Slim

Jumbo pens were made, we are told, to ease the pen grip, especially for older people with problems in their joints. And those are certainly comfortable pens—provided their weights were not excessive, which can easily be the case when their ink capacity might be in the tens of milliliters. Any pen user knows that thin pens are uncomfortable to use for long writing periods. And this fact probably explains the very limited numbers of very thin pens in the market.

A posted Chalana, from 2009. The diameter in the barrel is just 6.5 mm. The total length, posted, is 137 mm.

The Sailor Chalana, in the market since 1980, is nowadays the obvious reference in this niche. It is a very attractive pen with a feeling of luxury and sophistication. Its 18 K gold nib certainly contributes to it. However, inside it is a cartridge/converter pen with a very limited ink capacity (about 0.2 ml fit in the converter).

The Chalana, disassembled. The feed is very long compared to the nib.

This Flaminaire pen sold, at least, in Spain —and possibly made by Waterman— is certainly thin. It is a cartridge/converter pen with a very smooth steel nib. A well constructed pen.

An ad of Flaminaire pens and lighters from 1981 in Spain. My thanks to Grafopasión member Claudio.

The diameter of this Flaminaire pen is 6.5 mm on the barrel.

I found these pens in Japan, but I cannot say anything about their origin.

A lot more unusual is this non-marked eyedropper pen. Little can be said about it since the only sign on the pen is that on the nib revealing nothing. But this is an interesting pen—well made, with a smooth semi-flex steel nib, and eyedropper. Its main problem is to fill such a narrow and dark barrel. The ink capacity is quite generous —about 1.0 ml— given its size.

The sign on the nib is partially hidden. The first line reads "SPECIA(L)". The second starts with "MAGN".

This pen is a simple eyedropper. It is a good writer whose only problem being too thin for a comfortable grip.

These are its dimensions:
Diameter: 8 mm (cap).
Length capped: 113 mm.
Length uncapped: 99 mm.
Length posted: 128 mm.
Total weight: 4.2 g (empty).
Weight uncapped: 2.2 g (empty).
Ink deposit: 1.0 ml.

My thanks to Mr. Alberto Linares and Kinno-san.

Navy Gold 200 – Pelikan 4001 Royal Blue

Bruno Taut
July 12, 2011
[labels: Sailor, Flaminaire, marca desconocida]

Honest Pen

Past April I spoke about a strange Spanish pen by the name of Presidente. Actually, the only detail speaking of Spain on that pen was the engraved sign on the barrel: “PRESIDENTE / Registrada”. The rest screamed Japan out loud. Well, not just Japan but Platinum.

The Spanish Presidente pen. The brand was registered in Spain by Doroteo Pérez y Pérez in 1959.

The Honest 60 model by Platinum from 1956.

Today’s pen seems to be the actual Platinum relative to that Spanish pen. It is the Platinum Honest 60 pen from 1956.

The Honest 60's inscription on the barrel. Very different to that on the Spanish Presidente.

The top jewel, however, is the same on both pens.

Apparently, this Japanese company released the Honest model in 1955 with a bulb filler (according to Ron Dutcher, of Kamakura Pens). In 1956, the pen was marketed as the Honest 60 with a cartridge/converter system: “Good bye, ink bottle” was the pen’s motto at the time. This pen was, in fact, the first Platinum’s cartridge/converter model. In 1953, the ten year durable nib had been introduced and, therefore, the10 years imprint. The number 60 made reference to the company’s goal to become one of the top ten pen companies by year 1960.

The black pen on the back is the Honest 66 from 1960. On the front, the Honest 60 (1956).

This ad was taken from the Platinum's website. It speaks of the Honest 60, but the pen shown is the later model Honest 66. The date —Christmas '60— is correct for the later 66 model.

The Platinum Honest 66 (P66-100) model. A mayor difference with the older 60 model is the smooth barrel on the 66 versus the stepped one on the 60.

In 1959, Platinum realized that goal could not be accomplished and put it off to 1966. And a refurbished Honest pen –the Honest 66 model, code number P66-100— was released.

The Honest 60, disassembled.

The Honest model here shown is the cartridge/converter model from 1956. And this filing system is the basic difference with the aerometric Spanish relative. The rest are mere cosmetic differences. Even the steel nib is engraved in the same way: “PLATINUM / (Company logo) / 10 YEARS / HONEST / (JIS logo) 11”.

