Prera

Pen review: Pilot Prera Demonstrator.

The Pilot Prera is one of the inexpensive pens marketed by the Japanese company. In fact, there are two basic variations for this model. The first one is made in nine different solid colors (model FPR-3SR). Its catalog (MSRP) price is JPY 3000 (plus tax) and it does not include any converter. A later arrival (Fall 2010) is the transparent Prera (model FPRN-350R). This model comes in seven variations based on the color of cap and barrel ends. The price, JPY 3500, is justified by including the converter CON-50 (MSRP JPY 500) with it. It seems, though, that some online traders ship this pen with the cheaper CON-20.

This transparent model is the one under analysis today.


1. Appearance and design. (8.5/10)
The Pilot Prera is a small pen. the cap snaps on the section and fits tightly on the barrel when posted, The colored details make it quite appealing. This is a functional pen with an attractive look

2. Construction and quality. (9.0/10)
Typical Pilot construction—everything fits well despite being a relatively inexpensive pen.

A fair concern in all demonstrator pens is how resistant to scratches the plastic material was. It looks good on this pen, but only time and use can give a final answer.

Therefore, so far, 9.0/10.


3. Weight and dimensions. (8.0/10)
Short pen without being a pocket pen. It is on the light side and is well balanced. Most users would post this pen given its short length when open.

Dimensions:
Diameter: 14 mm.
Length closed: 120 mm.
Length open: 108 mm.
Length posted: 135 mm.
Weight: 14.0 g.
Ink deposit: ...Cartridge: 0.9 ml
......................Converter: CON-20: 0.8 ml.
........................................CON-50: 0.7 ml.
......................Eyedropper: 3.4 ml.


4. Nib and writing performance. (9.0/10)
Preras come with two rigid steel nibs: F and M. They are very similar –but not the same— to those used in the already reviewed Pilot Vortex. The M nib of this review is very smooth and delivers a sweet wet line.

This pen shares the nib and the feed with the Plumix/Pluminix (abroad) or Penmanship (in Japan) models. They are easily extracted from the section by pulling. Therefore, it is easy to get an EF Pilot Prera –such is the nib of the Pilot Penmanship— or a 1 mm italic Prera –the Plumix/Pluminix nib.

The EF nib and feed of the Pilot Penmanship.

All in all, the nib performance is excellent for an inexpensive pen like this. The possibility of interchanging nibs (Pilot does not sell spare nibs) with other models adds variation to the available points.


5. Filling system and maintenance. (9.5/10)
Preras use Pilot-proprietary cartridges and two of the Pilot converters (CON-20 and CON-50). The transparent Prera is sold with the piston converter, CON-50, more apt for a demonstrator than the all metal CON-20. With either of these possibilities, the ink deposit fits no more than 0.9 ml.

However, this pen can easily hold a lot more ink. Remove any cartridge or converter and fill the barrel with ink. By transforming it into an eyedropper pen, the ink deposit increases up to 3.4 ml. No gaskets or grease were used. The section-barrel threads are thin and tight and do not leak at all.

Cleaning the Prera is very easy, as is the case on most cartridge/converter pens. And being nib and feed so easily removable, the cleaning is even easier.


6. Cost and value. (8.5/10)
JPY 3500 get a very nice looking pen, with a smooth nib and with a great filling versatility. Hard to beat indeed.

Price wise, though, this pen costs twice that of the Vortex. Are those JPY 1500 worth the better looks and the possibility to remove nib and feed easily?


7. Conclusion. (52.5/60=87.5/100)
Very high marks for an informal looking pen. It performs really well and allows for many variations in the way of filling it and, even, on the writing points.

Maybe it is the experimentalist in me who truly enjoyed this pen

(Pilot Prera Demonstrator, M nib, eyedropper – Senator Regent Royal Blue)

Bruno Taut
November 19th, 2011

[etiquetas: Pilot, soluciones técnicas]

Madrid 2011

The Eighth Madrid Pen Show has just finished. As is often the case with these events, it was a big celebration for all of us lovers of fountain pens and other writing utensils.


Paradoxically, this show is becoming one of the leading events of its kind in Europe. We should remember that the pen industry in Spain was never truly important, and it was localized mainly in Barcelona, and Spanish pens are seldom, if ever, collected by foreign stylophiles. So, those arguments that apply to other pen shows located in cities with a deep manufacturing tradition do not apply in Madrid—does anybody come to Madrid in search a locally made exotic and unique pen? Maybe the 43 traders from Europe and America supplied a number of outstanding pens.


Last year, the seventh edition received about 1000 visitors, and this year everybody said there were less people (about 850, Pen Show sources say), as was the trend on other European pen shows. Figures about the size of the transactions are not made public.


