Madrid 2022

After the pen show of hope in 2021, the 2022 edition of the Madrid Pen Show had to be the show to return to some form of normalcy. And it seems this was achieved.

Photo courtesy of Mr. JMBS.

The odds were not in favor, though. New hotel with last minute problems, a sense of uncertainty regarding the coronavirus, some passivity in the local community, conflicts with a couple of dealers...

But 70 dealers and about 1800 visitors –official figures provided by the organization— prove it was a good event.

There was a mild renovation in the list of dealers with respect to pre-pandemic editions. Some retired, some were not willing to travel. But there are others willing to fill in. A minor side effect of this renovation was a higher presence of inks in the Madrid Pen Show.

Photo courtesy of Mr. Conde de Carrión.

Re visitors, the Spanish pen community had shown a remarkable lack of enthusiasm in online fora. Lack of reliable information about the event was at the heart of it, but it was corrected in time and aficionados did attend the event. And not only the domestic community came, but visitors from other European countries and even from the US.

Photos courtesy of Mr. Conde de Carrión.

The Madrid Pen Show is a free-entry show—the costs are covered by the table fees (about EUR 300/table this year). That makes it a very welcoming event for casual observers and for families, and encourages the social aspect of it. After all, a pen show is the perfect excuse to meet like-minded people even if you did not want to buy anything.

Photo courtesy of Mr. Conde de Carrión.

So this was the Madrid Pen Show in 2022, The test posed by the coronavirus pandemic seems passed, and now the challenge is dealing with the economic crisis ahead of us. But that will be in 2023,

Video courtesy of José Riofrío.

My thanks to Mr. JMBS and to Conde de Carrión for the pictures, and to Mr. José Riofrío for the video.

Hongdian N6 – Montblanc Black

Bruno Taut
November 28th, 2022
etiquetas: evento, Madrid

Spanish Yatate

Yatate pens are that style of pens popular in Japan til around 1920, when they ran out of popular appeal. Nowadays, the Taccia Covenant is the only of the very few pens (vid note at the end) vindicating that particular geometry. So, could we make a new yatate pen taking benefit of the lathe skills of those independent craftsmen whose pens are becoming so popular?

An old yatate pen. Foto courtesy of Mr. Ariel Zúñiga.

A new yatate pen. Taccia Covenant.

The chosen artisan was Miguel Ángel García, of Antigua´s. And the designing team was formed by my fellow stylophile Papish and myself.

Miguel Ángel García at the Madrid Pen Show in 2019. Photo courtesy of Mr. JMBS.

The starting conditions were very simple; the pen had to implement a size 6 nib, and the barrel should fit a standard converter. And then there was a decision to make: should it post or not?

The already reviewed Taccia Covenant could be posted —the cap, in actual terms, screws onto the barrel. The price to pay is aesthetic as we need the barrel to stick out of the cap to open and close the pen.

The Taccia Covenant. Note how the barrel tail sticks out of the cap. This is needed to open and close the pen.

The Taccia Covenant, posted. Secured, but bulky. Does anyone use this pen in this configuration?

The other option is to finish the barrel with a flat end disk aligned with the cap. This was the chosen solution.

As a consequence, the pen is just an ebonite rod when closed. An ebonite blank with a mystery inside.

A rod.

These are the dimensions of the Antigua´s Yatate:

Length closed: 135 mm
Length open: 127 mm
Diameter: 16 mm
Weight: 25,0 g (full pen), 13,5 g (open without cap)
Ink deposit: between 0,7 y 1,45 ml, depending on the cartridge or converter installed.

The pen is made of German ebonite, and the original nib was a steel JoWo unit. This prototype has no markings.

A pen.

The insides.

Whether Antigua´s would upgrade this prototype to a regular model in its lineup depends solely on Miguel Ángel, the artisan behind those pens. But so far, I am very happy with this pen and with the skills shown by the artisan.


NOTE added on Dec 1st 2022: A kind reader pointed out the existance of the Franklin-Christoph Abditus model, another yatate-style pen, currently on the catalog as a "special edution only". So, on production... now and then.


