIII Madrid Pen Show will be celebrated at the usual venue –the NH Eurobuilding Hotel— between 18th and 20th of November.

It is just short of two months ahead of us, but it might not be that long in order to plan a visit to Madrid and attend this major event. Let us remember that the Madrid Pen Show is currently the biggest pen show in Europe.

There is an entry fee to the show (EUR 3/day), but it can easily be waived by printing an invitation usually published on the organizer's website -- http://www.madridpenshow.com/?lang=en -- or on that of the sponsor's-- https://www.iguanasell.com/ .

I will attend the show this year as well (2015, 2014, 2013, 2012, 2011).

Pilot Capless, stub nib by Shimizu Seisakusho – Private Reserve, American Blue

Bruno Taut
Nakano, September 12th, 2016
labels: evento, Madrid

Vintage Inks

Two are the issues associated to the two words in the title: how old can an ink be before using it, and how often do companies change the formulation of the inks?

Last weekend, at a meeting of the Wagner group in Tokyo, we had the opportunity to check five different varieties of the Pilot Blue-black ink. The older of them was about 60 years old. All of them were in their original packages and were, apparently, in perfect working order.

Vintage Pilot Blue-black inks. The oldest inks were from around 1955.

The four iron-gall inks to be tested. From left to right, from 1955, 1965, 1975 and 1985. The price as well as some details in the inkwells allow for a detailed dating.

Inking the pens, Hero 616, for the writing tests anyone could take.

Pilot Blue-black is, even nowadays, a water resistant ink. Formerly, this property was achieved by the classical trick—iron-gall formulation. But at some point in the early 1990s, it was abandoned in favor of a solution that reacts with the cellulose of the paper. Therefore, all the sampled inks but the most recent were ferrogallic. Some minor differences in color among those iron-gall inks are visible, but it is not possible to say whether those variations were due to any ageing process or to any variation in the formulation. The major differences are, as expected, between those classic inks and the newer formulation.

Writing test of all five inks (left), and water resistance test (right). The sample was one full minute under running water. Some dyes were removed from the iron-gall inks. All of them are remarkably resistant to water--even the modern, non ferrogallic, formulation.

A surprising detail we could see was how usable those vintage inks were despite their age. All of them were in perfect condition without mold or deposits. However, once open, these iron gall inks face an issue—the Iron ions will react with atmospheric Oxygen. Then, what is the open-inkwell lifetime of these inks? The ink should be all right as long as there were no mold or deposits, and some users spoke of some time between one and two years as safe to keep on using them.

My thanks to Mr Niikura, Mr. Nyoi, and Mr Toda.

Pilot Myu 701 – Pilot Black

Bruno Taut
Nakano, May 16th, 2016
etiquetas: Pilot, evento, tinta

Pens at an Exhibition

The National Museum of Japanese History, in the city of Sakura (Chiba prefecture), hosts these days –March 8th to May 8th 2016—an exhibition on fountain pens: “Fountain Pens: Their History ad Art in Japan”. That is the official English title. However, the original in Japanese is more along the lines of “Lifestyle and Fountain Pens. The Modernization of Writing”.

Finally I had the chance to attend it and these are my recollections:

Sakura is a small town (population around 180000) in the prefecture of Chiba, about 60 minutes away from Tokyo Station by train. The Museum is connected to the train station by a bus route that takes 15 min. The admission fee to the exhibition is JPY 830. No pictures are allowed.

This is the outline:

Lifestyle and Fountain Pens. The Modernization of Writing.
0. Introduction. Literature and writing in Japan.
1. Fountain pens in Japan and their craftsmanship.
1.1 History of fountain pens in Japan.
1.2 Craftsmanship.
-- Lathe masters.
-- Maki-e.
2. Fountain pens and contemporary Japan.
2.1 The time of fountain pens.
2.2 Fountain pens and the modern organization.
2.3 Fountain pens and daily life.
3. Epilogue. Writing revisited.

The starting point of the exhibition is the role fountain pens played around 1900 in Japan. Fountain pens –that is, a reliable writing tool with an integrated ink deposit—were a much better writing device in a highly literate society whose writing system was based on handwriting. This starting point, somehow, defines the whole exhibition whose focus is on the social influence of pens and not on the historical development of them.