However, this pen show has a big problem of space. Some of the trader’s tables were small and moving around became difficult with just a few number of visitors. Organizers said that the venue for next year’s show will be bigger. I look forward to it, but I am also afraid that organizers think more of the trader than of the visitor. Having more space for more traders with ampler tables is great, but too often the social aspect of the show is ignored. Pen shows are also a meeting place for stylophiles, who keep in touch through fora and blogs. And few occasions are as perfect as pen show for a gathering.



Then, what many an organizer ignores is that those meetings increase sales. We all love to talk about our hobby and we enjoy testing each other's pens. Having a place to sit and a table to display our treasured pens will trigger even more curiosity on other pens. And right there, there are over ten thousand pens ready for the action.

Resident artist Els Baekelandt's tools.

I do believe the social aspect of a pen show needs to be favored. If only, because it will increase the economic yield. But it seems that only in Japan this aspect is taken into consideration.

(Sailor ProGear, senior nib – Daiso red cartridge)

Bruno Taut
November 14th, 2011
[etiquetas: evento, Madrid, mercado]

Coins

Pilot-Namiki started manufacturing fountain pens with maki-e decoration as early as 1925, just seven years after the foundation of the company. However, the association with Dunhill only started in 1930. These pens, either branded as Pilot or as Dunhill-Namiki, are now objects of desire for many collectors, and their price reflect this demand.


However, not only Pilot made maki-e pen on those years. Sailor copied the idea in 1926 and Platinum followed suit in 1930. Founder Shunichi Nakata commissioned some maki-e artists led by Rosui to create some designs.


Such is the case of today’s pen. It is an eyedropper made of hard rubber (ebonite) from the early 1930s. As is often the case in Japanese pens, it implements a shut-off valve to seal the ink deposit. The nib is a size 5 made of steel and signed by Platinum.


These are its dimensions:
Diameter: 14 mm.
Length capped: 135 mm.
Length open: 117 mm.
Length posted: 162 mm.
Weight (dry): 16.9 g.

The culotte operates the shut-off valve.

Details of the texture and of the coins used as docorative elements. Round coins are relatively new in Japan. Actually, yen (en in Japanese, 円) means circular and describes the new shape of coins.

The maki-e decoration is of the rough volcanic surface style –as described by Masa Sunami— with some old coins as decorative motif. This rough texture is very similar to the stone finish (ishime) currently available in Nakaya pens.

The final result is a very shibui pen—elegant and delicate without being ostentatious.

(Platinum 3776 – Diamine Teal)

Bruno Taut
November 8th, 2011
[etiquetas: Platinum, Sailor, Pilot]

Capless 1971

Among all the Capless models manufactured by Pilot since 1964, that from 1971 is one of the most appreciated by stylophiles. It is made of plastic and stainless steel. Its stripped design pattern will later be shared with a Myu pocket pen, 1973, and a Custom model from 1974.

The three Pilots from the 1970s with black stripes.

The 1971 Capless with a hard fine gold nib.

The Capless is equipped with a 14 K gold nib unit, and it is not visibly dated. It uses the current line of Pilot cartridges and converters with the obvious exception –common to all Capless nibs— of the CON-70. The nib is attached to the rest of the set through a rather long plastic feed. This makes many people speak of a brittle pen and avoid the risk of using it. Actually, it is almost impossible to find replacing nib units for this pen. Those were specific for this model, which was on production for just two years. The following Capless, from 1973, implements nib units compatible with those currently in use.

The long feed is clearly visible on this picture.

These are the dimensions of the 1971 Capless:
Diameter: 11 mm.
Length closed: 139 mm.
Length open: 146 mm.
Weight: 19.8 g (dry).

Detail of the extended nib.

The pen opening for the nib. Contrary to other Capless models, this one is circular.

This model is on display at the Pen Station, the Pilot museum in Tokyo. Its price in the second hand market is becoming strangely high, but at the end it is a matter of how much we are willing to pay for it.

(Athena Basic Line – Sailor Yama-dori)

Bruno Taut
November 2nd, 2011
[etiquetas: Pilot]

Mitaka

Not much information is available about the Japanese pen Mitaka. A review on an eyedropper from the 1930s, by fellow blog author Jule Okami seems to be the basic reference. Therefore, this pen, even if apparently unremarkable and boring looking, has some interest.

The whole contents of the box--that includes the service Platinum cartridge.

The Platinum Honest 60 pen, already reported on these Chronicles, was the first Japanese pen in using ink cartridges and converters. As a result, these cartridges were the first available in the Japanese market and several companies used them as the standard. Such was the case of Mitaka. This boxed set included a service cartridge branded as Platinum Honest 60 with blue black ink.

Other than that, this pen is made of black plastic, with cap and nib being gold plated. The very rigid steel point is engraved with the company name

This Mitaka pen is quite similar to the cheapest of the Pilot Super series—the Super 50 with steel nib. However, this pen is an aerometric filler. Both cost the same—JPY 500.

On both pictures, on top, the Pilot Super 50. On bottom, the Mitaka.