The Platinum's Honest 60 steel nib.

Then, how did the aerometric Presidente become Spanish? How did the bulb filler or the cartridge/converter system become aerometric? Was the aerometric some sort of production test for those pens finally sold in Japan? I have no answers for these questions, but at least here we have the obvious relative to that not-so-honest Spanish pen registered by some Doroteo Pérez y Pérez in 1959. And the quest for information continues.

(Navy Gold 200 – Pelikan 4001 Royal Blue)

Bruno Taut
July 9, 2011
[labels: Presidente, Platinum, España, Japón]

Center

2500 pen ventures at any given time anywhere are a huge number. But that is what Andreas Lambrou and Masa Sunami say about the post Second World War pen scene in Japan. Many of them simply assembled pens out of pre-bought parts and did not last long in the market. But nonetheless, the number of Japanese companies registered in texts and websites remains big. Most of them are minor and their pens are hard to find in the market, not to mention that too often their quality do not justify any effort in finding them. But some do find their way to your hands…

Not much can be found about the pen brand Center. Ron Dutcher, from Kamakura Pens, says that it was based in Osaka, either from the 1930s or from right after the war, and closed down by the mid 1950s. On the other hand, the Fountain Pen Network list of Japanese pen manufacturers speaks of this brand as owned by the company Sanwa Kogyo Co. Ltd. from Tokyo. It produced, the FPN link says, some celluloid pens in the 1950s.

The Center 61.

Today’s pen is a cheap model labeled as Center 61 on the barrel in bright pink celluloid. The nib is of the nail type, with the feed totally covered by the section. It is a semi flex, most likely made of steel. The filling system is aerometric. The dimensions are as follows:

Diameter: 10 mm.
Length capped: 127 mm.
Length uncapped: 116 mm.
Length posted: 140 mm.
Weight: 14.4 g (empty).
Cap weight: 5.0 g.
Ink deposit: 0.6 ml.


My best estimation is that this pen dates back from the late 1950s given its similarities with some Pilot Super models of that time.


Obviously, not all Japanese pens show good taste. This one is certainly kebai.

(Kaweco Sport – Diamine Amazing Amethyst)

Bruno Taut
July 4, 2011
[labels: Center, Japón]

Note added on May 7th, 2013: The company Sanwa Kogyo still exists, but it is (and was) based in Nara, not in Tokyo. More information, on this other Chronicle: More Center.

JIS

On the previous chronicle I mentioned that the pen company SSS could not survive the tough competition in the Japanese market after the Second World War. Japanese pen collector Masa Sunami and Andreas Lambrou speak of over 2500 small ventures producing pens in Japan by the late 1940s. This number decreased quickly due to competition –the survival of the fittest— and to the control induced by the Japanese Ministry of Industry through the implementation of the Japan Industrial Standards (JIS) in 1952.

The JIS logo, prior to 2008. Image taken from the Wikipedia.

A size 1 nib by Meizen, in steel, with the JIS logo. This pen dates back from the late 1950s.

A Platinum pen from 1970. This nib is made of 18 K white gold.

The visible effect on pens was the new logo that from 1954 was imprinted on pen nibs to guarantee the material out of which they were made. Until that moment, a number of companies advertised theirs as golden when they were merely gold plated. Adopting the logo was, apparently, not compulsory, but Pilot adopted promptly thus pushing other brands to follow suit. However, some brands were reluctant to imprint the logo. With time, its use has decayed and in modern pens is no longer present.

A size 2 nib by Morison, made of steel. It belongs to a lever filler hard rubber pen.

This is the nib of a Pilot R, a popular pen in production for a long time. The JIS logo dates the pen in the late 1950s.

A nice side effect, fifty years later, is that the logo provides an argument to date the pen—any nib with that logo was certainly manufactured after 1954.

(Pilot V pen, F nib – Diamine Teal)

Bruno Taut
June 29, 2011
[labels: Japón]

San-essu

Mr. Asashirô Hosonuma’s jewelry company Kinkôsha started in the pen business by producing high quality nibs for other companies around 1911. Some years later, the company was renamed as Hosonuma Shokai and included pens in its catalog under the brand SSS, San-essu, "three S" in Japanese.