My thanks to Papish and to Miguel Ángel. And to Yuan Niu for the information on the F-C Abditus. Pictures by Ariel Zúñiga and JMBS are greatly appreciated.

Antigua´s Yatate – Diamine Bilberry

Bruno Taut
November 26th, 2022
labels: Antigua´s, España, Japón

Chinese Naginata

After speaking about a naginata-like nib made in Germany, it might be worth to mention the Chinese versions of such a nib.

After all, it is only natural that Chinese companies created their own nibs specialized in writing Chinese ideograms. And that is the declared purpose of the Naginata Togi nib by nibmeister Nobuyoshi Nagahara.

One such example is the "Long Knife" (長刀) nib made by Hongdian, and implemented, among other pens, on the N6 model. But the N6 is such an interesting pen that the variable stroke nib is almost a secondary detail.

The "Long Knife" (長刀) nib by Hongdian. Note the similarities with the Naginata Togi (長刀研ぎ): the first two ideograms are the same.
The Hongdian nib is engraved with 刀F.

The N6 has the rare virtue of clicking the boxes of the requirements of many a pen aficionado:

A self-filling mechanism--a piston. An ebonite feed with a generous yet controlled ink flow. And ink window. A decent ink capacity (about 1.4 ml). An attractive matte-black look (one of the versions). And a variable nib.

The Hongdian N6 in matte black, with a ¨Long Knife" variable nib.

It could have been a gold nib, but then the price of the pen --about EUR 35-- would have been a lot higher. And the performance of this unit is very nice--smooth and very resistant to drying up when not in use. It indeed writes on contact.

However, there are two weak points in this unit. First is the lack of options--only EF, F, and variable F. Therefore this might not be your pen should you be looking for a broad point.

The second is the very limited line variation offered by this nib point. There is some, as can be seen on the picture, but is not much. Of course it is a variable F, but given this performance some might consider purchasing the lower-priced EF or F points.

Written sample of the "Long Knife" nib. There is some line variation by changing the angle between pen and paper, but not an extreme one. The paper square is 5x5 mm^2.

The pen as whole is a bit heavy --32 grams-- but it is well balanced if unposted: center of gravity at 66 mm from the nib end; at 90 mm when posted.

These are the dimensions of the pen:

Length closed: 137 mm
Length open: 123 mm
Length posted: 152 mm
Diameter: 15.0
Weight: 32 g (without cap, 20 g); inked
Ink deposit: ca. 1.4 ml

All in all, this pen is an excellent alternative to almost any other pen unless you wanted the ease of use and the cleanliness of a cartridge-converter or a broad nib. But this one costs only about EUR 35.

The main obstacle for the popularization of this and other Chinese pens is the distribution, limited to online channels. However, this also is changing as there are several of those mechanisms competing with each other. And Western and Japanese brands should pay a closer look to what is coming from China.


My thanks to "el abuelo Tobías".

Hongdian N6 – Montblanc Black

Bruno Taut
November 25th, 2022
etiquetas: China, mercado, Hongdian, plumín

The Lamy Naginata?

Not much new can be said about the Lamy Safari—a 1980 design by Wolfgang Fabian endlessly reissued and copied. And Lamy regularly uses it for yearly limited editions and regional variations.

In 2022, Lamy has released the Lamy Kanji in East Asia. But this edition, developed by Lamy Hong Kong, is more more than just a variation of colors, as is the case of those special editions above mentioned. On this occasion, Lamy came with an original nib—the Kanji nib.

Interestingly enough, the explanations on the specifics of the nib come in Chinese, English and Thai.

The variations with respect to the regular Safari nib –the Z50 nib- are easy to spot: longer and narrower tines, and a specific nib point akin to a fine architect.

The selling argument is that this nib is more suitable for writing Chinese ideograms... Well, just like Sailor claimed re the Nagahara's Naginata.

The Kanji nib offers some line variation on the angle between pen and paper. Not extreme, but noticeable.