In fact, as could be seen on the outline, the part dedicated to the history of pen in Japan is limited to the first section (1.1). It is, however, rather limited and is organized by brands, with the big three companies taking most of the available space. A more chronological display would have been a lot more illustrative. There is also the obvious void of pens made after 1980 (save for some contemporary Pilot Capless and some Kato Seisakusho’s models).

Given the focus of the exhibition, most of the pens on display are common tools that were available to the average citizen. The most obvious exception to this rule is the selection of maki-e decorated pens used to illustrate the section on Japanese craftsmanship.

This section is completed with assorted memorabilia: ads, display cases, sale materials, etc.

More importance is given to the theme of craftsmanship of pens (section 1.2), focused on two aspects: pen turning and maki-e decoration.

Pen turning by rather primitive means has always been an important part of the Japanese pen industry. Let us remember brands as Ban-ei, Kato Seisakusho, Hakase, Eboya, Ohashido, and many others. Several of those lathes --pedal operated, with precarious chucks more often than not, and unstable toolposts— together with sets of tools can be seen at the museum.

Maki-e is also very well presented. The selection of pens, many from private collections, is magnificent and is supported by a computer system where visitors can explore the decorative motifs in detail through high quality pictures.

Page 111 of the catalog. It displays a maki-e decorated pen by Platinum. A pen, actually, already described on these Chronicles.

The exhibition is interesting and worth the trip from Tokyo. After all, pens rarely show up collectively in museums. Unfortunately, pictures are not allowed. However, there is a very serious flaw: pens and other objects are not dated. This is an inexplicable mistake to any curator.

The catalog is nicely printed and is affordable in price (JPY 1800, plus tax). Pictures, and in particular those of maki-e pens, are very good. But the editor made a big mistake. There are a number of pictures of pens that are seamless compositions of pictures of single pens. At the time of putting them together, someone made the stupid decision of representing all the pens in the same length, not respecting the actual differences in size. The result is ridiculous: a pocket pen of the same length of a full size Pilot Custom Sterling, as can be seen on the accompanying pictures.

Page 30 of the catalog shows these six Pilot pens. All of them, apparently, have the same length.

This is how those six pens (save minor decorative details) really look like with respect to each other. This ridiculous mistake is repeated in a number of pages of the catalog.

The lack of dates in the exhibition is not corrected in the catalog. Again, we are deprived of that valuable piece of information.

But I would visit the exhibition “Lifestyle and Fountain Pens” again.

My thanks to Poplicola-san.

Ban-ei in black urushi – Pilot Blue

Bruno Taut
Nakano, April 20th 2016
etiquetas: evento, Japón, estilofilia

Madrid Pen Show 2015

I wonder whether it is worth to write about yet another pen show. In a sense, all of them are one and the same: people gathering around fountain pens. But I attended the 2015 Madrid Pen Show (November 13th to 15th, 2015) and I feel compelled to speak about it.

Photo courtesy of Foro de Estilográficas member Antolín.

The Madrid Pen Show is currently the biggest event of this kind in Europe—70 tables, 62 traders from 13 different countries, and over 1200 visitors in the two and a half days of the event.

The following video by Mr. José Riofrío truly captures the pleasant atmosphere of the event. The commercial side is a given to any such show; the social part is also there, but is often limited to the local community of stylophiles. The Madrid Pen Show is, in this regard, the meeting event of most of the Spanish pen community, regularly connected through the Spanish pen fora, mostly the Foro de Estilográficas and Relojes Especiales – Grafos. Some of the members of this community can be seen at the dinner party, which by now is an integral part of the celebration.

The pixelated figure (min 3:05 and 3:12) corresponds to Mr. Tom Westerich, who after greeting the camera decided he was too important to appear on the video and filed a complaint before YouTube. This is, therefore, the "Westerich-correct" version.

A lot has been said and written on how to proceed in events like this, but I am afraid that even the most seasoned collector becomes overwhelmed by the sheer amount and variety of pens. It always becomes difficult to decide how to spend the always limited resources.