This brand became one of the top three in Japan before the Second World War, together with the Japanese Swan and the well-known Pilot-Namiki. But the company disappeared in the 1950s unable to compete in the post-war Japanese market, overflown with pen companies.

This hard rubber pen is a nice example of a 1930s pen by SSS. It uses a shut-off system to seal the eyedropper ink deposit—all very Japanese.

Inside the barrel, the conical seal of the shut-off valve.

The nib is made of steel due to the war restrictions (the Sino Japanese war had started in 1931) in the use of gold. This led to the creation of the so called shiro nibs (shiro means "white" in Japanese). As many of them, this one is fairly flexible and has a very fine point.

The engraved clip.

The flexible shiro nib in size 4.

The brand name is engraved on both the nib and on the barrel. The clip sports the company logo.

The pen dimensions:
Diameter: 13 mm.
Length capped: 132 mm.
Length uncapped: 116 mm.
Length posted: 160 mm.
Weight: 16.8 g (empty).
Cap weight: 6.1 g.

It is not difficult to find SSS pens in the second hand market in Japan.

(Pilot Capless, 14 K gold F nib – Montblanc Irish Green)

Bruno Taut
June 27, 2011
[labels: Japón, SSS]

PS: I am having serious troubles uploading images to this blog server. Blogger is certainly NOT what any blogger expected.

The Otaku Syndrome

Para Ningyo-chan y Kendo-san en Sampaka.

I guess we all otaku are bound to experience this syndrome… Otaku, almost by definition, are obsessed with their pens and related objects –or whatever the object of their dreams might be—and we easily become very knowledgeable about them. More so than most professionals. But these professionals are in charge of catering our dreams when we enter their shops.

That has been my experience in most shops I have visited—mostly in Madrid and in Tokyo. Very soon you learned that there is a very shallow knowledge of the product they are selling in the person attending you. The logical exception to this rule is the second hand shop, but only when the owner is also the person in charge.

Sales people seem to have a hard time following Sailor's ink policy in the last years.

I wonder then, if those clerks were aware of the fact that some of their customers knew a lot more than themselves, and that those customers would be very pleased with a more knowledgeable attention.

I guess, finally, that suffering from this otaku syndrome is, more often than not, unavoidable… But I wished different.

(Kaweco Sport as eyedropper, 1.1i nib – Senator Regent Royal Blue)

Bruno Taut
June 23, 2011
[labels: estilofilia, mercado]

Safari Japonés

La Lamy Safari es una pluma bien conocida. Es uno de los diseños más característicos de Lamy, que es una marca que se caracteriza por sus diseños innovadores desde que a principios de los 60 Manfred Lamy se hizo cargo de la empresa. El modelo Safari en particular fue diseñado por Wolfgang Fabian y Bernt Spiegel y salió al mercado en 1980. Desde entonces, esta pluma ha pasado por varias modificaciones –hasta cuatro— sin que apenas afectaran al aspecto externo.


El material básico de esta pluma es plástico inyectado. Por tanto, la creación de una gran variedad de colores es fácil y está presente en el catálogo de la marca desde el comienzo del modelo. A principios de los 90, con la tercera generación de la Safari, Lamy lanza al mercado la versión transparente, que muchos consideran la primera edición limitada de esta pluma. Posteriormente, con el nombre de Lamy Vista se incorporó al catálogo como un modelo más. Desde entonces, los cambios de color y las ediciones limitadas han sido una constante en este modelo. Después de todo, estas tiradas reducidas alimentan la demanda del producto e incrementan el negocio. La última de estas ediciones especiales, la del año 2011, está hecha en color azul: es la Safari Aguamarina (Aquamarine).

La portada del último ejemplar hasta el momento de la revista Shumi no Bungubako. Las pluma de la portada es la Sailor del centésimo aniversario. También merecen mención especial la Safari Aguamarina.

Y la pluma que aquí presento es otra de ellas. Se trata de una edición hecha para la revista japonesa Shumi-no Bungubako (趣味の文具箱). En estos momentos, esta revista cuatrimestral es la referencia de obligada consulta en el mundo de la estilográfica japonesa.


Por cierto, la Safari es muy popular en Japón.

(Pilot Vpen – Diamnie Teal)

Bruno Taut
22 de junio de 2011
[labels: Lamy, Shumi no Bungubako]