So, is this the Lamy version of the Sailor Naginata Togi nib?

The price of the Safari Kanji is JPY 6000, plus taxes, which is 50% more expensive than a regular, non-Kanji, Safari.

Lamy Safari Kanji – Franklin Christoph Urushi Red.


Bruno Taut
November 3rd, 2022
etiquetas: Lamy, plumín, mercado

Western Paradise. Madrid Pen Show 2022

Comes November and the Spanish pen community get ready for the big party, for the “fiesta mayor”, the Madrid Pen Show. And it also happens to be the biggest pen show in Europe.

This year there is a new venue—Hotel VP El Madrono—and the party will take place between Friday 18th and Sunday 20th of November.

After the full-of-hope event of last year's, this one promises to be more normal, more free, and more populated. And with many pens!

Madrid Pen Show 2021.

So, go West, paradise is there.

See you in Madrid!

Lamy Safari Kanji - Franklin-Christoph Urushi Red

Bruno Taut
November 2nd 2022
labels: evento, Madrid

Eboya tan-pen

Very often, speaking about Eboya implies some element of frustration—that of Eboya pens being exclusively cartridge-converters. And when not —the nominally eyedropper model Yuzen—, they still are cartridge-converters.

So, the Eboya market policy seems limited to release new models and new ebonite colors as long as the filling system did not change. And such is the case of the newer model, the tan-pen (in lower case).

The Eboya tan-pen. Only 97 mm long.

Its originality comes from its size: very small, very short; just 97 mm in length closed. And the well-known Eboya construction quality does the rest: the cap posts very securely onto the barrel. The result is a regular sized pen, even if on the shorter side. The price to pay is that it can only be inked with short cartridges (or as eyedropper).

Very secure posting. 133 mm long.

A size 5 nib by Bock. Note the new logo of the brand on the cap.

The tan-pen is certainly attractive and original, and represents a new approach to pens in the Eboya catalog. My only complain is that the company does not make it in black—you can choose almost any color but black. A black tan-pen, though, is available at sale events as a demonstration pen for potential customers, but is not for sale.

Any color but black.

These are the dimensions of the tan-pen:

Length closed: 97 mm
Length open: 91 mm
Length posted: 133 mm
Diameter: 12.2 mm
Weight: 11.7 g (dry)
Ink deposit: 0.8 ml (short standard cartridge)

The price, JPY 31200, plus taxes.

Lamy Accent – Franklin Christoph Urushi Red.


Bruno Taut
October 31st, 2022
etiquetas: Eboya, mercado

Ohashido (IV)

Different craftsman, different quality. That is what we saw on the previous Chronicle Ôhashidô (III). But was it just that?

A tray of Ôhashidô pens by Yûichi Uehara (Maruzen Nihonbashi, Tokyo, 2019).

The current production of Ôhashidô pens, made by Yûichi Uehara, is anything but structured. What you see on his table at sale events is what you get. There are no model names, no documents attached, no warranty card... At most we have some features that show up on a number of his pens, but not always. Current Ôhashidô pens can be very simple or very “giboshi”; in plain ebonite or with some form of urushi coating; black or colorful;… And in the end, each of them is unique.

The Eiichi Uehara's Ôhashidô pen.

On the contrary, Eiichi Uehara attached a lot more information on his pens. One of the documents, in fact, describes the three models of Ôhashidô pens available at the time:

Pro I (プロI): The luxury pen, recommended for long writing sessions. It implements two movable rings, one of them made of 18 K gold, to adjust the balance of the pen.

Pro II (プロII): For regular use. Three rings, two close to the nib and one on the cap.

Pro III (プロIII): The entry level pen. Two rings.

The revealing text. The diagram corresponds to a Pro I pen.

So there was a structure in the production of pens under the direction of Eiichi Uehara! And chances are that his son Yuichi chose a different route for Ôhashidô; the current route of unique pens.


My thanks to Poplicola-san.

Lamy Accent – Franklin Christoph Urushi Red.

Bruno Taut
October 21st, 2022
etiquetas: Ôhashidô