But if asked, I would advice in the following terms:

I. Keep focus on what you want. This might be either a model, a brand, a category of some sort, etc. Your eyes and your brain will quickly filter the signal from the noise.

II. But do not close your eyes totally to those pens not fitting your primary interest. A pen show is a magnificent opportunity to see and to touch extraordinary pens, which takes me to point III.

III. Ask, touch, try,… and ask again. Take the chance to learn about your beloved objects.

IV. Explore the show before buying, but also consider that some pens might be rare finds. Sometimes, what is left behind might be gone forever.

V. Assume you will not see every single pen in the show. There are just too many, and that is why rule I becomes even more important.

Enjoy the pen show near you, even if overwhelmed.

Special thanks to Mr. José Riofrío and to Antolín.

Parker 51 demi, vacumatic – Private Reserve DC Supershow Blue

Bruno Taut
Madrid, November 17th, 2015
Edited on December 16th, 2015 due to privacy complaints of Mr. Tom Westerich.
etiquetas: Madrid, mercado, estilofilia, evento

Fountain Pens of the World Festival (III)

The third leg of these texts on the Festival “Fountain Pens of the World” organized by Mitsukoshi department store are the limited releases made for the occasion, and for the 100th anniversary of the company.

The brown version of the Custom 742.

Pilot offered two versions of the well-known Custom 742 model. The varuiations oer the regular model laid on the body colors, red and brown, and on the nib. The regular size-10 nibs were now made of 18 K gold —just like those of the Namiki Yukari or the new Chinkin Series--, and showed a special engraving referring to Mitsukoshi’s symbol, a lion. 50 units of each color were made.

The nib of the Custom 742 is made of 18 K gold.

Sailor, on its side, offered a red ink by the name of “101 st”, and three pens—a Professional Gear in green (60 units), a black Profit (1911 in some markets, 50 units), and a maki-e decorated Profit (10 units) equipped with a Naginata Togi nib. The engraving of the black Profit nib was also special for the event.

Sailor's products for the occasion.

Detail of the maki-e pen by Sailor. Its name is "Lion and Bridge"--Mitsukoshi at Nihonbashi.

Detail of nib of the limited edition Sailor Profit. Again, a lion.

Finally, Platinum also offered a 3776 Century with a special decoration involving, of course, a lion. 100 units were released. I did not have the chance to see this pen and the picture is taken from the leaflet of the whole event.

Platinum's 3776 Century made for the Mitsukoshi's event. Picture taken from Mitsukoshi's leaflet of the event.

These limited edition pens attract the eye of the collector willing to pay premium for an unusual unit. These pens create an incentive for him –very often well aware of the market news and releases—to attend an event that otherwise would be all too predictable. Again, the outreach plan works even for the aficionado.

No wonder the pen scene in Japan was so active nowadays.

Romillo Essential Black – Parker Quink Blue

Bruno Taut
Nakano, April 24th, 2015
etiquetas: Sailor, Platinum, Pilot, mercado, evento

Fountain Pens of the World Festival (II)

There was more I wanted to talk about re the Mitsukoshi’s Fountain Pens of the World Festival. The initial Chronicle was filled with pictures and I decided to cut it short, and this is the second, and largely overdue, part of it. There will be a third text in a near future.

The Fountain Pen of the World Festival, as I already explained, is a one-week long event--a week to sell pens by making them more accessible to potential customers. We, pen otaku, barely need these initiatives as we are well aware of the new releases and we often visit those few specialized shops with a good selection of pens, inks and papers. But at the same time, we are a small bunch and the market cannot sustain on us alone. So, the name of the game is outreaching.

The first step is the event itself. And then, what else? During this whole week a number of activities are organized with the obvious purpose of attracting new users.

Fountain pens and paper to try. First tray. Can the reader identify all of them? The comment section welcomes any guess.

A table with about twenty pens, inked and perfectly tuned, and good quality paper welcomed the visitor on the first days. No need to speak, no need to ask. Just sit and write.

The second tray of pens. And again, readers could use the comment section to publish their guesses.

But that was not all. Pilot organized some calligraphy lessons to show the virtues of their Parallel pens.

Preparing the lesson.

Practizing.

