Size 80

For some reason, vintage Sailor pens are really hard to find in the market. And that is strange given the fact that Sailor Pen Company in now over 100 years old and that it became successful soon after it begun its operations. Successful, though, does not really imply being large, and in fact Sailor remains as the smaller among the big three Japanese pen companies.

The overall length of this ebonite eyedropper is 160 mm.

The immediate consequence is that per-war Sailor pens are valued rarities. That is the case of this eyedropper made of ebonite (hard rubber). Being Japanese, it implements the corresponding shut-off valve operated from the tail. But the most impressive detail is the size 80 nib in 14 K gold.

On this picture, the tail is slightly unscrewed. Therefore, the connection between the ink deposit and the feed is open.

The old log of the company, engraved on the clip.

The overall condition of this pen is very good despite its age. It dates back from around 1930.

The size 80 nib in 14 K gold. The exposed part of the nib is almost 30 mm. long. The engraving reads "14 CRT. GOLD / (Sailor logo) / REGISTERED / PATENT.OFFICE / -80- ".

Sailor manufactured an even larger nib at the time. It was labeled as 200 and is a holy grail among Sailor’s pens.

My thanks to Mr. Sunami.

Pilot Elite pocket pen, posting nib – Pilot Blue

Bruno Taut
Shinjuku, November 6th, 2012
labels: Sailor, plumín

Reminder

Long time ago, at the beginning of this blog, I wrote a text vindicating the role of the nib –and of the feed—over the rest of the pen. A fountain pen, I wrote in Spanish, was a system to control the flow of a fluid on its way between a deposit and the paper. And therefore, materials, colors, filling systems, shapes are secondary as long as they created no problem in the act of writing.

However, current commercial trends seem to be focused on these secondary elements, and pen companies indeed charge a lot for those. Precious resins, colorful celluloid, exotic lacquers, intricate ornaments, rare wood, new materials, … revival of pneumatic filling systems, pistons, plungers, eyedroppers… The business of new fountain pens is no longer based on the utility or on the need to write. Fountain pens are a commodity, a symbol of status, a sign of snobbism. And craving over need determines what we, users and collectors, end up buying.

But some people do not want to forget that fountain pens are writing tools. And that is why people like Yamada or Nagahara and those many masters in adjusting a nib are so necessary.

Pilot Elite pocket pen, posting nib – Pilot Blue

Bruno Taut
Shinjuku, November 9th, 2012
labels: plumín, Mercado, estilofilia, Yamada, Sailor

Autumn in Madrid

IX Madrid Pen Show. November 16-18th, 2012. NH-Eurobuilding Hotel (Padre Damián, 23. 28036 Madrid).

Entry fee, EUR 3 per day. Voided with the invitation shown on this link. Carry one copy per person per day.
Opening hours for visitors: Friday: 11:00-20:00
                                            Saturday: 10:00-20:00
                                            Sunday: 10:00-14:30

The Madrid Pen Show is one of the big trading events in Europe. On the last edition about 50 traders and 1000 visitors gathered to discuss and learn about pens, and to trade them too! This year, the event will take place at a much larger venue –roughly twice the space of that in previous years—at the NH Eurobuilding Hotel. However, the organizers say the number of traders will not change by much. The primary consequence will be a more relaxing atmosphere in less crowded lounges. And, hopefully, more pens.

Pilot Petit-1 – Diamine Teal

Bruno Taut
Shinjuku, October 24th, 2012
labels: Madrid, evento, mercado

Fude Matsuri

Nibmeister Yamada is already well known to the readers of these pages. His innovative approach to nibs and his impressive skills to manipulate them are always sources of amazement.

At the last Fuente meeting in Tokyo (October 27 and 28) he showed the latest modifications he had made for some friends. It was indeed a festival of fude nibs. First, he showed a Visconti Opera, a Twsbi Diamond 540, and a Twsbi Micarta 805 with their nibs modified.

The Visconti Opera with its 14 K gold nib.

The Twsbi Diamond 540's steel nib.

The steel nib of a Twsbi Micarta 805.

All three modified nibs together for comparison.

Later, on the spot, he modified the generic nib of a Lapita Lemon—a mostly uneventful pen sold together with the now discontinued magazine Lapita in 2005.

The Lapita Lemon pen...

...and the writing test with orange ink.

And the very rigid nibs became something more exciting. Hats off, please.

Pilot Custom Heritage 91, SFM nib – Diamine Teal

Bruno Taut
Yokohama, November 3rd, 2012
labels: plumín, Yamada, evento, Visconti, Twsbi, Lapita

Chromatography

The trick is simple and well known—lay an ink drop on a piece of kitchen (or blotting) paper, add a bit of water, and the ink will spread through the paper fibers and will show the different dyes composing that particular ink.

This is an easy test to check if two inks are the same or not. Well, the negative results will be final while the positive one should be subject to more analysis. In other words, two inks with different dyes will certainly be different, but two inks showing the same dyes might still be different as there are some other factors that could affect the final color and performance.

Given the doubts I had about how Iroshizuku Take-sumi and Pilot Black compared I performed, by suggestion of FPGeeks Forum member FP_GaF, a chromatographic analysis. The results are clear—both inks are different. The Iroshizuku Take-sumi has a blue-violet component that is absent from the regular black ink. On its side, the Pilot Black is more homogeneous, showing basically a grey dye, albeit with a small presence of a green-brownish component.

Two sets of chromograms on two different types os paper. Iroshizuku Take-sumi ink is the one on the left hand side, and the regular Pilot Black in on the right. Take-sumi ink has a bluish violet dye that is not present on the regular Black ink. On its side, this cheaper ink has, over the domininant grey color, a brownish green dye.

However, the final results of these two inks when used with a fountain pen —which is what we love to do— are really similar, as was shown on the previous chronicle. And the question on the price difference remains appropriate.

Pilot Elite pocket pen, posting nib – Pilot Blue

Bruno Taut
Yokohama, October 31st, 2012
labels: Pilot, tinta

Inks and Marketing

What does it take to upgrade a regular ink to the category of fancy perfume-like essence?

Maybe a nice package makes the metamorphosis, for this seems the trick played by Pilot. The newly released Iroshizuku ink by the name of Take-sumi is, to my eyes, remarkably similar to the regular black ink of Pilot. The problem is the price difference: JPY 31.5/ml for the fancy Iroshizuku, and JPY 14.0/ml for the boring black.

Scanned picture. As usual, the color rendition depends heavily on the screen calibration and on the light under which the image is seen.

Photography of the same piece of paper shown above.

Is the bottle really that expensive?

Pilot Custom Heritage 91, SFM nib – Diamine Teal

Bruno Taut
Yokohama, October 31th, 2012
labels: Pilot, tinta, mercado

November Inks in October

The announcement (::1::, ::2::, ::3::) was that the last three colors of the Iroshizuku line of Pilot inks were seeing the market this coming month of November. Well, it is not yet November, but the inks are already available in the shops in Japan.

Take-sumi (竹炭): bamboo charcoal. A black ink.
Ama-iro (天色): sky color. A light blue.
Shin-kai (深海): deep sea. A dark blue.

The last three inks on a see of Iroshizuku.

Apparently, the Iroshizuku line of inks in now complete. Is this all given its success? Is this all given the much wider selection of colors of other manufacturers?

Sailor pocket pen, 14 K nib – Wagner 2008 ink

Bruno Taut
Yokohama, October 26th, 2012
labels: Pilot, tinta, Mercado, Japón