These are the dimensions of the Mitaka pen:
Diameter: 11 mm.
Length capped: 135 mm.
Length open: 120 mm.
Length posted: 155 mm.
Weight (dry): 10.5 g.

Mitaka is also the name of a city in the prefecture of Tokyo. However, the company was based in the ward of Itabashi.

My thanks to Mr. Alberto Linares.

(Pilot Vpen – Sailor Tokiwa-matsu)

Bruno Taut
October 31st, 2011
[labels: Platinum, Mitaka, conversor, Pilot]

Japanese Celluloid

Among the big three Japanese pen companies, only Platinum (and its luxury division Nakaya) manufactures pens made of celluloid nowadays. That was not the case in the past, as we have already seen on these Chronicles. Actually, there has been a number of eyedropper pens made of this material, which is certainly strange given the extreme sensitivity of celluloid to color changes due to ink dyes. And in an eyedropper pen, ink is in direct contact with the plastic material of the barrel. However, this practice was not uncommon during the 1920s and 1930s in Japan and overseas.


Pilot made a number of them, and such is the case of the pen here presented today. It is green and black pen, equipped with a shiro nib, fairly flexible, in size 3. The breathing hole, V-shaped, is quite characteristic of flexible steel nibs in Japanese pens.

"Best in the World, Pilot -<3>-", the engraving says.

As mostly any Japanese eyedropper pen, this one implements a shut-off system operated from the culotte. This pen, though, features an unusual detail—the knob thread in the barrel is made in the inner side instead of being lathed on the exterior, as is usually the case.



This Pilot pen dates from the early to mid 1930s. The logo, engraved on the barrel, shows the N, after the company founder Ryosuke Namiki. It was changed in 1938 to show a P instead of the N coinciding with his retirement, which does not seem the best way to honor his legacy.


The pen is in very good condition. It reached my hands in its original case, which included the instruction sheet. Probably, it has never been inked.

These are its dimensions:
Diameter: 13 mm.
Length capped: 132 mm.
Length open: 120 mm.
Length posted: 167 mm.
Weight (dry): 15.8 g.

(Athena Basic Line – Sailor Yama-dori)

Bruno Taut
October 29th, 2011
[labels: Pilot]

Rising Sun

In the Land of the Rising Sun, such is the usual translation to the more accurate of land where the sun originated (Nippon, 日本), it should came as no surprise that a number of companies use the term asahi, rising sun, in their names. Such is the case of newspaper Asahi Shinbun, the beer company Asahi Breweries, the television company TV Asahi… and even a pen company.


This Asahi Tsubasa Hantsuki Mannenhitsu (旭ッバサ判付萬年筆), such seems to be the model name, is a truly interesting pen and it shows several unusual features.

The box, the pen, the eyedropper, and the ink bottle.

The pen, uncapped, with the shut-off valve and the main thread between section and barrel half open.

It is a grey celluloid eyedropper with a shut off valve, as is the case of most Japanese eyedroppers. The package included a traditional eyedropper, though its rubber bulb is no longer usable, and a small bottle of solid ink to be dissolved in water and ink the pen in the absence of an inkwell.

The solid ink bottle. Its height is four centimeters shy.

The cap looks longer than usual, and it is easy to see that the nib and the section barely occupy two thirds of the space within. The black ring on the cap, apparently an old sticker, is indeed a thread for a shorter cap that hides the stone to carve the seal (hanko, 判子), as was the case on the old Japanese Swan pen I showed some time ago. However, this pen shows some differences—under the seal there is a small deposit for ink that, going through the porous stone, allows printing the seal without the need of an inkpad.

The top of the cap, disassembled. The brown flat piece is the uncarved stone for the seal. It is attached onto a black piece with a thread fitting on the cap, on the far end of the pic, creating a small deposit for the ink. It would go through the porous stone when printing the seal.

Then, the name of the model makes perfect sense: hantsuki (判付) means that this pen is also a seal. And in the instruction sheet it can be read that this pen combines three tools in one—the pen, the seal, and the inkpad!

The instructions for this Asahi Tsubasa Hantsuki Mannenhitsu (旭ッバサ判付萬年筆).

The nib is a size 3 made of steel, and is slightly flexible despite its shape, curved downwards, like a posting nib. It is engraved with the company logo and some Japanese characters, some of which read Asahi Tsubasa, and a more descriptive “IRIDIUM / PEN / -<3>-”.

The steel nib in size 3.

The dimensions of this pen are as follows:
Diameter: 13.0 mm.
Length capped: 130 mm.
Length uncapped: 105 mm.
Length posted: 155 mm.
Dry weight: 15.8 g.

The clip is imprinted with the brand name: Asahi Tsubasa.

All these elements show this was a pen from the war period, which in Asia was a lot longer than in the West. Probably, this pen dates back from the 1930s. The company was based in Arakawa, Tokyo.

(Soennecken 105 – Diamine Evergreen)

Bruno Taut
Yokohama, October 21st, 2011
[labels: Asahi Tsubasa, Japón]