Petit

Para Aina-chan.

Pen review. Pilot Petit 1.

Pilot Petit 1 are small and inexpensive fountain pens aimed, so Pilot said, at the market formed by high school and college students. It seems Pilot marketed these pens only in Japan, although there are a number of online shops ready to send them anywhere. Interestingly enough, these pens attract the attention of many people, and later they become frustrated for not being able to buy them easily.

The object under review.

1. Appearance and design. (8.5/10)
Pilot Petit 1 are small pens made of plastic. The only metal part in them is the stainless steel nib. I guess we could call them demonstrators as they are transparent. Feed and clip show the original ink color, of which there are 14 different variations.

The overall aspect is very informal, but also appealing. In my opinion, this is an attempt to bring a fountain pen into the realm of kawaii!!!, cuteness, so dear to Japanese youngsters.

The 14 different Petit 1.

2. Construction and quality. (9.0/10)
This is a well made plastic pen. The material shows some flexibility keeping it from cracking. The cap fits perfectly well on the section, when closed, and on the barrel, when posted. The section has four small bumps to ensure this perfect fit, and the barrel has a special form matching that of the cap.

Inexpensive, but well made pen.


3. Weight and dimensions. (7.0/10)
Small pen, but not a pocket pen with the usual design of long cap and short barrel. Nonetheless, as was mentioned before, the cap fits tightly on the barrel to provide the extra length needed to grab it comfortably. However, this is not a pen to write long texts.

The balance is easy to achieve given the very low weight and there is not much difference whether the cap is posted or not other than providing a comfortable length.

Dimensions:
Length capped: 104 mm.
Length open: 90 mm.
Length posted: 129 mm.
Diameter: 13 mm.
Weight: 9 g.


4. Nib and writing performance. (8.0/10)
Rigid steel nib with only one possible point: F. This pen, however, shares the nib with the disposable Vpen, and this one also has the option of a medium nib. The steel nib is fairly smooth and has a very correct ink flow.

A Vpen M nib together with a Petit 1. The red arrow points at one of the bumps to secure the cap in place when the pen is capped. There are four of those on the section.

5. Filling system and maintenance. (6.0/10)
The Petit 1 comes already inked with the matching ink. It uses a special type of Pilot cartridges—smaller than the regular ones. These can be used in other Pilot pens, but regular cartridges —nor any Pilot converter— do not fit inside the Petit 1 barrel. Too petit!

The special cartridge.

This pen, with some minor adaptation in the thread between barrel and section, could be used as an eyedropper.

Nib and feed can easily be extracted from the section by yanking them out. Therefore, the cleaning of this pen is very easy.

The nipple to attach the cartridge to the section.

6. Cost and value. (8.0/10)
This pen costs JPY 300 (plus taxes) in Japan. It is indeed inexpensive and offers a nice performance. The small size might be its main problem.

The other big pen companies in Japan also produce inexpensive pens. Platinum’s Preppy and Riviere, and Sailor’s Ink Pen rally on the same category. However, in my experience, the Petit 1 offers the best writing performance of the group. Filling system-wise, the Petit 1 is the worst as it does not accept any converter, and uses a very special type of cartridges.


7. Conclusion. (46.5/60=77.5/100)
Inexpensive and fun. Good writer save for the dimensions. Correct nib. Being a cartridge-only pen took points away.

(Note added on March 29th, 2012: Second and third generation of Pilot´s Petit 1 introduced some modifications that could affect the grades of this review. One of those changes was a substantial reduction in the price: from JPY 300 to JPY 200).

(Pilot Petit 1 – Pilot Blue Black)

Bruno Taut
Madrid, November 30, 2010
[labels: Pilot, Platinum, Sailor]

Empty Boxes

Among fountain pen enthusiasts, ball pens do not enjoy much particular favor. One of the arguments is that the essence of a ball pen is an empty box given the fact that the writing object –the ball and the ink deposit— is disposable.

Having this in mind I cannot help taking a critical look at the very successful Pilot Capless or Vanishing Point.

Six Capless pens. From left to right: Red Capless from 1964 with a 14 K gold nib. Dark green model from 1996. This model was on production in different colors between 1973 and 1998. Dark gray, silver colored and red Capless from the 2000s with either steel or 18 K gold nibs. Finally, blue Décimo from 2010 (on production since 2005).

This Pilot model was launched originally in late 1963 and several major changes and improvements have seen the light along its history. The current model in steel and some form of enamel dates from 1998. Since that date, Pilot has marketed a big number of variations including several limited editions. In 2005, a thinner and lighter version of the 1998 Capless was released as a limited edition with the name of Sesenta, and later renamed as Decimo. And in 2006, Pilot marketed the bigger Fermo, with a twisting knob to operate the nib.