Publisher AI-Books was also present to publicize its specialized magazine Shumi-no Bungubaku. An exhibition displaying the history of S. T. Dupont attracted some other people. And, of course, the pen tuners ready to adjust any nib to your taste and needs by courtesy of each company at each of their counters.

General view of the calligraphy lesson. On the background, the exhibition on the history of S. T. Dupont pens.

Outreaching… No wonder, then, the Japanese fountain pen scene was so active nowadays.

Platinum 3776 (1984) – Parker Quink Blue

Bruno Taut
Nakano, April 17th, 2015
etiquetas: evento, mercado

Fountain Pens of the World Festival (I)

Fountain pen events in Tokyo there are many. From the quasi-monthly meetings of the Wagner group to single-brand promotions at some department store, the gamut is wide. And some of them really stand out in the calendar.

One such example is the Fountain Pens of the World Festival organized by Mitsukoshi department store. This annual event is celebrated usually in March at the Nihonbashi branch in Tokyo.

General view of the Festival. Pilot's stand on the front, Sailor's and Eboya's to the right, Platinum-Nakaya's and Ohashido's on the back.

More brands: Kuretake, Parker, Waterman, Cross, Dupont, Conway-Stewart...

Eboya on the front, Pilot on the back.

This week-long festival congregates most of the pen makers and pen importers to be found in Japan. Therefore, it is an interesting opportunity to check what was going on in the market. but there is more to it: there are some special editions of pens and inks, some brands promote their new goods, and there are pen masters of every brand to service pens, new and old.

Mr. Yoshida, of Nakaya, on duty.

Ohashido's lathe... and Ohashido's pen master.

Nibmeister Yukio Nagahara.

Sailor's ink mixer, Mr. Ishimaru.

Pelikan's nibmeister.

Pilot's pen doctor at work.

Calligraphy lessons courtesy of Pilot. Any better way to promote Pilot's Parallel Pens?

Most Italian brands, plus some others like Monteverde and Dupont, shared the same pen master. Here he was adjusting a Delta Dolce Vita.

Mitsukoshi’s event, might be worth to insist, is not the only one of its kind, but it is the one congregating more brands and more visitors. Event like this are a powerful do bring pens to the public and potential new user. Consequently, it should be no surprise that the Japanese pen scene was so active nowadays.

On another text I will report on the special edition pens released at this event. There are already too many pictures on this Chronicle.

Platinum 3776 (1984), B nib – Parker Quink Blue

Bruno Taut
Nakano, March 30th, 2015
etiquetas: evento, mercado

Prototypes

Prototype pens, proofs of concept, are some of the holy grails of collecting almost anything. The reasons are clear: they are rare –very few units were indeed made-, and they were not supposed to be sold. So, rarity, the added value of any collectable, speaks loudly through prototypes.

Last week, at the annual Mitsukoshi “Fountain Pens of the World” Festival, nibmeister Nagahara Yukio was on duty fixing pens despite the very sad family news. And he had his personal pen case with him.

Nibmeister Yukio Nagahara's pen case.

Few of the pens in there were standard—one of them was the following cross nib.

An unusual cross nib.

Cross nibs, in the Nagahara tradition, are two-fold nibs based on a Naginata Togi. Over it, then, a second set of tines are welded. That is called an “over-cross” nib. This prototype is, on the contrary, an “under-cross” nib. The noble side, engraved, is a flat regular nib, and the crossing half-nib is nested between that one and the feed.

The clean-looking upper side of the "under-cross" nib. Note the two-fold tip of the nib.

The result is a cleaner looking nib, although it does not really ad that much to the well-known over-cross unit. So, this might only be a prototype... or maybe a test for a future change in the geometry of Sailor’s cross nibs. In any event, this nib shows that Sailor has ideas under development. Experiments are indeed needed, and nibmeister Nagahara Yukio is alive and well.

Clear enough--Yukio Nagahara's personal pen. But many would be happy to own such a signed experiment.

And this under-cross pen would be a most valuable possession for mostly any collector.

Pilot Ladypearl – Parker Quink Blue

Bruno Taut
Nakano ward, March 12th, 2015
etiquetas: Sailor, soluciones técnicas, evento, nibmeister Nagahara Yukio, plumín