Two Capless F nibs in different materials.

But the only variation on those pens lay on the external decoration. The nib (together with the feed and the ink deposit) is exactly the same for all of them, and exchanging them requires no technical ability whatsoever. Therefore, it is possible to change the box while keeping that nib we enjoy so much. Actually, the list of Capless points is quite limited:


In the past, there also existed 14 K gold nibs.

The full gamut of points in Capless nibs in 18 K gold (as of November 2010).

The Pilot Capless/Vanishing Point with all its variations is a big marketing operation backed, of course, by the response of us stylophiles. The Capless, some say, is a very collectible pen, but that obeys, I think, solely to the aspect of empty boxes—just like ball pens.

(Pilot Custom 74 – Pelikan Turquoise)

Bruno Taut
(Madrid, November 30th, 2010)
[labels: estilofilia, Pilot]

Matching (I)

The controversy is always there: Is that pen original or a copy of another? Which company did father that idea?

I have already spoken in these chronicles about some cases of plagiarism, or coincidence, or inspiration…—the torpedo type of pens á la Montblanc Meisterstück, the capless idea behind the Pilot model, the black pocket pens made by the big three Japanese companies… And there are many other examples. After all, nihil noui sub sole.

Today’s matching couple are two telescopic pens with very different birthplaces. Telescopic pens can be made longer from their compact dimensions in order to become normal in size when expanded. A more detailed analysis of a telescopic pen, a Pilot Short pen with golden nib, can be seen on the Chronicle entitled "Origami".

Capped and contracted.

The older is a Pilot Short Pen originally released in 1968. It came with golden or steel nibs. It uses Pilot cartridges and the CON-20 converter.

Capped and expanded.

The second pen is a Parker Esprit, initially sold as Rotring Esprit during the 1990s. The end of the century sees how Sanford (Newell Rubbermaid’s stationery division) buys Rotring in 1998 and Parker in 2000. Some years later, the Rotring pen is modified to be marketed as a Parker model. As a result, the Esprit now uses short Parker proprietary cartridges instead of the short international ones used by the Rotring predecessor.

Uncapped and expanded.

As is often the case, the Pilot pen is rarely seen outside Japan, whereas the Rotring and Parker pens enjoyed a much wider distribution.

The nibs are very different--semi-hooded on the Pilot, uncovered on the Parker. Pilot Pen also came with a 14 K gold nib, although not in the pen displayed on the picture.

Copy, homage, inspiration or mere coincidence?

My thanks to Kinno-san.

(Parker Esprit – Parker Black)

Bruno Taut
(Madrid, November 18th, 2010)
[labels: Rotring, Parker, Pilot]

Música

Today I wanted to show some more music nibs (I, II, III). I must confess my attraction for them—on top of being visually very appealing, their writing is a real pleasure. Music nibs are, in essence, a complication on the idea of a stub nib—wide vertical line and fine horizontal stroke. The addition of a second slit (third tine) simply adds more ink flow to the nib.

The only music nibs on which I have put my hands are Japanese. And not much information can be found on the Internet about non-Japanese music nibs. I wonder if all this was a good indicator of the actual differences between Japanese and non-Japanese companies regarding nibs.

A Platinum P4 from 1950s. The clip is remarkably similar to that of Parker.

The first nib I am showing is a Platinum P4 from 1950s. It is a “shiro” nib in, of course, steel.

The engraving on the nib reads “PLATINUM / PLADIUM / (Company logo) / JIS logo / -<5>- / P-C”. Most likely, “pladium” is a misspelling.

Platinum music "shiro" nib.

The nib on the right belongs to a Pilot Super 100 (1960)--a self filling pen. The one on the left belongs to a Custom model from the late 1960s--a cartridge/converter pen.

The second nib belongs to a cartridge-converter Pilot Custom from late 1960s or early 1970s. It is very similar to the nib of the 1960 Pilot Super 100 already analyzed on these chronicles.

Pilot Custom from 1970s.

Finally, the third music nib is installed in a Pilot Custom from the 1970s. It is a more modern design.

Three different music nibs by Pilot. On the top, a Super 100 from 1960. On the left, the Pilot Custom from late 1960s. And on the right-bottom corner, a Pilot Custom from the 1970s.

The final picture show three Pilot music nibs and shows the different shape of the points.

My thanks to Mr. Yamada, nib master.

(Pilot Super 100 with music nib – Pilot Blue)

Bruno Taut
(Madrid, November 25-27th, 2010)
[labels: Pilot, Platinum, plumín, evento]

Gester

Ges and Ter are the two rivers merging at the city of Torelló, the hometown of the pen company Súper T. Putting both names together, the company founder Manuel Portus got the name for one of his creations: Gester. Four different Gester models were produced –20, 40, 60, 80— albeit with a number of variations along their thirty-something years of existence.

This is the review of a recently purchased Súper T Gester from around 1970—a model 20 with a steel nib.


1. Appearance and design. (9.0/10)
This is a very appealing pen with an original design. Although originally inspired by the Parker 51, Manuel Portus managed to make a very distinctive tool. This Gester is made in navy blue plastic, with clip and cap ring in steel.


The clip deserves a close attention. It is made with a single piece of folded steel. This design was originally conceived for the model Olimpia (1960) and later adapted to the higher end Gester. This detail shows that this particular gester 20 was made around 1970.


2. Construction and quality. (8.5/10)
This pen is solidly made with good quality plastic. All the elements fit well. The piston –yes, this is a piston filler— works flawlessly despite its 40 years of age.

Certainly, one could demand higher appealing materials, but the model 20 was the entry level to the Gester pen.

Cap ring signed as "SUPER T GESTER".

3. Weight and dimensions. (9.0/10)
This is a light pen with an excellent balance, especially if unposted. Average in size, its girth is comfortable on the hand.

Dimensions:
Length capped: 134 mm.
Length open: 122 mm.
Length posted: 149 mm.
Diameter: 11 mm
Weight: 18 g


4. Nib and writing performance. (7.5/10)
This entry level pen has a very correct steel nib. It is smooth and has a very good and pleasant flow. Very rigid, no hint of giving under pressure.


The advertisements of the Gester pen in the 1950s spoke of up to 20 different nib points, but nowadays there are few chances to find them in the second hand market.

October 1956 ad. The last paragraph speaks of 20 possible nibs. Advertisement collected by Grafopasión member Claudio.

5. Filling system and maintenance. (8.5/10)
This is a piston filler. Unfortunately, there is no window to check the how much ink is left inside. On the positive side, section and barrel can easily be decoupled by unscrewing them. This eases the cleaning process and allows an easy access to the piston.

The thin metallic ring separates the section from the barrel. The inscription reads "SUPER T 'GESTER' TORELLO ESPAÑA".

6. Cost and value. (7.0/10)
Súper T pens were not cheap at their time. Some Gester models were more expensive than the luxury Parker 51. But Súper T pens were good quality tools.

New Old Stock Gester 60 from mid 1960s with the price sticker on it. 750 pesetas was a small fortune. In comparison, a Parker 51 at that time cost about 500 pesetas.

After years of oblivion, Súper T pens are becoming popular among Spanish stylophiles and the demand is increasing. However, it is still possible to find them for less than €100 in excellent condition.

The conclusion is that I could buy a good quality writer for an acceptable price.


7. Conclusion. (49.5/60=82.5/100)
Very well constructed pen with a reliable piston system. Smooth, but stiff nib with an excellent flow.

My thanks to fellow Grafopasión forum members Alberto, Claudio and Olga.

(Súper T Gester 20 – Pilot Iroshizuku Kon-peki)

Bruno Taut
(Madrid, November 17-21th, 2010)
[labels: Súper T]

Torelló

Spanish fountain pens are basically unknown outside Spain. Their history, actually, has not yet been written and it might very well be the history of a frustration—that of the inability to generate any successful industrial enterprise. But among those failures and frustrations some pen companies created very interesting products in Spain.

Such was the case of the company Súper T, based in the city of Torelló, in Barcelona province. Manuel Portús Ribas created this company in 1942, and it was active until 1976, five years after the death of its founder.

October 1953. Súper T ad of pen models 20, 40, 60, and 80. Collected by Grafopasión member Claudio.

Súper T manufactured basically two models, named Gester and Olimpia. The first is known to be in production since 1943. There were four basic versions of it –20, 40, 60 and 80—, three of which remained in the company catalog until the mid 1970s. The very luxurious Gester 80 –“a gift for a prince”, the ads said— had a solid gold cap and disappeared from the catalog around 1957. That model is now very rare and highly sought after by collectors.

Delta de Oro prize. Photo courtesy of Olga Portus.

The Olimpia model took its name after the Olympic Games in 1960. This pen received the “Delta de Oro” prize of design in 1961 given by the Catalan Associació de Disseny Industrial del Foment de les Arts Decoratives (ADI-FAD). It was on production until the company disappeared.

Ad from September 1953 of Parker ink manufactured in Torelló. Advertisement collected by Grafopasión member Claudio.

During the 1950s Manuel Portus received an offer from Parker to buy the company. Apparently, the American company was interested in the gold plating system used by Súper T—it provided very high quality results on caps. The parties did not reach an agreement, but as a result of the negotiations, Súper T started manufacturing Parker ink –Quink— in Torelló, Spain.

Manuel Portús died in 1971 and the company passed onto his son Juan Manuel. The decline of the company started, coincidentally, at that time. The early 1970s economic crisis and the popularization of ball pens pushed Súper T into reducing production costs. The excellent quality of previous years vanished rather quickly.

Finally, the company closed down in 1976.

My thanks to fellow Grafopasión forum members Alberto, Claudio and Olga.

(Súper T Gester 20– Pilot Iroshizuku Kon-peki)

Bruno Taut
(Madrid, November 17th, 2010)
[labels: España, Súper T, Parker, fora]

Madrid Pen Shops - November 2010

This chronicle, as that devoted to pen shops in Tokyo, needs a special attention to be of any utility. The updated version can be found on this page in this blog.

Madrid was my city for many years. Now I am just another visitor. A frequent visitor if you would, but a visitor nonetheless.

I started writing with fountain pens in this city. I took probably too many notes with them during my high school and college years. And I received some pens as presents from friends and relatives. But pens were hardly the obsession they are now and I never had the need to find very specialized shops.

But now I do look for pens and getting to write a list of them was almost a necessity.


View Fountain Pens in Madrid in a larger map


Second hand shops.

Anticuario López Linares
http://lopezlinares.com/
I have not visited this shop.

Calle Conde de Aranda 6
28001 Madrid
Tel: 914 351 049

Calle Claudio Coello 60
28001 Madrid
Tel: 915 762 648


Antigüedades El Campillo.
http://www.antiguedadeselcampillo.com/
An antique shop with some pens. Irregular condition.

Calle Fernández Oviedo 8
28002 Madrid
Tel: 915 152 264


Club de Estilográficas de España
http://www.clubestilograficas.com/
High quality vintage pens. The owners are specialized in early 20th century US American pens. Good selection of inks associated to tinteros.com. New pens of the brand Romillopens. English and French spoken.
Repair service available.

Ronda de Segovia 20
28005 Madrid
Tel: 914 619 079


Gráficas Santa Cruz
http://www.gsantacruz.com/
Never visited this shop.

Calle Rafael Calvo 40
28010 Madrid
Tel: 913 082 330


Trade Art S. L. - Julia Gusano
http://www.juliagusano.com/?language=en
Nice shop with lots of vintage pens. The owner is a well known collector of Parker 51. Julia Gusano speaks English.
Repair service available

Calle Zurbano 84 - Segundo patio
28010 Madrid
Tel: 914 417 784


T & T Reparaciones

Never visited. Nominally, a repair center.

Calle Fenelón 18 Local 2B
28022 Madrid
Tel: 659 654 261
email: tonigomez1@hotmail.com



New-pen shops.

Carranza Estilográficas - Papelería Técnica Carranza
http://www.papeleria-tecnica.net/
New pens and an acceptable selection of inks. Very friendly attention. Pens are sold with a 5% discount. As of Novemeber 2010, this shop does not carry Lamy pens.

Carranza 8
28004 Madrid
Tel: 914 486 494


Estilográficas Sacristán
http://www.sacristan.com/
Very traditional shop in Madrid. Specialized in high end pens.

Calle Mayor 27
28013 Madrid
Tel: 913 633 576


Papelería Coplan

Small selection. Some new old stock pens.

Calle Marcenado 34
28002 Madrid
Tel: 914 152 687


Papelería Jomar
http://www.jomarpapeleria.com/
I have never visited this shop.

Calle General Diaz Porlier 7
28001 Madrid
Tel: 914 351 895


Papelería Manuel Martín

I have never visited this shop.

Calle Santa Engracia 60
28013 Madrid
Tel: 914 473 571


Papelería Rey
http://www.papeleriarey.com/
High end pens. Hardly any discount.

Avda. Ciudad de Barcelona 144
28007 Madrid
Tel: 914 341 099


Papelería Salazar
http://www.papeleriasalazar.es/
Good selection of pens and inks, but not much technical knowledge. Very polite and attentive service.

Calle Luchana 7-9
28010 Madrid
Tel: 914 461 848


Papelería Técnica Sancer
http://www.sancer.com/
From cheap fountain pens to high end. Some new old stock pens.

Calle Fernández de los Ríos 93
28015 Madrid
Tel: 915 496 344

Calle Fernando el Católico 77
28015 Madrid
Tel: 915 496 344


Romero Papelerías

Out of business.

(Pilot Elite Silver cap pocket pen – Sailor Red Brown)

Bruno Taut
(Madrid, November 13-16, 2010)
[labels: Madrid, mercado]